I’m honestly still not sure what to even make of this short zombie film even hours after seeing it. It’s ridiculous, ultimately pointless, and just loud, but… it’s also creepy, brilliantly directed, and the zombie effects are some of the best I’ve seen in a while. “Paris by Night of the Living Dead” is a pretty straight forward zombie short film that doesn’t pretend it’s anything other than an excuse to show zombies being massacred, mutilated and blown up in about as much excessive ways as humanly possible. It’s just fast paced and insanely absurd, but I couldn’t stop watching it.
Tag Archives: Suspense
Red Skelton Whistling Collection (Whistling in the Dark / Whistling in Dixie / Whistling in Brooklyn) (1941) (DVD)
The Warner Archives have brought movie buffs of all kinds together to bear witness to the immortal Red Skelton and his “Whistling” trilogy, the 1941 comedy series that brought Skelton together with co-stars like Eve Arden and Virginia Grey. Restored and featured in three separate discs, the “Whistling” collection is ultimately a mixed bag of Skelton comedies that are all fairly flawed with some dated zingers that fall flat on numerous occasions, but when they shine, they manage to draw some genuine laughs thanks to Skelton who is sometimes too goofy to enjoy, and other times seem too funny for the material he’s handed.
The She-Beast (1965)
I’m still trying to figure out if Michael Reeves’ 1966 quasi-creature feature is an unintentional satire, or just an overrated piece of cult cotton candy that gets more credit than it deserves. It was tough to make heads or tails of this movie at times, and you can sense the writer going off the rails in many instances where he just didn’t seem to be able to grasp his own premise. Why would it take bullets to bring down a witch that was around during the eighteenth century? Why bullets of all things? It’s tough to really capture what the film is going for when it purports to be an honest to goodness horror film and then shows a title card reading “Transylvania – Today.” Seriously? That’s the best that they could do?
Batman: Under the Red Hood (2010)
You really do have to give Warner Brothers credit for putting together rather fantastic all star casts for Direct to DVD feature films that will never get the same treatment as their theatrical properties. For films that are obviously just there to keep the cash flowing, the Batman titles have been consistently top notch; especially “Under the Red Hood,” a movie that’s slightly flawed, but still very entertaining. I’ve never actually read the mini-series from the comic books, but word of mouth indicates it was all one big build up leading to a massive cop out, so “Under the Red Hood” compiles all of the best moments and brings it together for a ninety minute action flick that involves a brand new quasi-crime boss in the city named the Red Hood. I had about one reason to see this: Jensen Ackles, the star of the best show on television at the moment “Supernatural.”
Amateur Porn Star Killer 3: The Final Chapter (2009)
In what I can assume is the final film in the “Amateur Pornstar Killer” film series, Shane Ryan commits fully to the “Final Chapter” in which our villainous voyeur Brandon returns yet again to wreak havoc and pure sexual violence on a poor young girl. Rather than lure her in like the first film, or gain her trust as a friend in the second, he’s just taken her hostage. Seemingly out of options this time around, Brandon and his camera have kidnapped a horrified young woman and brings her to a deserted landscape where he proceeds to pretty much sexually abuse and rape the crying woman as she can do nothing but cry and endure his punishment. As far as Ryan’s film series has gone, this is his most disturbing film to date and I seriously had a difficult time sitting through this. As is the case with Ryan’s other films, there are some utterly pointless sequences here including the first ten minutes which cuts from Brandon’s torture of his first victim, while oddly cutting to establishing shots of a city and Halloween decorations.
Splice (2010)
Vincenzo Natali’s science fiction Frankenstein tale of 2010 may and will eventually be misunderstood by a greater portion of the movie audiences expecting a simple monster flick about an experiment gone awry. While in essence it is just that, “Splice” is much more an on the nose satire of parenting and the intervening of the drug industry raising children, and the dynamic between father and daughter and mother and daughter. Ultimately while sometimes absurd and just filled with dark twisted humor, “Splice” offers the question if children are born and develop in to chaotic monsters, or if their parents and their own insecurities and misery eventually turn them in to such beings. What starts out as two scientists forming a bond with their own special creation turns in to a battle between two feminine species for the love of a man who begins to form unusual and abstract feelings for the both of them.
Plague Town (2008)
Adding to the continued xenophobia themed horror sub-genre, “Plague Town” is a movie that acts as a form of torture on its movie viewing audience implementing some of the most absolutely irritating and obnoxious characters I’ve ever seen put to a horror film, ever. Director Gregory tries to bring us in at eye view on a family of travelers who are griping and bitching at one another with some issues that have yet to be resolved. But that attempt to add these warring characters to the fold of horrific freaks on the Irish countryside works against him as there isn’t a single sympathetic character in the lot.