A Night watchman finds blood and camera equipment in an abandoned property on a land he was hired to patrol by developers. He turns these in to the local police who go through the hours of recorded evidence. On these, they find a group of campers being terrorized and picked off one by one.
Tag Archives: Slasher
Red Christmas (2016) [Fantasia International Film Festival 2016]
A mother wants to have the best Christmas ever with her family. During the traditional day, tensions come to a boiling point when a stranger shows up at their door and wants to kill them all. This sets the mother on a warpath to protect her brood.
This Australian horror film is written and directed by Craig Anderson who starts by building a family with lots of issues and strife between its members. Most of their issues are the same as a lot of families while others are more unique. This family cares for each other against these odds and when all hell breaks loose, their bonds are tested. The writing here develops this family well and then brings some original kills to the table but the characters are not the most likable so it’s hard to root for them. This is all well directed for most of the film so the few issues seen here and there are not entirely awful, but the film lacks a bit in fun. Sadly, the killer’s motivation feels a bit preachy at times, making his condition a bit of a case of one too many things in the story. The way the killer is portrayed is unfortunately a bit grating and not really menacing.
The cast does ok with the material but it’s hard to tell if their characters were written that way or if they were directed to do this or if the way they act leads to this, but almost all the characters come off as unlikable and just disagreeable, selfish people. From the looks of things, it seems to be a combination of the three with other factors added to those. Knowing that Dee Wallace can play mother so well, her performance here is not as expected which may be due to putting too much hope on her. She is good, but some angles of her character are so dislikable, it’s hard to look over those. The rest of the cast being less familiar, they did not have as much expectations put on them, yes they still come off as dislikable to despicable as well.
As Red Christmas is a slasher, the kills and their effects are of high importance. The kills here are good with some original ones. However, the effects are decent at best with some pieces being not so good to just bad. The make-up and prosthetics on the killer look a bit like Toxie, with a low budget look and even somewhat of a family resemblance. Also an odd choice is how the kill set pieces are shot. In some cases, the lighting makes it hard to see what is going; on while in other cases, the shaky cam is nauseating, making the viewer look away and miss out on the scene.
This film has a lot of potential, but does not go for it. It has good ideas for kills with effect that are just not good enough to support those ideas. The characters are not people the viewers can get attached to. The killer is one of those that could have been good but his background and reason to kill make him hard to get into or behind. This reviewer wanted to love this as the last few years have given us so many good holiday themed horror movies, but even after giving Red Christmas as much slack as possible, it’s not a movie that can be considered good. A few good scenes here and there do not a great movie make.
Fantasia International Film Festival ran from July 14th until August 3rd, 2016 and will be back in the summer of 2017.
Slasher: Season One [Blu-Ray]
When last we saw Katie McGrath, she was suffering a cruel and unnecessary death in “Jurassic World,” and has now entered the sub-genre of the slasher film. A skosh more entertaining and engrossing than “Scream,” Chiller TV’s “Slasher” is a very entertaining, and tense slasher film that mixes in elements of a murder mystery in the process. I had no expectations for “Slasher,” and surely enough it won me over after two episodes, working within the confines of the slasher sub-genre, while also side stepping some of the more common clichés here and there. Much like “Scream,” main character Sarah comes from a small town where everyone has skeletons in their closets.
The Funhouse Massacre (2015) [Blu-Ray]
I honestly never go in to a movie hoping its bad, but most times I almost never go in to a horror movie with high expectations. I went in to “The Funhouse Massacre” with almost no expectations, and oddly enough ended up with a damn good and damn fun splatter horror comedy. Not only did I thoroughly enjoy “The Funhouse Massacre,” but I plan to re-visit it during Halloween. Were I wealthy enough, I’d even buy a bunch of copies and put them in the bags of select trick or treaters. If you love Halloween, director Andy Palmer’s horror comedy is a blast, and the very definition of a Halloween treat. Granted, there are some flaws here and there (blatant CGI sky shots, and a brutally predictable final scene), but once you forgive them, you can appreciate the good intentions Andy Palmer has for the audience.
