10. Wall-E (2008)
Directed by: Andrew Stanton
Written by: Jim Reardon
Pixar Animation Studios, Walt Disney Studios
This was a last minute choice, but watching “Wall-E” in theaters this year was an incredible experience and has made me somewhat of a fan of Pixar Animation. Pixar and co. seem to put Disney on the fryer for the messages they influence here with themes of consumerism, materialism, and the dangers of dependence on big corporate conglomerates who keep us fat and happy. In their infinite ignorance, I doubt Disney saw the jabs through their dollar colored goggles. One of my favorite movies of 2008 and now one of my favorite animated movies of all time, “Wall-E” is that rare picture that features one of the most sympathetic heroes of all time, a droid with a simple purpose: Clean. He is then met by Eve, a new entity in his life that he falls in love with at first sight. This inspires a look in to a new world and a better purpose beyond working and he learns that he has a choice in how he lives his life. Just seeking to reclaim his love, he doesn’t know he’s introduced an apathetic, fat and lazy society to a world beyond comfort and sloth and to a crooked organization whose given up on humanity. It’s one of the most visually stimulating animated films with some of the best characterization I’ve ever seen in a movie that didn’t rely on dialogue.
Tag Archives: Science Fiction
Justice League: Crisis on Two Earths (2010)
Comic book geeks like yours truly are at a definite cross roads. Marvel continues to churn out animated series and live action movies like it’s going out of style yet their animated movie gallery has been severely hit or miss, while DC has only released big films from Batman and Superman and yet their animated movie gallery has promised quality almost all the time. I’m just curious when we can get a movie from them that’s longer than eighties minutes. That aside “Crisis on Two Earths” is another graphic novel that I haven’t read and thankfully I went in blind. I consider that an advantage because in the end it allows me to judge the material more objectively.
Dead Air (2009)
It’s hard to believe that a film I had considerable trouble sitting through without covering my eyes was directed by Corbin Bernsen of all people. This is the man who takes pride in starring in some of the worst horror movies ever made, and here he’s directed a film that has outweighed its double “Pontypool” in every aspect. While many were out celebrating the existence of the indie horror film about a radio DJ experiencing the end of the world through the radio, I sat waiting for something better from this concept and wouldn’t you know it? Here comes “Dead Air,” a movie that possesses basically the same concept and story and pulls off much more suspense and tension than “Pontypool” actually does.
Planet Hulk (2010)
I, for one, have never been much of a fan of the Hulk. Even when I was highly invested in Marvel Comics collecting them and rushing to newsstands every week with sheer excitement I always opted for something other than the green behemoth. Hell, I chose to buy Darkhawk and Super Pro over an Incredible Hulk comic. Apparently I’m in the minority again because Marvel seems to love the big guy. Ever since his introduction the Hulk has been included in practically every animated series, animated movie, live action movie, and comic series in some form. He’s even guest starred on series’ centered on the X-Men and Fantastic Four and somehow always manages to steal the spotlight. So it’s no surprise the Hulk is given yet another chance at the center stage with “Planet Hulk.” I never read the graphic novel, but as always Marvel squeezes in the entirety of the tale in to a movie that barely makes it past eighty minutes.
Massacrator (2010)
Watching “Massacrator” is frantic, jarring and violent, and in the end you feel very violated. I had every reason to love Pierre Ayote’s ode to Grindhouse silliness but instead I just couldn’t jibe with what was happening on-screen. Being a simultaneous ode to everything from Grindhouse to science fiction we meet Massacrator, a borg sent in to the present (or future?) to… kill a girl, I think. After decapitating a few poor suckers, he makes his way to a young woman who manages to get away just in time to avoid his super punch.
Dude, We're Re-Writing the Phantom Menace!
So as you all may know, we’re big, big fans of the “Star Wars” series. We’ve seen all the movies, all the re-edits and special editions, we (when we say we we mean me) bought all three covers of the TV Guide special edition celebrating “The Phantom Menace,” we’ve seen the animated series, the other animated series, that other animated series with those dumb teddy bears, the animated series with the gay robots, and the current animated series exploring Anakin’s life before he became all evil and melodramatic. Recently we rewatched the entire series on Spike TV here in America and realized that we didn’t enjoy the prequels as much as we remember. I mean I’m definitely in the minority when I say “Attack of the Clones” was watchable, and “Revenge of the Sith” almost (almost) gets in touch with what “Star Wars” is all about, but I sat watching “The Phantom Menace” and… um… yeah, it’s terrible. Terrible. Awful. I mean I still don’t know what the actual plot for that movie was. Seriously, tell me! I decrypted the plot to “2001: A Space Odyssey” faster than I did for this.
Cinema Crazed's Top 10 of 2009
10. Trick ‘r Treat
Michael Dougherty’s love letter to Halloween experienced so many problems since its introduction that it took literally years for horror fans to finally be able to watch it. When they did the reception was mostly positive. “Trick R Treat” is a classic anthology film that perfectly captures the feel of Halloween and celebrates the holiday’s greatest elements. From urban legends to classic monster mashes, Dougherty pulls out all the stops to tell various stories, all of which are filled with twists that you simply won’t see coming. So brilliant is it that you’ll need to see it three times to fully capture the essence of its in jokes and tricks and treats. Dougherty’s ode to All Hallow’s Eve is a title that won’t easily be forgotten.