The Hunger Games: Catching Fire (2013)

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Director Francis Lawrence’s “Catching Fire” is set directly after the events of the first serviceable installment of “The Hunger Games,” and sadly Katniss has not emerged victorious. After her attempt to end her life with Peeta, incapable of fighting to the death, the pair became celebrities. Rather than be wounded by their violation of the rules of the Hunger games, the Capital took advantage of this moment. Katniss and Peeta are now a celebrity couple and the world wide sensation, and the capital has done everything they can to exploit this opportunity. Katniss and Peeta started a revolution when they agreed to a suicide pact, and now they have to once again maintain their image.

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Zatoichi: The Blind Swordsman (Criterion Collection) (1962)

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If you’re like me, you’re a fan of “Zatoichi” and know all too well how expensive the movie series can be to purchase. Zatoichi garners almost thirty films in his movie series, two of which are released separately. The first twenty five are, of course, often released in box set form and are sold at terribly expensive prices, and immediately go out of print. If you want to collect all of the movies individually online through a purchase, good luck finding an online seller that won’t charge an arm and a leg. Back in the early aughts I attempted to buy as many “Zatoichi” films as I could, and only ended up finding four. I never could bear to buy the rare box sets at almost five hundred bucks. Thankfully, Criterion comes to the rescue, offering a deluxe box set of one of my favorite action movie series of all time, “Zatoichi.”

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The Horror Show (1989) [Blu-Ray/DVD Combo]

Also known as “House III: The Horror Show” for—reasons, “The Horror Show” has a significant place in my collective memories. Back in the beginning of the nineties I vividly recall watching “The Horror Show” on late night HBO with my parents. It didn’t scare me like they thought it would, but it sure kept me watching with mouth agape and quite stunned. I don’t care what generation you’re from, Brion James is a terrifying son of a bitch even if “Meat Cleaver Max” isn’t a household name. Continue reading →

You’re Next (2013)

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It’s always funny when you consider studios are spending millions on remaking slasher films, when people like Adam Wingard are literally re-inventing the slasher film. And making it look damn easy, too. Director Adam Wingard’s “You’re Next” is a sick, scary, and exciting amalgam of “Fortress,” and “Straw Dogs,” with a hint of Richard Connell’s “The Most Dangerous Game.” It’s clear director Wingard is heavily influenced by late seventies and eighties survival horror films, and he shows off his innate talent for style and suspense with one of the most entertaining horror films of the year.

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Puppet Master 5: The Final Chapter (1994)

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“The Final Chapter” of the Puppet Master series isn’t the final Puppet Master movie, but it’s definitely the final installment of the true series for me. I consider the rest of the installments nothing but filler and greatest hit clip compilations. In the first two films, we watched the evil puppets and their master Toulon wreak havoc, part three was the origin of how Toulon became evil and how the puppets were once capable of good, and the final two installments are Toulon and his puppets redeeming themselves by saving the world from interdimensional demons.

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Aftershock (2013)

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Have we reached so low down the totem pole that we’re now ripping off Eli Roth movies? Is that the definition of desperation or what? “Aftershock” feels like one of those situations with “Poltergeist” where Eli Roth was ghost directing while Nicolas Lopez was credited as director. It’s a half hour of a lame tourist dramedy, followed by an hour of really silly gore and zero direction in its story, all leading in to a finale that shamelessly rips off the final scenes of “The Descent.” Thank goodness “Aftershock” is a merciful ninety minutes.

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Exhumed (2011)

Director Richard Griffin’s horror thriller about a demented and warped family comprised of people that simply can not leave their home is an often enigmatic, perplexing, but excellent horror film. I often found “Exhumed” to be a brilliant spin on the “Spider Baby” with a Lynchian atmosphere that worked quite often. From the black and white palette, to the intricate play with shadows, “Exhumed” is constricted to one setting, but feels as if we’re in an entirely new and horrific world.

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