“The Funhouse Massacre” is gory, it’s sadistic, it’s funny, and it has a damn creative concept I had a lot of fun with. Director Palmer charges in to the premise head first, even giving a logical reason as to why literally no one recognizes these serial killers occupying a Halloween funhouse. Palmer’s movie feels almost like a stand alone Batman tale, where Candice De Visser plays a demented psychopath and brutally sexy maniac in the vein of Harley Quinn, who breaks out a group of vicious serial killers from a local asylum. Jere Burns is fantastic as Mental Manny, the ring leader of the funhouse killers who almost seems to be channeling his version of the Joker, at times. Burns was always a fine actor, but he goes the extra mile here. When the group of killers invades a local funhouse, unsuspecting Halloween fans walk in to death and murder.
We follow a group of friends out for the night, prepared for laughs, unaware that the gore and splatter around them are really helpless victims walking in to the slaughter. Realizing what’s happening much too late, the group is locked in the funhouse without any escape. It’s now up to a local sheriff, her inept deputy, and one of the group’s survivors to stop them. A lot of the mayhem and premise certainly has a catch to it, as Palmer isn’t content with just throwing blood at the wall, offering a very slick reveal in the chaotic climax that I thought really tied the movie together. The collective cast is just top notch, as Palmer brings the best out of his performers, from a small cameo by Robert Englund, to a very funny supporting performance by Ben Begley who steals scenes left and right.
“The Funhouse Massacre” is a grab bag of laughs, gore, and creeps, and it’s definitely a horror comedy you should look in to come October. The Blu-Ray release from Scream Factory comes with an interesting audio commentary with director Andy Palmer, producer Warner Davis and actors Clint Howard and Courtney Gains. There’s “Popcorn Talk’s Video Commentary” with director Andy Palmer and co-writers/co-stars Ben Begley and Renee Dorian. There’s the three minute segment “A Day on the Set,” a five minute Production Diary, and the original Theatrical trailer for “The Funhouse Massacre.”
My Five Favorite Movie Masks
Whether or not you like “The Purge” movie series, the third film in the franchise entitled “Election Year” is on its way and looks to be pumping up the schlock we saw from the first two films. The wise move the studios have taken is placing better, and larger emphases on the villains and purgers of the film, rather than just giving us posters with the protagonists. The villains have been the most eye catching aspect of “The Purge” series mainly because they always have the best face paint and masks. In honor of the excellent one sheet recently released, I thought I’d narrow down my top five favorite movie masks of all time. It wasn’t an easy feat, but it sure is a fun one.
What are some of your favorite movie masks of all time? Let me know in the comments.
Fender Bender (2016)
I’ll admit I went in to Mark Pavia’s “Fender Bender” expecting almost nothing and was shocked at how effective it was in the end. It’s a solid stalk and chase slasher film mixing “Death Proof” and “The Hitcher” and director Pavia delivers a strong genre entry suitable for a lazy Friday night and some beers. “Fender Bender” centers on young Hilary, a girl living in New Mexico with her parents who just got her license. After a terrible break up with her cheating boyfriend, she accidentally runs in to another driver causing a minor fender bender. The stranger in question is a very forward and charming man who is very generous and friendly to Hilary after exchanging information.
Cutting Class (1989)
Director Rospo Pallenberg’s “Cutting Class” is a slasher film I’ve grown to enjoy over the years, and maybe that’s because there’s rarely a slasher that doesn’t win my heart. I first caught it during a late night screening on cable, and since then it’s grown on me immensely. It’s a late eighties last gasp at the slasher sub-genre that relies on the comedic styling of Martin Mull who attempts to survive an arrow attack in a conspicuously detached sub-plot from the central premise of a slasher stalking a high school.

