Ah blatant proud misogyny, you truly are something to watch. Never has there been such a misogynistic and anti-woman film as “The Brain that Wouldn’t Die,” the movie that ponder how hard it is to find the right body for your dismembered wife’s head. How does a severed head talk without lungs? Uh—science! I’d definitely call “The Brain that Wouldn’t Die” a bad movie, but only because it’s so painfully up front about its attitude toward women, I had a tough time through most of it.
I wish Hollywood would display this much respect and restraint with Dr. Seuss as they have with Charles Shulz. As a hardcore fan of Peanuts, I was initially very weary about how the series would be treated for a more mainstream modern audience. Thankfully my fears were laid to rest watching “The Peanuts Movie,” which isn’t just an adaptation of the original series, but is also a love letter to boot. Fans of the series will love how Steve Martino treats Charlie Brown and his world, opting for a wholesome respectful film, rather than ramming in pop culture references, and a sugary pop soundtrack. There’s nothing remotely cloying or obnoxious about “The Peanuts Movie,” and the new animation format even works in the series favor.
Another in a line of 2015 films I really wanted to love, “Pan” left me bored, and asking did we really need a prequel? Did we really need to end the movie on Peter and Captain Hook giving one another uncomfortable glances knowing soon they’d become deadly nemeses? Why is Captain Hook called Hook if he doesn’t even have a Hook? Why is Tiger Lily played by a Lily White Actress? Hey, at least Hollywood keeps giving consistently flat Rooney Mara jobs, and turns Tiger Lily in to the heroine of a movie that’s supposed to be about Peter Pan. Or is he Peter who is a Pan? Or is he a Pan Warrior Named Peter?
After many years of the “Star Wars” franchise remaining stagnant and relatively convoluted, “The Force Awakens” has come to simplify and completely re-think the movie series. JJ Abrams introduction to his bold new vision for “Star Wars” is a one hundred percent faithful visit to a galaxy far, far away that functions as a platform for a new series, a sequel, and a love letter to the simpler, episodic days of “Star Wars” where every film was an ode to the classic movie serials of the golden age of cinema. This time around “The Force Awakens” actively works in fixing many of the mistakes made in the original six films, by actively casting a wide array of heroes and villains to present a more humanistic environment we can dive in to. And I’m not speaking about a wider array of aliens, but racially diverse characters, all of whom have something to contribute.
I admit I’ve always enjoyed Dave Campfield’s horror series “Caesar and Otto” despite the duo delivering hit or miss adventures. Every film since their introduction has been one self contained ode to some facet of horror, and Campfield has a surefire love for the genre of horror and comedy that he tries to bring to the forefront with his characters of Caesar and Otto. With “Paranormal Halloween” I think Campfield is at his best, because with the misadventures of Caesar and Otto comes bit of scorn that emanates through every moment of the film. Campfield is always self aware but in “Paranormal Halloween,” Campfield seems to have reached the point where he’s delivering his own idea of great horror, and is trying to figure out how to hit the right note and deliver something for a wider audience.
It’s mostly known as “Ghost Warrior,” but I think I prefer the alternate title “Swordkill.” While “Ghost Warrior” is given an insightful and meaningful definition during the narrative, “Swordkill” just makes the movie sound cheap and silly. I’d love to know who thought the title “Swordkill” was a proper summary of what is a dramatic fish out of water film. J. Larry Carroll’s “Ghost Warrior” is a surprisingly straight faced tale of a warrior placed out of his time, who finds that living in mid eighties Los Angeles kind of sucks. The movie is admittedly thin on narrative, but works for the most part as a series of unfortunate events Yoshimitsu experiences. Life sure does suck for the master samurai.
There’s been a lot of talk about movie anniversaries this year, but two of the movies that have been left out of the discussion are two of my childhood favorites. There’s the 1995 teen drama “Angus,” and the 1980 “My Bodyguard.” Oddly enough, both films deal with the idea of coming of age, surviving high school, and learning to deal with a specific kind of bully. Both films also confront the idea that sometimes staring down the bullies is a right of passage we all must confront at one time or another. And yet, both films have been off the radar for a very long time.