Vincenzo Natali’s “Splice” was one of my favorites of 2010. It’s a surefire Frankenstein tale about two scientists on the precipice of creating not only a brand new species but a brand new gender. When they venture in to the depths of their scientific realm and work outside the confines of their regulated laboratory, they soon discover that they’ve created the ultimate being. Named Dren, she is a pure unadulterated force of nature, both of the emotional and the sexual. What begins as a science experiment gone awry soon turns in to a clear cut case of God Complex coming in to fruition as characters Clive and Elsa (ignore that clunky reference, and you’ll be fine) attempt to create a life, still stifled by their ability to do so in a relationship filled with ambition and mutual respect, but little to no intimacy.
Tag Archives: Thriller
Red, White & Blue (2010)
I honestly had no idea what to expect going in to “Red, White & Blue” mainly because Simon Rumley’s horror thriller is an animal that’s impossible to peg down. It’s a character study, a thriller, a romance, a drama, and a slasher movie all rolled in to one little package of pure excellence that takes a long time to really roll. I admittedly found myself impatient and restless while watching, but for horror fans expecting an all out balls to the wall gore fest, patience is your best friend. You’ll thank yourself later.
The Sky Has Fallen (2009)
For a movie about the end of the world through an Ebola-like virus that infects people and turns them in to demonic killing monsters that feast on the living, while shadowy specters wait in the darkness carrying off the innocent and the dead, I was surprised at how utterly bored I was through most of this movie. In fact “The Sky Has Fallen” literally had me watching the clock and completely apathetic to its entire premise. As someone who adores almost any movie about the end of the world, director Doug Roos really doesn’t put an argument as to why his movie stands out among a slew of better indie films about the apocalypse and the undead.
Circle (2010)
I held out almost little hope for Michael W. Watkins crime thriller slasher film about a Greek mythology obsessed serial killer who has a penchant for gathering and murdering his victims on the basis of fulfilling some need within him to manifest some Greek legend, but “Circle” gradually proved me wrong as it progressed. While it’s not a masterpiece by any definition, it definitely is a solid horror film with some roots in the formula cop sub-genre in which we’re following two mismatched hard boiled cops on the track of the vicious Bennett, a mastermind and genius psychopath who manages to break free from his asylum after ritualistically killing off a group therapy session he was engaging in.
Woman's Intuition (2006)
I continue to be a big fan of Patrick Rea’s for the simple fact that he’s a director that loves to screw with his audience. And when he usually does it it’s not to insult or annoy his audience, it’s to keep us coming back for more. He’s a storyteller with a slew of short films very much in the vein of “Twilight Zone,” and his early short entitled “Woman’s Intuition” is a very good example of Rea screwing with his audience with an ending that’s surprising and clever.
Night of the Living Dead: ReAnimated (1968) (DVD)
Since George A. Romero’s seminal 1968 independent horror film was released without a copyright, the horror classic we know as “Night of the Living Dead” has been in the public domain for literal decades. Since then it’s been remade, re-released, re-dubbed, re-edited, restored, colored, chopped, extended, spoofed, satirized, animated, prequelized, sequelized, novelized, sampled, and so on ad nauseum. Much to Romero’s chagrin, “Night of the Living Dead” has been the Mr. Potato Head of the horror world upon which independent film directors can switch and mix without worry of a lawsuit.
30 Days of Night: Dark Days (2010)
While I did really enjoy the original vampire film from David Slade based on the award winning graphic novel from Steve Niles, it wasn’t a masterpiece. Though everything about it was very tight and sharp, the film just didn’t end up being the groundbreaking game changer it promised. Not surprising, it spawned an inevitable sequel and thanks to the uselessness of vampires who are menacing monsters (Thank you Stephanie Meyer), this sequel entitled “Dark Days” is Direct to DVD fodder that is about as routine as you’d expect for a sequel to a major horror film that came and went before anyone knew who Steve Niles was.