One of the elements I truly loved about “Altitude” is that director Kaare Andrews manages to convey a sense of isolation in the open skies. He constantly zooms back upon open spaces and landing strips mountain ranges, all of which are dwarfed when the people inside the small aircraft find themselves in the middle of a mysterious nowhere land in the sky being terrorized by unexplained phenomenon threatening to throw them in to oblivion. Andrews who has a past in comic books really knows how to express a sense of the EC Comics atmosphere where every scene is painted like a graphic novel, especially when the group of friends venture in to the blue sky to be confronted with a black cloud that brings them in to an endless abyss of lightning, darkness, and zero answers for survival.
Tag Archives: Science Fiction
Pie Tins & String: Celebrating "Plan Nine"
“My friend, can your heart stand the shocking facts of grave robbers from outer space?”
In some plane, I can see why Ed Wood would turn to Criswell for advice on the future. The man is so insane and incoherent and yet so stern in his predictions that he’d naturally be deemed something of a deity or messiah to someone as nutty and eccentric as Edward D. Wood Jr. In fact if I could meet someone alive or dead, I think I’d love to sit down with Criswell and pick his brain while munching on some acid, because I think my head is doomed to explode from the utter inanity and absurd circular logic this man will inevitably spew for hours on end if given the opportunity.
For many, the most infamous and most attractive aspect of “Plan Nine” is Criswell, an element of a science fiction movie so unnecessary it’s astounding to sit and watch. Criswell serves no purpose to the overall narrative of “Plan Nine” beyond narration, and even then there’s really no need to explain everything before our eyes.
Our Top Ten “The Twilight Zone” Episodes of All Time
As I’ve learned this year, there are still people out there who haven’t seen “The Twilight Zone” and are not aware of the often brilliant and shocking twists hiding within the mysteries that master storyteller Rod Serling composed in the fifties and sixties. As many know “The Twilight Zone” is one of the best and more influential anthology series of all time, a show that was at times scary, funny, and compelling while also serving a purpose to comment on issues like poverty, death, the war, the holocaust, crime, infidelity, greed, and the debate of heaven and hell along with theology and the flaws of the human soul.
At rare times it was merely a form of escapism, and not every episode was a bonafide masterpiece, but almost all of the time Serling’s seminal science fiction show was about something. It had a statement to make, it was important and that’s why it continues to be look at as the standard for modern pop culture influencing thousands of television shows, authors, and musicians across the world and is basically larger than life. It’s garnered two pretty underwhelming feature films, a respectable but mediocre eighties reboot, and a very bad, and quickly cancelled millennium reboot, all of which have paled in comparison to Serling’s original series. While we left out many good episodes of Serling’s science fiction horror series, these are the episodes we consider the best of the best and our absolute favorites.
Warning: If you’ve yet to fully indulge in the entire legacy of the series, be cautious there will be spoilers within this list as we offer up our ten favorite episodes of “The Twilight Zone” of all time.
Resident Evil (2002)
Back in 1996 when Capcom and Playstation released “Resident Evil,” the horror and gamer world were awash with buzz and raves of a game that while lacking in voice acting department (seriously if you’ve ever seen the filmed intros to the American game, you’ll laugh non-stop), was an all around horrifying and inventive survival horror game that begged to be made in to a movie. It featured all of the tropes of the classic horror genre from a large spooky mansion, a bunch of mercenaries called out to investigate strange goings on all of which lead them to clash with undead dogs, birds, ravenous monsters and–worst of all–hordes of flesh eating zombies.
Splice (2010) (Combo Pack)
Vincenzo Natali’s “Splice” was one of my favorites of 2010. It’s a surefire Frankenstein tale about two scientists on the precipice of creating not only a brand new species but a brand new gender. When they venture in to the depths of their scientific realm and work outside the confines of their regulated laboratory, they soon discover that they’ve created the ultimate being. Named Dren, she is a pure unadulterated force of nature, both of the emotional and the sexual. What begins as a science experiment gone awry soon turns in to a clear cut case of God Complex coming in to fruition as characters Clive and Elsa (ignore that clunky reference, and you’ll be fine) attempt to create a life, still stifled by their ability to do so in a relationship filled with ambition and mutual respect, but little to no intimacy.
The Sky Has Fallen (2009)
For a movie about the end of the world through an Ebola-like virus that infects people and turns them in to demonic killing monsters that feast on the living, while shadowy specters wait in the darkness carrying off the innocent and the dead, I was surprised at how utterly bored I was through most of this movie. In fact “The Sky Has Fallen” literally had me watching the clock and completely apathetic to its entire premise. As someone who adores almost any movie about the end of the world, director Doug Roos really doesn’t put an argument as to why his movie stands out among a slew of better indie films about the apocalypse and the undead.
Superman/Batman: Apocalypse (2010)
For what it’s worth Lauren Montgomery really does manage to compose some magnificent fight sequences, one of which involve Big Barda and Wonder Woman on Apokalips fighting his female warriors. While the finale is meant to be nothing more than a throwdown between strong women, it’s definitely a nice touch to a lackluster film that is often exciting and memorable to watch, especially with the sleek animation style. Summer Glau is always good, and as Supergirl she provides her trademark meek voice that’s undermined by a strong sense of independence and wonder that keeps her as a strong portrayer of the Supergirl character.