What with Hollywood running out of ideas and turning literally anything in to a movie including novelty toys we’ve long forgotten about (ahem–Magic 8 Ball), the studios are doing what we’ve been telling them to do for years now: they’re seeking out independent filmmakers for ideas. So now what with the surge of independent filmmakers retreating to Youtube to post their ambitious projects for free viewing, studios are snatching up these properties in hopes of coming up with the next big blockbuster. I mean… it turned out pretty well for “Paranormal Activity” and “District 9,” didn’t it?
Tag Archives: Thriller
Paint Shaker (2008)
It’s getting to where whenever director Patrick Rea or anyone from Senoreality releases a new short from their company, we’re ecstatic to see what they have in store for us, because there’s always a guaranteed surprise in store whether we enjoy the film or not. Patrick Rea’s “Paint Shaker” is not a horror film as it is an examination on life and a dark comedy based around monotony propelling in to all out chaos thanks to a misunderstanding and a manipulative co-worker. “Paint Shaker” is very much in the vein of films where there’s always seething rage and aggression boiling underneath our characters where they’re doomed to burst at any second and such is never made more apparent than in “Paint Shaker.”
Predators (2010)
Nimrod Antal’s “Predators” is probably one of the most simplistic action movies of 2010. Probably of all time. It’s a movie so void of any thinking or brains behind it you don’t have to do much except sit back and let the series of events unfold before your eyes and just watch people walk around and shooting things in a wooded locale. “Predators” offers no reason for knowing about the films before it, about the mythology, or about the overall concept. You just have to know that a bunch of criminals and soldiers have been dropped on to a jungle, are being hunted by something, and have to survive. That’s more a paper thin concept than an actual plot and nothing beyond that happens. Antal’s film would love to liken itself after the original “Predator” but in reality it’s just another retelling of “The Most Dangerous Game,” and doesn’t demand much from its audience.
The Punisher Meets Archie
Around the time “Archie Meets the Punisher” was released in 1994, I was about eleven years old. I bought Wizard magazine and would buy just about every comic that came out at the time. I bought “Super Pro” and “Dark hawk” and even at the impressionable age of eleven I looked at the cover of “The Punisher Meets Archie” and thought to myself “Are you effing kidding me?” In all of the comic characters in all of the world to cross over they decided to cross over the most violent psychopathic anti-hero in the comics universe with the most inoffensive yet addictive cult comic book of all time to meet for a storyline that’s too heavy for an Archie comic book and too light hearted for a Punisher comic book.
Puppet Master: Axis of Evil (2010)
I love “Puppet Master” I think it’s one of the best horror series to come along in years and provided many hours of wholesome puppet murdering fun that I never got with Chucky. With the series, it was obviously quite ridiculous, but it reveled in such and covered up that fact by giving us an array of puppets to root for who became menaces, villains, and then anti-heroes. “Axis of Evil” is an attempted reboot that will definitely not re-invent the entire series as I’d hoped, since it’s mainly just a lazy hack job with barely ninety minutes of its run time, and I retreat back in the old films.
You Have to See This! Dobermann (1997)
Dobermann follows the title character (Vincent Cassel) and his group of bank robbers as they evade the law and particularly a maniacal cop, Cristini (Tcheky Karyo). The tone of the movie is set right away with the opening sequence, at the end of which a gun is given to a baby at his Baptism. The rest of the story, based on cop novel, is fairly simple; bad guys versus good guys, or is it?
Edge of Darkness (2010) (DVD)
Based on the critically acclaimed BBC Mini series, director Martin Campbell’s revenge thriller is a hefty mixing of genres that begins as a family drama, continues on as a revenge action film and ends as a conspiracy mystery where Mel Gibson is able to shine yet again as grieving single father Thomas Craven. Possessing a passable and forgivable Boston accent, Gibson as Craven is a man whose life has garnered him a distance from his only living family member, his daughter Emma. Noticeably disturbed and ill, Emma and Thomas re-connect and attempt to seal their relationship but all fate is sealed when a sick Emma is shot outside of Thomas’ house by a masked gunman. Working outside the law, Thomas decides that there is much more to the murder than meets the eye, and he begins unraveling a mystery that is beyond anything he could have imagined.