Director Daniel Smith and Co-Collaborator Jeff Sheetz took it upon themselves to create possibly one of the finest homages to the “Star Wars” universe of all time, and one of the most clever looks in to the untold story of Lucas’ most iconic characters by taking the combined talents of Dave School from Universal Studios to tell their own prequel, the prologue to Han Solo and Chewbacca.
Tag Archives: Science Fiction
Smallville: The Complete Ninth Season (DVD)
Yes, whether we Superman fans like it or not, “Smallville” is on its ninth season and continues to stagger on like the mummy. You know it’s falling apart, but nevertheless it just continues to shamble on and on. “Smallville: The Complete Ninth Season” on DVD only signifies that the series has done every single thing imaginable to stray away from the true Superman mythos in an attempt to not only keep the general fans of the show interested, but to dodge the continuing lawsuit DC is enduring from the Shuster family.
The Lost Skeleton Returns Again (2009)
I wanted to love “The Lost Skeleton Returns Again.” Truth be told I’ve spent a lot of time trying to love Larry Blamire’s first film and then tried anxiously to really love and be enamored by his spoof of science fiction cinema with a title that’s about as redundant as any disposable sci-fi cheese released, but… I just can’t. Even though the cineaste in me is begging that I should. And while he does take great pains in committing to his tribute by writing some of the most quotable moments in independent cinema in a while, along with some rather comical performances, “The Lost Skeleton Returns Again” is a ninety minute gag that you’ll enjoy for the first thirty minutes, like after forty five minutes, and then wonder when it will end after an hour has passed.
Hellbound: Hellraiser II (1988)
Yes much like the original Barker film, I’ve yet to ever really see “Hellbound,” as it’s managed to elude me for many years. I can recall seeing bits of it on a local cable station in America and never quite being able to experience it in its entirety. Tragically the only remotely interesting character in the entirety of “Hellbound” is Tiffany. Introduced as one of the more gifted and confounding of the patients within the mental institution, the character is a labyrinth within a labyrinth, a taskmaster disguised as mentally ill whose own personality and identity is about as enigmatic as the demonic puzzlebox. Imogen Boorman gives a rather striking performance as this walking riddle who consumes most of her time solving puzzles and tricks that doctor Channard gives her.
Tekken (2010)
Someone somewhere figured that we as movie lovers and action buffs needed or would have wanted a “Tekken” movie–even if no one asked for it. Because as we are all aware, the “Mortal Kombat,” “Double Dragon,” and “Street Fighter” movies were all so amazing and rich in bone crunching action and sharp cinematic prowess that we just had to have a fifth tier video game franchise with fairly forgettable characters lacking any iconic sensibilities be turned in to action heroes for a potential film franchise. And not surprisingly this isn’t making the rounds in theaters any time soon. Movie websites have reported on this film for a short time and since then the word’s been slim to none on its quality.
The Raven (2010)
What with Hollywood running out of ideas and turning literally anything in to a movie including novelty toys we’ve long forgotten about (ahem–Magic 8 Ball), the studios are doing what we’ve been telling them to do for years now: they’re seeking out independent filmmakers for ideas. So now what with the surge of independent filmmakers retreating to Youtube to post their ambitious projects for free viewing, studios are snatching up these properties in hopes of coming up with the next big blockbuster. I mean… it turned out pretty well for “Paranormal Activity” and “District 9,” didn’t it?
Predators (2010)
Nimrod Antal’s “Predators” is probably one of the most simplistic action movies of 2010. Probably of all time. It’s a movie so void of any thinking or brains behind it you don’t have to do much except sit back and let the series of events unfold before your eyes and just watch people walk around and shooting things in a wooded locale. “Predators” offers no reason for knowing about the films before it, about the mythology, or about the overall concept. You just have to know that a bunch of criminals and soldiers have been dropped on to a jungle, are being hunted by something, and have to survive. That’s more a paper thin concept than an actual plot and nothing beyond that happens. Antal’s film would love to liken itself after the original “Predator” but in reality it’s just another retelling of “The Most Dangerous Game,” and doesn’t demand much from its audience.