I’m no sports fan. I find no interest in sports, and I really don’t watch it, but “Through the Fire” is not about sports. You don’t have to like sports to know how damn good this is. It’s typical to say such a thing, but as a man who hasn’t seen a full basketball game in eleven years, it says something about the sheer quality and excellence of “Through the Fire”, that it was able to grab a hold of me and keep me glued to the screen. It’s not an insider documentary, it’s not a new look at sports, and it is not an exploitative peek at a man who ruined himself. It’s simply a down to Earth story about a young man who worked for his dreams and achieved them.
Tag Archives: T
Troy (2004)
“Troy” is ultimately the prime example of how such an immense concept ripe with possibilities and potential can be so botched in the wrong hands. While an achievement in visuals, “Troy” fails in every other aspect including its writing and storytelling. Peterson excels at creating a half hour too long epic with just no point in sight. The film has so much going for it, but quickly blows it as we drudge on and on for three hours without any real substance nor do we take anything away from this demanding experience. As they say, if a film is great, three hours can fly by, but with a poor film, three hours can drag on, and this did indeed drag on with melodrama, romantic sub-plots and everything that drags this down. I love the legend of Helen of Troy and the face that launched a thousand ships, but this is not what I was hoping for, and it doesn’t pay homage to its true storyteller.
The Triplets of Belleville (Les Triplettes de Belleville) (2003)
Hitchcock once said, “If it’s a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on”. This wonderful French animated adventure “Triplets of Belleville” does the trick pure and simple and not only puts Hitchcock’s theory to work, but it manages to prove it without a doubt. It’s very rare we get great films that are silent these days yet manage to tell more of a story than any mainstream Disney film could ever hope to tell. Hitchcock would have loved this because it does an incredible job putting that theory to work throughout the entire story which has no dialogue whatsoever from any of the characters, but tells such a clear story.
Thunderbirds (2004)
“Thunderbirds” is the every essence of modern children fodder I despise. From colorful distracting special effects, an utterly brainless story, really bad acting, and an end product that fails to give a child anything new to take from the experience. Admittedly, I was a fan of the original “Thunderbirds” show which, for those whom don’t know, consisted of marionettes which made up the entire cast and miniatures which made up the special effects. While those who would consider the sight of my description dumb, well then, they haven’t seen this film. “Thunderbirds” has nothing to do with the concept to begin with, and is basically one of the worst movies I’ve seen in years. The film “Thunderbirds” is supposed to be about men dressed in suits whom save the world in different sized ships, but what was once a very fun show is now reduced to being a cheesy “Spy Kids”/”Johnny Quest” hybrid rip-off with bubble gum children replacing marionettes.
Toolbox Murders (2004)
I’ll admit “The Toolbox Murders” will never win any awards in the horror field, but as a piece of pure mindless horror with gore galore, I dug it a lot simply for its schlock value, and so-stupid-it’s-good fun. When Nell and Steven move to Hollywood after Steven, a doctor gets a job at the local hospital, their apartment building is less than luxurious, and Nell has an instant uneasy feeling about the vibe of the building and has no idea there are murders going on all around her. She can hear and feel its bad atmosphere despite the landlord’s boasting that it’s just a Hollywood landmark, but once she begins suspecting her friends being murdered around her she delves into the shocking underbelly of the landmark and discovers its grizzly secret.
The Terminal (2004)
Anyone who knows me or has even an inkling of what my reviews are like know I love almost everything Spielberg does, and Spielberg manages, through “The Terminal” to create a sense of something that all comedies lack: humanity, and through its humanity, comedy that is all so amusing and likable (I laughed aloud whenever Navorski looked into the surveillance cameras). Spielberg creates a film in the Capra-esque sensibility and it creates human characters that people can love and or feel sorry for in the process. Viktor Navorski is now a man without a country after his beloved country of Krakozhia engages in a coup and war breaks loose. His passport, visa, and anything else he owns are now deemed confederate dollar rendered basically useless. The problem is he can not step foot in America, and he can not go back home, so now he’s marooned in the airport.
Three Days of the Condor (1975)
Surely, this is one of those obscure classics that people should know more about, and should really talk more about, but alas, it isn’t, and that’s a damn shame. My favorite heroes be it literary, cinematic, or otherwise, were the brainy heroes, and the reluctant heroes, two of which are represented here in this Redford classic about espionage, action, adventure, and government paranoia.