Why "The Dark Knight" is Harvey Dent's Story

Warning: In the following article, we give away large plot twists, and massive spoilers to “The Dark Knight.” Please be wise in displaying caution.

What I’m going to say isn’t an exactly fresh new series of comments, but I think it elicits declarations again and again. As an avid comic book fan I’ve never found anything to enjoy about Batman. He’s a whiny, morose, boring character without any charm to him. But after watching “Batman Begins” and then “The Dark Knight,” it’s safe to say I was kind of wrong. I mean, “The Dark Knight” is without a doubt one of the greatest comic book movies ever made and will likely make many top 10 lists (including my own) once December rolls along. Everything Nolan and his brother have birthed with “The Dark Knight” sparks many allusions to the likes of masterpieces like “LA Confidential” and “Touch of Evil” with wonderful undertones of human cruelty, government corruption, and how easy society can crumble under the threat of a madman.

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Terminator: The Sarah Connor Chronicles – The Complete First Season (2008) (DVD)

Thank goodness for the writer’s strike, because let’s be honest here: Were it not for 80 percent of the series on primetime television going off the air thanks to a bunch of out of work writers, “The Sarah Connor Chronicles” wouldn’t have stood a chance in the ratings. I mean, come on, let’s look at the ingredients: It’s a serialized version of two very popular movies, the third of which has been lambasted by fans worldwide. It stars a barely memorable actor from “Heroes” as young John Connor, a cult actress from a cancelled television series as a cyborg sent to protect him, and an ad campaign that revolves around Lena Headey, a woman who is only popular with fan boys. Not to mention “The Sarah Connor Chronicles” completely forgets the horrific third installment of “The Terminator” series while also leaving a trail of continuity problems and plot holes in its wake.

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Dark City (1998) (Director's Cut DVD)

dark_city_brdLet’s be honest kiddies, “Dark City” was “The Matrix” before “The Matrix” was ever in the pop culture lexicon, and Alex Proyas simply gets zero credit for ever bringing this concept to the forefront with his own Neo set amidst an unreal world where time is an illusion, and the thirties are ever lasting. One of the most underrated and under credited science fiction films of all time proved that Alex Proyas wasn’t simply a one trick pony directing “The Crow.” Filled with a beautiful view of a city on the borderline of illusion and pure nightmares, “Dark City” is a world that really may not be all that we see it for. The characters in this world are all living in a gritty, dank, and dreary series of landscapes that engulf one another in to an abyss where the puppet masters named The Strangers drift in the darkness preparing to change the landscape at a moments notice.

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Lost Boys: The Tribe (2008)

lost-boys-2-01You know originally there was supposed to be a sequel to “The Lost Boys” or at least an allusion to one in the original script for Schumacher’s vampire comedy that revealed the origins of Max, and that there were many, many more lost boys and girls out there looking to do his death some justice. Frankly, I would have preferred “The Lost Girls” a movie I pictured as a vampire thriller with less comedy and an all star cast of young female actresses currently taking Hollywood by storm. That was about six years ago. “Lost Boys: The Tribe” is that sequel I wouldn’t have completely wanted, but found reason to anticipate it anyway. I think that there could have been much more added to “The Tribe” to make it feel fresh and unique.

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The Dark Knight (2008)

darkknightWhen I tell you that “The Dark Knight” is an incredible sequel, read the words carefully. “The Dark Knight” is Christopher Nolan’s ace film taking the throne as quite possibly one of the best superhero movies ever made. Is it a masterpiece of modern filmmaking? Not really. Is it an incredible example of comic book adaptation that transforms in to a genuinely epic story? Why certainly. Bringing about shades of “LA Confidential” with a dash of the classic mobster movies, Christopher Nolan’s follow up to “Batman Begins” is a brutal and exhausting gangster epic that brings to the forefront a slew of complex and intricate sub-plots that question how far we’re willing to go to maintain law and order, how much violence changes us, and if the peace keepers are really any different from the law breakers and murderers.

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All the Boys Love Mandy Lane (2006)

I loved “Mandy Lane,” I can’t deny it. It’s damn good, probably one of the best slashers in the last ten years. A masterpiece? Nah, not really. But what it is is a strong and surprising slasher film with characters that are actually engaging to watch. All the while it sets us up for some of the most vicious kills I’ve seen since “Sleepaway Camp.” Humorously enough, “Mandy Lane” is exactly what I was reminded of while watching, because both films feel like two completely different genre fueled narratives.

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Jack Brooks: Monster Slayer (2007)

jackbrooksJack Brooks: Fuck man, I broke a bottle over my head once because I couldn’t open it! I mean, you know… that doesn’t even make any sense!

People were way too quick to write “Jack Brooks” off as some sort of “Buffy” clone when in actuality director Knautz never actually strives to gear his film in that vein. I for one hate “Buffy” so I was very immediate in my defense of the film, and more so after watching it. Director John Knautz’s horror comedy has some epic possibilities with a character almost as cool as Ashley Williams, because even on its small budget and obviously modest production it’s shocking in its ability to involve the viewer with dark comedy that’s actually funny, and horror that’s about as good as anything else being released.

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