Yet another apparent true story about another haunting in America, “The Haunted” is one of the most effective and creepy ghost films ever made. Though it’s primarily a TV movie, it’s been sadly shunned in to obscurity in favor of the more appealing “Amityville.” But in the end, “The Haunted” ends up feeling like much more of a true and realistic tale of an actual demonic haunting, and it’s one filled with unnerving and absolutely terrifying instances of hauntings that are filmed with such sharp editing and dark tones that it still holds up as a cinematic experience you’ll be thinking about for hours after you’ve finished it.
Tag Archives: Supernatural
Our Top Ten "Tales from the Darkside" Episodes
“Tales from the Darkside” was initially supposed to be a “Creepshow” television series after the successful run of both films. Alas it never came to be and the idea was eventually transformed in to “Tales from the Darkside” bringing along the “Creepshow” alum of George A. Romero, Tom Savini, and Stephen King, all of whom contributed episodes and directed many of the key installments of the hit series.
One of the many anthology series of the eighties anthology revival, “Tales from the Darkside” covered fantasy, horror, and science fiction, and sometimes injected dark comedy in to the narratives. While not every episode is a masterpiece, these are ten of the best episodes of the series that I can never get enough of. Also, the theme song used to scare the living crap out of me for a time when I was a kid. It was so frightening it’d often reduce me to tears. Thanks George A. Romero!
Fright Fest: 12 Movies (DVD)
From Mill Creek Entertainment comes almost eighteen hours of movies that vary in quality but are guaranteed to entertain you and keep you in your seat all Halloween day. Featured in this set are twelve movies, all of which are some films I myself have been trying to acquire for years. For fans looking to purchase this DVD and see what they’re in for, here is what you’ll be getting:
From 1998 comes Devil in the Flesh a respectable and memorable “Fatal Attraction” clone starring the gorgeous Rose McGowan as the alluring but dangerous Debbie Strand who sets her sights on the handsome teacher of her new high school and seduces him in to a web of black mail and deception that ends with a slew of dead bodies unfortunate enough to cross her path.
Our Top Ten "Monsters" Episodes
1988’s “Monsters” was one of the many anthology shows in the eighties that managed to cash in on the anthology boom of the decade and offer up its own demented take on the concept. Like “Tales from the Darkside,” and “Twilight Zone” every episode provided its own story steeped in horror, science fiction, or fantasy but had on rule: It had to feature a monster in every episode. Every episode had a monster in one form or another.
Most times it was rather clever, other times it missed big time in its efforts to deliver something new (ahem–I’m looking at you, “My Zombie Lover,” and “Taps”). “Monsters” very much approached the genre with a mixed bag of tricks offering up some dark comedy, thick terror, and often ironic climaxes that succeeded in being a fun and unique series for genre buffs. While sadly fading in to obscurity, it’s still a very entertaining show, and it’s one I fondly re-visited after so many years off the air. To celebrate the lost formula of the anthology, we offer our top ten episodes of the series run.
The Backwater Gospel (2011)
Who needs a monster when you can allow people to become the monsters themselves? When you throw in a bunch of bigoted narrow minded individuals together, and hand them superstitious hokum to chew on, you’re going to get a good idea of who they are and who they will become in due time. The town in a desert hole finds itself fearing the reaper every time the dreaded undertaker comes around to take measurements for death’s latest toll, and uses their Christian beliefs as a shield against his menace.
Tales from the Crypt: Demon Knight (1995)
If ever there was a film treatment that deserved to be pegged as a feature length introduction of the 1990’s “Tales from the Crypt” series it’s “Demon Knight.” One part comedy, one part horror, one part mysticism, and a dash of irony makes “Demon Knight” one of the most entertaining horror romps of the decade with a premise that feels like an epic episode of “Tales from the Crypt” with every bit of comic book novelty you’d expect from something involving the Cryptkeeper. “Demon Knight” much like everything else in the “Tales from the Crypt” brand is a meta-horror comedy that works as a self-aware dose of the genre with a hefty injection of menace to go along with it. While the film does pack a large assortment of laughs and gaffs, it’s also quite scary.
