Author Archives: Felix Vasquez

Room (2015)

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Brie Larson is probably the most underrated actress working today. She’s a force of nature in every film she leads, and manages to outshine even in films that she co-stars in. “Room” is another in a line of original and unique films that Larson makes her own, delivering one of the most layered and heartbreaking performances of the year. “Room” is an unlikely thriller that surrounds the strong bonds of a mother and son, one that overcomes the horrendous circumstances in which the mother and son are ensconced in. Even young Jack, who is a child of violence, is the lone strand of sanity that keeps her from completely breaking down and giving up on life.

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Scouts Guide to the Zombie Apocalypse (2015)

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It’s not often a zombie movie can pay tribute to a ton of classic horror and still come out as one of the genuinely funny and novel horror comedies of the year. “Scout’s Guide” is a fan boy movie from the word go, with big winks like the opening that echo’s “Night of the Creeps,” to small touches like the sign indicating the direction to the town of Haddonfield. And come on, the hilarious trampoline scene is so “Zombies Ate My Neighbors,” I was admittedly giddy. “Scout’s Guide” has a damn good time as a tribute to horror comedy while also painting a pretty good one and done tale about nerds rising to the occasion to save some lives.

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Aloha (2015)

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One thing I can say for “Aloha” is that it’s a beautiful film. If you put it on mute and watch it the whole way through, you can at least appreciate the lovely sights of Hawaii and Emma Stone, with her piercing large eyes, and adorable lisp that rival anything in Hawaii. With the volume on, it’s a horrendous mess that Cameron Crowe bungles up. It’s jumbled, hard to follow, and ultimately feels like three pretty mediocre movies mashed in to one trifecta of incoherence, sugar coated by a great cast, a killer soundtrack, and wonderful cinematography.

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The Car (1977) [Blu-Ray]

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thecar1977’s “The Car” is very much a product of its decade. It’s a silly tale with a narrative involving something about Satanism or pure Evil, while fancying itself as something of a different take on “Jaws.” Rather than Roy Scheider as a small town sheriff and his allies trying to take down a giant shark with almost supernatural predatory abilities, this time we have James Brolin as a small town sheriff who is facing off against a giant black Sedan with the supernatural abilities to hunt down and murder people on the roads and on highways.

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How The Grinch Stole Christmas (1966)

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It’s hard to imagine a more perfect adaptation of a Dr. Seuss story than the 1966 Chuck Jones feature; perhaps, “The Butter Battle Book.” In either case, I was one of the many children that grew up watching the TV version of “How the Grinch Stole Christmas.” It’s such a wonderful combination of talents and rich enthusiasm for the source material, that it’s tough to not like it. There’s Boris Karloff, Chuck Jones, and Dr. Seuss, not to mention the perfectly simplistic tale about anti-materialism and the true meaning of Christmas.

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The Ridiculous 6 (2015)

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You can’t even be mad at Adam Sandler anymore. If he’s not trying to break out of his comfort zone, all we can really do is watch the slow painful death of his career, while he brings Netflix down with him. Sandler silently stumbles in to “The Ridiculous 6” with an obvious bored, half asleep performance, and leaves the film with a cool pay day and the hope that at least one or two of his remaining fans will love what he’s put out in the form of this hideous western comedy that doesn’t even try to re-invent the wheel. Netflix doesn’t seem to be demanding much from Sandler, so it’s apparent here that Sandler isn’t even working toward offering nothing we haven’t already seen in the last fifteen years ad nauseum. Almost like a contractual obligation, “The Ridiculous 6” is a greatest hits compilation of no brainer Sandler tropes that fill up the required two hour run time.

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The Dungeonmaster / Eliminators: Double Feature [Blu-ray]

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Scream Factory continues to deliver for fans of the Empire Pictures and Charles Band era, with a double feature Blu-Ray set featuring two of their most entertaining titles from their heyday. While I’d be hard pressed to call these films masterpieces, they’re nonetheless entertaining and novel genre films that attempt to market on a particular trend. Charles Band was always savvy about aspiring to make films for his company that touched on current cinematic trends and the double feature here from Scream! Factory covers the gamut of pop culture trends quite well.

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