The Flash (2023)

Like it or lump it, after delays, and delays, and restarts, and bad press, and alterations, and production problems “The Flash” is finally here. And–I lumped it. It’s not to say that “The Flash” is the worst movie from the DCEU yet, but it’s definitely not one of the best. It’s a shame as the trailers inspired so much optimism and enthusiasm, but at the end of the day, it’s a terribly mixed bag with occasional redeeming qualities. Beyond the fan service, and Easter eggs scattered throughout, “The Flash” is right at the level of “Shazam: Fury of the Gods”; whether or not that’s a positive perspective is up to you.

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“Robot Monster” and Seventy Years of the Ro-Man

Will be screening on June 24th at 3p.m. at Manhattan’s Dolby Screening Room, 1360 Avenue of the Americas. Tickets can be purchased online.

“The boy is impertinent!”

Ro-man is not quite an ape. And he’s not quite a man. He’s kind of a sentient alien who is smart enough to destroy civilization but not smart enough to be able to breathe Earth’s atmosphere sans his diving helmet. He’s a complicated Ro-man and no one understands him but his woman. Phil Tucker’s “Robot Monster” is a post apocalyptic survival film that conveniently evades all glimpses at the actual invasion and aforementioned apocalypse. The evil Ro-Man have invaded and destroyed Earth because—well—humans are bad. And to add insult to injury they monitor the remaining survivors in hopes of capturing and or destroying them.

They can never seem to make up their minds on that mission statement.

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Transformers: Rise of the Beasts (2023)

I’d like to believe that 2018’s “Bumblee” kind of rubbed off on the studios and it caused them to go in to another direction with their “Transformers” movie series. The “direction” being making their “Transformers” series watchable, entertaining, and coherent. Where as the previous films were all overlong, droning, loud, and obnoxious, “Rise of the Beasts” actually manages to be a very good time. And I say that as someone that’s been completely dismissing anything and everything about “Transformers” since the movies wound up being so god awful. “Bumblebee” being the exception, of course.

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SILEO (2022)

The search for meaning, and why we exist is a question that plagues most sentient things on the planet. Although we’d probably be better off merely surviving day to day there’s the curse of the conscious being that we have to know why. That’s basically the premise for “SILEO.” Three years in the making, director and animator Demeter Lorant has build a dystopian, cold world where everything and every facet of society is run by machines. The machines have evolved to such a point that even the older models are being rejuvenated bit by bit. When GEFF 325520-BD, a fixer unit robot, decides to halt production, he goes on a quest to figure out why he’s there.

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5 Scary Movies to Watch if You’re Afraid of the Dark

With Stephen King’s “The Boogeyman” now in theaters and wreaking havoc, I thought it’d be fun to take a look at five great horror movies for nyctophobes. If you’re terrified and absolutely petrified of the dark, these five movies use the darkness not just as a plot device, but as their primary setting. Things that go bump in the dark are what these movies thrive on offer some pure terror, and I highly recommend them as chasers for “The Boogeyman.”

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Spider-Man: Across the Spider-Verse (2023)

While “In to the Spider-Verse” demonstrated Stan Lee’s philosophy that anyone can be Spider-Man, and anyone could be a hero, “Across the Spider-Verse” is an exploration of the hero’s biggest mantra. “Spider-Man’s” core philosophy has always been that with great power, comes great responsibility, and with the follow up to the immensely successful “In to the Spider-Verse” we garner a look at the fallout from the abuse of massive power, and how it can corrupt even the best of us.

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Destroy All Monsters (1968)

The Japan Society will host the “Destroy All Monsters” 55th Anniversary Screening at 7 pm on Friday, June 16th. Tickets will be available at japansociety.org/film. This screening will take place at New York City, inside Japan Society’s landmarked headquarters at 333 East 47th Street, one block from the United Nations.

I admit to being one of those people that used to kind of zone out during the human parts of the “Godzilla” movies and then really pay attention during the big fights. I’ve always liked “Godzilla” but “Destroy All Monsters” has always evaded me for some reason. When I used to watch it on network TV it never aired, and I always had a hard time finding it on VHS. “Destroy All Monsters” is basically the “Avengers: Endgame” of its time. It’s the all out assault of giant kaiju duking it out and wreaking havoc on Earth, and director Ishiro Honda throws in everything but the kitchen sink.

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