Casper (1995)
For all of its flaws, 1995’s big screen adaptation of Casper the friendly ghost, actually manages to be a dark fantasy worth watching. Not only does it play all the right chords by casting in vogue and talented child star Christina Ricci as the heroine of the film, but it depicts a Casper the Friendly Ghost who isn’t a downer. While the animated shorts almost made you get in to a bathtub with a toaster in both hands, the feature film is life affirming and uplifting in its own ways. And to give Casper something of depth and plot friction, there’s the wise addition of three rude, crude, and disgusting specters who make everyone’s lives miserable.
The 1995 “Casper” wisely gives an identity to the ghosts that loved to scare while Casper refused to submit to his duties, and in the end, the feature film works very well. Much more than “Richie Rich” ever did. “Casper” is mainly a coming of age film that features Casper as a key to main character Kat to not only growing up but dealing with the concept of her mother’s death. Years after the death of her mother, she and her father James spend their days travelling and trying to uncover the secrets of the paranormal and the after life. Though James passes it off as research to his daughter, secretly he hopes to uncover the secret to connecting with his wife one more time and speak to her.
The duo decide to live at Whipstaff Manor in Maine where the mansion has been abandoned by its descendents thanks to its rabid hauntings, in spite of the fact that there is rumored to be a treasure hidden within the bowels of the house. While there James attempts to uncover the psychiatry of specters, dealing with random pranks and mean spirited play from the trio of uncles, all of whom take every chance to make the father and daughter miserable, while Kat finds a friend in Casper. Thankfully the portrayal of Casper is never cloying or abundant with cutesy dialogue. Casper as a character is lovable, and utterly adorable. He’s a being filled with optimism and love, but has also lived long enough to mutter nuggets of wisdom about death, the after life, and what it means to be alive.
And though originally many thought the addition of Casper’s uncles Stretch, Stinky, and Fatso to the fray would be a cheap grab for merchandise, the film actually sparks a great and logical argument for their presence. Ghosts are often thought as restless spirits that dwell in their past homes. Casper is a boy who died from a painful illness and died saddened and in terrible conditions, thus his state of misery keeps him perpetually stuck as a ghost. His uncles were three rotten and awful individuals who were so evil in their past life, they’re forever stuck as specters haunting their mansion because their evil prevents them from a peaceful slumber in the after life.
For a film made in 1995, “Casper” really does manage to re-invent the formula in many ways that are clever and very welcome. Rather than just animating Casper, he’s a very gelatinous translucent being who seems to be stuck between the after life and our life, thus he’s always faded but very eye catching. The trio of evil ghosts are almost always in a tint of green inadvertently creating this sense that they’re made from the same essence of Slimer from “Ghostbusters.” Christina Ricci is one of the finest child actors of the nineties, thus her role as Kat is empathetic and very heartbreaking, if derivative. Kat’s whole journey as the new girl in Maine plagued by bullies is very cliché as the main lure of the story is her relationship and bond with Casper, who offers her clarity in her darkest times.
What keeps “Casper” from being excellent is that though it’s touted to children, it tries to pass off a painfully ridiculous deus ex machina involving a machine and magic potion that could transform ghosts in to living beings once more, and never makes a really definitive bit of reasoning for even injecting it in to the story. Save for the final scene where Casper gets one of his biggest wishes, a fleeting and heartbreaking moment but one that really defies the film’s logic. Nevertheless, “Casper” is still an entertaining and adorable fantasy film that gives the character of Casper a hint of dignity and respect. It’s a shame this was followed up by endless piss poor direct to video sequels. In a decade that gave us “Flintstones” and “Richie Rich,” the cinematic adaptation of “Casper” is one of the very rare instances where they not only got it right, but improved on the original formula. Offering a sweet story, smart casting, and a sense of humor, “Casper” is still a nineties favorite that doesn’t get enough credit.