The 5 Best Moments of Marvel’s “Daredevil” Season One

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There’s always been something about me and underdogs. I love rooting for the underdogs. Even as a kid who loved comic books, while my friends were buying Punisher, Wolverine, and Batman, I was spending my time on Darkhawk, War Machine, Night Thrasher and Superman. The last character is iconic and a household name, sure, but he wasn’t in regular circulation in my circle of friends that collected comic books. It’s been hell being a fan of “Daredevil” for many years without proper justice paid to him. Surely, Frank Miller did an amazing job with him for a few years, but watching other characters get big screen treatments while Daredevil literally got short handed was irritating.

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Inside the Box (2013)

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Matt is literally running on borrowed time. After a morning spent completely dismissing his wife who craves intimacy, he’s confronted by a local internal affairs worker Stephanie Miles (Regina King). Said worker is insistent on interviewing Matt about an incident he had with a perpetrator at a bar one night. Matt is very cryptic about what went down that night, despite eyewitness reports, and that’s when things begin to unravel. Ms. Miles has pictures and concrete reports of what occurred between Matt and the drunk, and this resulted in a violent confrontation that may have involved an exchange of bodily fluids. The problem is the suspect is infected with HIV and it may have been transmitted to Matt.

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Run, Hide, Die (2015) (DVD)

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I’m a little exhausted with indie filmmakers setting every horror film in the eighties based on some hope that if it’s set in a nostalgic decade, the film will in effect be a gem. It’s not enough to show characters playing classic Nintendo, and walking around with neon colors. “Run, Hide, Die” garners a lot of inexplicable elements, from the eighties setting that adds nothing to the overall narrative, right down to the title that in no way reflects the film at al. It adds up to a pretty miserable dramatic thriller that poses as a horror film, and fails to deliver on every aspect. It spends too much time on characterization, offers no interesting villain, and just delights in being melodramatic when it should be terrifying.

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Some Kind of Hate (2015)

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Adam Egypt Mortimer‘s “Some Kind of Hate” may be polarizing to some viewers, because much like its contemporaries like “Carrie,” and “The Final,” there simply are no winners or heroes in this narrative. It’s a tragic tale about people losing left and right, and the vicious cycle of bullying. Being the victim of bullying can be a stain on your persona forever, and it resonates as a horrific echo for eternity. “Some Kind of Hate” is a grim and brutally bleak horror film about bullying and how it musters up something really bad from beyond the grave. Mortimer keeps “Some Kind of Hate” consistently torturous by closing off any avenues of hope for his characters.

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Some Kind of Hate (2015) [Film4 FrightFest 2015]

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Film4 FrightFest 2015

Lincoln Taggert is a loner metal head who is regularly bullied at school. After a particularly brutal event, Lincoln loses his cool and hurts one of his tormentors badly. Following this incident, Lincoln is sent to a meditation based reform school where he encounters a new group of bullies and eventually wishes they would all be dead. This awakens the vengeful spirit of Moira who attacks his tormentors one by one as she herself being highly disturbed by past bullying she was a victim of before her death.

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Shocker (1989): Collector’s Edition [Blu-Ray]

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It baffles me to this day that “Shocker” is still considered one of Wes Craven’s best films. It’s especially baffling considering Craven has not only pulled off much better genre films, but because “Shocker” is really just a remake of “Nightmare on Elm Street.” A vicious serial killer wreaks revenge on his pursuers through supernatural means which allow him to shift through his own dimensions, can contact our protagonist through dreams, and does battle with a lone teenager who enters his realm in the finale and confronts him. It’s the exact same film from beginning to end, except it has a much more prevalent self awareness than “Nightmare” did.

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We Are Still Here (2015) [FrightFest 2015]

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FrightFest 2015

Anne and Paul Sacchetti lost their son to a car accident. In an effort to move on, they relocate to New England, to a quaint looking house made for a family. No sooner have they arrived do odd things start happening. Higher than normal heat in the basement, frames falling over, possible apparitions, … A few weeks into their living there, the Sacchettis are visited by the McCabe and are told that the house needs a family. As the phenomena multiply, Anne becomes certain it’s their dead son letting them know he’s there with them. To get to the bottom of this, she invites her friend May who is a medium to come spend a weekend and possibly try to reach her son. Once May and her husband Jacob arrive, something is clearly not right. One day, while May and Anne are out shopping, the men have a séance which turns very bad and is followed by all hell breaking loose.

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