While I really like what “Ruby and the Dragon” seems to be setting out to do, I was never quite sure what director Phillip Jordan Brooks was hinting toward with his resolution. This makes “Ruby and the Dragon” a bit foggy in its intent, and what it’s all supposed to mean. “Ruby and the Dragon” is a short film about a young girl named Ruby who lives in a fantasy world. And why wouldn’t she? Her life is just one miserable event after the other.
Director Brad Anderson’s thriller “The Call” is entertaining and unique only thanks to its ludicrous premise, and abundantly stupid characters. While the first half of the film presents glimmers promise with great tension, and taut atmosphere, it falters mid-way and never comes back from the depths of idiocy. Halle Berry is an experienced 911 operator who is tasked with helping a young girl who is being terrorized by a burglar, breaking in to her house. When the burglar kidnaps her, and the young girl is discovered in a shallow grave days later Jordan is traumatized and leaves her job. She blames herself for the girl’s murder. And for good reason. If you advise a victim to hide under the bed and keep quiet, then the phone is accidentally disconnected, why in the hell would you call them back knowing they’re still hiding and risk giving away their location?
Thankfully, the follow up to 2011’s adaptation of Marvel’s “Thor” really seems to be intent on fixing the original film’s mistakes. While I really enjoyed the first installment, “Thor: The Dark World” is thankfully more fantasy based, and less a fish out of water action film, this time around. The writers have to work hard to bridge this tale in to the new “Avengers” movie, so we’re left experiencing the fall out from “The Avengers.” After Thor left to fight Loki, Thor has to face Jane who resents him never coming to ensure he was safe, and Loki is viciously angry toward Thor for imprisoning him.
Man, Wolverine is a boring character. Never has that been made more apparent than in “The Wolverine.” Hugh Jackman plays Wolverine with the personality of a waffle, and rather than playing the character as a man in his element, like in the comics, Wolverine is a fish out of water. He can’t speak Japanese, nor can he understand it. So he needs a Japanese character to hover around him lest he become trapped in a hilarious misunderstanding. Like the scene where he’s being scrubbed by a group of bath women.
Director Thom Eberhardt’s eighties apocalyptic classic is a great amalgam of zombie horror and coming of age drama. And while it does watch very much like an eighties film with brutally dated clothing and hairstyles, Eberhardt’s film has been incredibly influential since its initial release, nonetheless. Scream Factory provides a fitting and really sharp treatment (though maintaining the grit and grain) for what is still a stellar dose of post-apocalyptic fiction that entertains as well as frightens.
I wouldn’t say that “The Bourne Legacy” is a bad movie. As a sequel, or spin off, it works as an interesting diversion, and has a unique concept. Treadstone perhaps wasn’t the only test subject, and now we’re faced with the potential of others out there fighting for their lives when the government decides to burn the entire house down and murder their subjects. Jeremy Renner has proven to be a charismatic action hero, and “The Bourne Legacy” is altogether a fine movie, in the end. And that’s the problem. It’s just fine. The first three “Bourne” movies were incredible.
From Mill Creek comes the complete collection of the Steve McQueen star making television series “Wanted: Dead or Alive.” Easily one of my favorite Western action series of all time, Steve McQueen plays the complex and often swift anti-hero and bounty hunter Josh Randall. Brandishing his trademark sawed off shotgun named “The Mare’s Leg,” Randall travels across the country capturing his latest bounties and being forced to often travel alongside them.