If you think Rob Zombie is the only director releasing a schlocky survival horror film about evil clowns, you’d be mistaken. Here comes Tom Nagel’s “ClownTown,” a film a group of hapless travelers that wander in to an abandoned town ruled over by psychotic clowns that want to kill them a lot. After an unusual and tacked on prologue that copies John Carpenter’s “Halloween” almost shamelessly, we enter in to the actual tale of a group of friends heading to a concert. When they’re accidentally run off the road in a seemingly abandoned town, they and two other travelers find themselves being victimized and terrorized by psychotic and murderous clowns.
Tag Archives: Thriller
The ReZort (2015)
A woman dealing with the aftermath of her father’s death in the war against zombies decides to go on a zombie safari on a remote island. Written by Paul Gerstenberger and directed by Steve Barker, this zombie film doesn’t really bring anything new to the genre, it uses a few newer, or less used, ideas and freshens it up a bit. Their zombies are fast moving zombies, the bad people are clearly so, but the good guys are decent and easy to watch with a few you can root for. These characters are a bit basic and a bit predictable but they work in the story and are decently entertaining.
Nighthawks (1981): Collector’s Edition [Blu-Ray]
Director Bruce Malmuth’s “Nighthawks” is easily one of the most eighties action thrillers ever made. It’s a teaming of various talents from the decade, and further paves Sylvester Stallone as an action hero. Stallone is quite convincing in his role as renegade street cop Deke DaSilva who goes to great lengths to stop criminals alongside his partner Matthew Fox, as played by Billy Dee Williams. Most of the concept for “Nighthawks” revolves around the uneasy pairing of Stallone’s more rough neck street cop going up against Rutger Hauer’s international villain. Hauer is excellent the villainous bomber Wulfgar who delights in terrorizing people with planting bombs and infiltrating the local populace.
The Unspoken (2015)
Written and directed by Sheldon Wilson, The Unspoken is a pretty tame horror film. It follows the tropes of haunted housed films well without adding a whole lot that is new until the very end when a twist changes the whole story. A single mother and her son move into a house that has been abandoned for seventeen years following multiple deaths. Angela, whose single father has been laid-off for a while, is hired to look after Adrian, the non-speaking new child in town. The script up until then is fairly routine: a scare here, scare there, jump scare, lots of set up. Unfortunately, this formula falls a little flat for this big horror fan. However, this does not mean that it won’t scare of unnerve the casual horror fan, or the ones looking for their yearly scare.
Rats (2016)
After seeing the trailer for Morgan Spurlock’s documentary “Rats,” I was expecting so much more. I guess not so much more, so much as a point. Rats are gross! Rats are icky! Rats are intelligent! Rats are in the city! And…? So, what is the statement or hypothesis for “Rats”? The message behind the documentary Spurlock films is so jumbled and confused that it comes off so manipulative and sensationalized. One moment we’re watching Indian man smashing the heads of rats with sticks, and the film ends on an Indian sanctuary for rats where locals worship the little animals. What is Spurlock even trying to convey to the audience? Spurlock films lot of money shots of rats crawling through pipes, and swishing around sewers, and jumping out of garbage bags, all set to ominous music. Subjects interviewed in the film, meanwhile, throw around buzzwords to make us feel grossed out or threatened.
Chubbies (2014)
Despite being very rough around the edges, and at times shoddily edited, “Chubbies” is a film that has its heart in the right place. It’s “Ghoulies” meets “Sorority Girls in the Slimeball Bowl o Rama” and it has a fun concept to follow its mixing of sub-genres. “Chubbies” left me laughing, rolling my eyes, and gazing in sheer disbelief at what director Chris Hartman was able to pull off. In the planet Snerd, sex has been outlawed and all forms of sexual stimulation are illegal. When a group of sex hungry aliens known as Chubbies break free from their jails, they crash land on Earth. They end up at the local Bowl-o-Rama where a group of friends are having their very own Halloween party after hours.
Critters 2: The Main Course (1988)
With the original “Critters,” the producers adhered to a certain kind of formula that made the monsters from space seem like twisted cousins of “E.T.” With “The Main Course,” director Mick Garris is able to go beyond the limits of the concept and widen the mythology of the Krites and their bounty hunters. What’s more, Garris is also able to get so much more creative than the first film, as well as offer a better variety of Krites, and how they’re capable of devouring humans when they crash land on Earth once more. One of the best moments of “Critters 2” involves the krites working together as a hive and forming a gigantic ball that goes rolling through town.