The House at the End of the Street (2012)

Elissa is the new girl in town. Elissa just met Ryan, a good looking neighbor of hers, who she really wants to sleep with. Elissa doesn’t realize that Ryan may or may not have a dangerous past behind him. You know, he has no parents, and every time she enters his house, he screams for her to run for her life and never come back, but you know, Elissa wants him to come over for dinner. Elissa’s mother Sarah is uncomfortable about Ryan and tries to warn her about him, but where does she get off? What is she, her mom or something?

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Cinema Crazed's Worst 10 of 2012…

2012 was filled with so many surprises, and it’s a year we may be talking about for a while. The big screen adaptation of “21 Jump Street” we were convinced would be pure swill ended up being the funniest comedy in the last few years. Ridley Scott’s return to science fiction “Prometheus” which we were sure would be an epic masterpiece ended up being sub-par genre fare that didn’t exactly re-invent the wheel in spite of causing a rift between genre fans who either loved it or hated it. However, the comedy movie about a foul mouthed talking teddy bear pretty much met our rock bottom expectations. Disney and Marvel Studios took a gamble on a movie that assembled a group of superheroes from film franchises of varying success entrusting the task to a director and storyteller primarily beloved by cult fans, and ended up conquering the box-office, and the world.

Disney’s gamble on another fantasy film entitled “John Carter” also made history as one of the biggest flops in movie history. A movie based on a board game was crucified by movie fans all over the world, while the director of “The Avengers” made waves with his cult horror comedy “The Cabin in the Woods.” Quentin Tarantino introduced one of the rare African American Western heroes to mainstream cinema,  and The Dark Knight made his return to the screen unfortunately being forever linked to a horrific killing spree inflicted by a heartless monster, prompting Hollywood to re-think their stance on film violence causing an uproar among movie buffs. 2012 was a rather eventful year in the world of cinema and storytelling, and without further ado we introduce our Top 10 and Worst 10 Films of 2012.

As with every year we have some new categories, and we hope we inspire such rage in you that you’re able to find it in your heart to leave a vicious anonymous passive aggressive comment on Rotten Tomatoes for one of our reviews. That’s all we ask. Or if you’re feeling conversational, send us your own Top 10 and Worst 10 of 2012! We can likely begin a conversation that’s human and polite.

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Cinema Crazed's Top 10 of 2012

2012 was filled with so many surprises, and it’s a year we may be talking about for a while. The big screen adaptation of “21 Jump Street” we were convinced would be pure swill ended up being the funniest comedy in the last few years. Ridley Scott’s return to science fiction “Prometheus” which we were sure would be an epic masterpiece ended up being sub-par genre fare that didn’t exactly re-invent the wheel in spite of causing a rift between genre fans who either loved it or hated it. However, the comedy movie about a foul mouthed talking teddy bear pretty much met our rock bottom expectations. Disney and Marvel Studios took a gamble on a movie that assembled a group of superheroes from film franchises of varying success entrusting the task to a director and storyteller primarily beloved by cult fans, and ended up conquering the box-office, and the world.

Disney’s gamble on another fantasy film entitled “John Carter” also made history as one of the biggest flops in movie history. A movie based on a board game was crucified by movie fans all over the world, while the director of “The Avengers” made waves with his cult horror comedy “The Cabin in the Woods.” Quentin Tarantino introduced one of the rare African American Western heroes to mainstream cinema,  and The Dark Knight made his return to the screen unfortunately being forever linked to a horrific killing spree inflicted by a heartless monster, prompting Hollywood to re-think their stance on film violence causing an uproar among movie buffs. 2012 was a rather eventful year in the world of cinema and storytelling, and without further ado we introduce our Top 10 and Worst 10 Films of 2012.

Be sure to send us your own Top 10 and Worst 10 of 2012! We can likely begin a conversation that’s human and polite.

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Sex Hunter: Wet Target (Sekkusu hantâ: Nureta hyôteki) (1972) (DVD)

sex-hunter-wet-targetI was very disappointed to see the back of the DVD case for “Sex Hunter” compare this short Roman Porno to “Thriller: A Cruel Picture.” It’s very misleading to pair one of the greatest grindhouse revenge thrillers ever made to “Sex Hunter.” It’s an hour long endurance test in tedium and finishes with a climax that is both abrupt and incredibly unsatisfying. Granted, there’s not much to expect in the way of characters and action from a movie barely clocking in at seventy minutes, but a little blood shed wouldn’t have hurt.

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Arena (1989)

Charles Band’s “Arena” is a blast. And for a movie with such a small budget that is dated beyond belief, that’s quite an endorsement. There’s something about the imagination and creativity behind “Arena” that makes it such a treat to sit through. It’s such a simple and straight forward science fiction action film that it doesn’t even try for anything complicated or adult. If there’s ever a film that could use the remake treatment and become a fantastic action genre picture it’s this 1989 film from director Charles Band that sets down on an intergalactic wasteland where aliens do battle in a ring for sport and money amidst crowds of onlookers and fanatics.

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Silent Night (2012)

“Don’t put avocado on the burger!”

You just can’t take a movie like “Silent Night” all that seriously. It’s twisted, demented, and weird, and features a small town with a perverted priest, and a slew of gorgeous women sauntering about like it’s just another day. Jaime King is the sheriff, Ellen Wong is her secretary, single moms are attractive, and the slashing Santa spends most of his time murdering good looking women in the most sadistic ways imaginable. It’s a splatter film and an exploitation film first and foremost, so if you’re expecting high art with complex themes about Christmas, you should look elsewhere. Director Steven C. Miller knows exactly what kind of film he’s directing, and he never holds back from delivering the gore and the torture in all of the most convenient forms possible.

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Paranormal Activity 4 (2012)

One of the primary faults behind “Paranormal Activity 4” is that it makes promises it just can’t keep. It swears new scares with the use of the kinect and light beams and doesn’t quite fulfill the potential for the plot device. It introduces a new protagonist, but never fully develops her. And most importantly it explains that it has all led up to this, but there really isn’t a huge development in the storyline. I’m still not sure why what happened happens at all, and what they’re leading in to, but according to Dreamworks, we have two more films left in this series, and more films with a Latin spin off that will likely continue the mythos well in to 2019. If possible.

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