Jeremy Saulnier has a habit for taking the characters he writes and literally throwing them in to the furnace to be scorched. With “Blue Ruin” he set his character down a path of destructive revenge, and in “Green Room” he takes absolutely zero prisoners. He doesn’t just build on four characters that end up in the wrong place in the wrong time, but he punishes them severely. “Green Room” is yet another superb dramatic thriller about innocence succumbing to evil that’s beyond pure emotion and impulse. Patrick Stewart’s character is a villain who works with a horrific sense of swiftness and cold instruction like a businessman trying to clean up an insignificant spill. The moment we meet him he’s a man unencumbered by emotion or anger, despite the fact every move he makes could mean the end of his lifestyle as he knows it.
Tag Archives: Thriller
K-Shop (2016) [Ithaca Fantastik 2016]
Following his father’s death and an accident with a client, Salah starts down a revenge path against racists and those who have wronged his father and himself. Written and directed by Dan Pringle, this vigilante-horror film delivers plenty of vengeance and bloody violence with some original ideas on how to get rid of the bodies. It has themes that will hit close to home for some such as racism, familial duty, wanting for a better life, etc. Of course, what makes the film interesting is the less than common (and advisable) path the lead takes towards his goals. His vengeance is violent, bloody, and rather merciless.
Terror 5 (2016) [Ithaca Fantastik 2016]
In this Argentinian horror film, multiple tales crisscross and overlap, creating a whole that shows chaos in a city. Students torture teachers, party goers discuss snuff films, a couple is being spied on in a motel room, men standing watch have an interesting night, and mourners meet creatures in a cemetery. Written by Sebastian Rotstein with collaborative writer Nicolas Gueilburt and co-directed by Sebastian and Federico Rotstein, Terror 5 works these 5 stories together and interconnects them in a way that makes the whole work. The characters are varied but mostly young people, most likely to appeal to their demographic and for parts of the story to make more sense.
Kammati Paadam (2016) [Ithaca Fantastik 2016]
After a friend’s frantic call, Krishnan returns to his childhood and teenage years’ village to find his friend and what happened to him. Through a series of flashbacks, their lives are shown through school age, teen years, early adulthood, etc. With a script written by P. Balachandran with collaborative writing by Ajithkumar and G. Sethunath and directed by Rajeev Ravi, the film weaves back and forth through time showing more and more of lead Krishnan’s live as well as his friends and love’s lives. The way the years are mixed together with different actors for only a section of them requires one to pay attention to film as only details such as more white hair show the time passing. Even with this, the film is fairly easy to follow until the search for Ganga really heats up and more characters are added.
Miruthan (2016) [Ithaca Fantastik 2016]
In the small town of Ooty, India, a toxic spill transforms people into blood-thirsty, fast running, wire-stunt performing zombies. Director Shakti Soundar Rajan takes a fairly typical zombie story, mixes in an unrequited love story, a dash of political observation, a Bollywood musical number, wire-stunts, and a good sense of humor about the whole thing to create a zombie film that doesn’t feel like it’s just hitting the tropes and its marks mechanically, it’s fast paced and fun while adding a special touch to its subject. The idea of mixing Bollywood style film with zombies might not seem like an obvious choice but here it works of course, the humor being quite on point adds to this and to the enjoyment overall.
Fetish Factory (2017)
In a private burlesque parlor in Hollywood, performers and VIP clients face off with a zombie attack. Directed by Staci Layne Wilson from her own screenplay based on a story by Lony Ruhmann, Fetish Factory mixes burlesque dances and performers with end of the world and zombie tropes for a fun result. Staci Layne Wilson takes the zombies sub-genre that is all over the place lately and focuses it by bringing her personal touch to it and adding a varied group of beauties to fight them off. Granted, this in and of itself is nothing new (we’ve seen hotties and strippers fight zombies before) but her usage of actual burlesque performers and actresses adds to this in a way that changes from the usual boobs and blood route these films take.
Bubba Ho-Tep (2002): Collector’s Edition [Blu-Ray]
One of the many legacies that Bruce Campbell will leave behind is that he is willing to take on roles that not a lot of actors would. Say what you want about “Bubba Ho Tep” but who else would play an aging Elvis stuck in an elderly home fighting an ancient mummy that shambles around in cowboy garb? And Campbell is willing to commit, too, which makes him one of the last of a dying breed of actor.