It was like something out of a Western this film; a gang called “The Warriors” is blamed for the death of the highest gangster of them all and must race to their Coney Island turf before trouble stirs beyond their grasp. It sounds simple enough except every single gang in the city is out for their blood and they must fight their way through colorful delinquents all of whom want to make the small band of rejects pay for the murder. “The Warriors” is a movie I fondly remember being introduced to by my pops who rented this one night and sat us down to bask in the glow of the television and let Walter Hill perform his magic.
Category Archives: Grindhouse Review Fest
Race With the Devil (1975)
The seventies were all about fascination with Satanism and with the curiosity it begat movies with themes of satanism one of the most famous being “Rosemary’s Baby.” Probably one of the more underrated satanic films, “Race with the Devil” is about being at the wrong place at the wrong time and what ensues is a claustrophobic cult classic that stars Peter Fonda as one of a group of innocent bystanders who witness a satanic ritual and are pulled in to the world of satanic worship for witnessing something they were never meant to see.
Gothkill (2009) (DVD)
So far I’ve enjoyed the output Wild Eye Releasing has dropped on movie lovers laps. “Blitzkrieg” was a fun and salivating homage to Naziploitation from the grindhouse era and now we have “Gothkill,” another neo-grindhouse bonanza that recalls the satanic thrillers of the seventies with its tongue firmly planted in cheek. At a merciful hour and nine minutes long, Connelly’s satanic horror comedy seems to be here only to present us with the finest and most unique satanic and gothic performance artists of all time from fire breathers, to magicians and fortune tellers, all of whom are included in the film for lip service in a story that is not only much too convoluted to understand at times, but seems too long even at the length of an average television special.
Gutterballs (2008)
Like every bit of film and music today, Ryan Nicholson’s “Gutterballs” is steeped heavily in the eighties with his slasher setting down in the decade while even the score and soundtrack take from it with shameless glee. And while normally that may be enough reason for me to dislike it, I found that his nostalgic placement made sense in the long run and only added to the camp. Nicholson’s slasher wants to be from the time where slashers were common cinematic fare, but sadly it’s just more of a wish than a reality.
Two Thousand Maniacs! (1964)

When “Two Thousand Maniacs!” arrived into the cult kingdom of the horror geek, Herschell Gordon Lewis’s horror comedy was an all out assault to Southern xenophobia and fanaticism, as well as a look at the vengeful spirit the South possessed if society continued to evolve from an Aryan aristocracy, to a melting pot of multi-racial ethics and politics. I mean, I’m sure there’s a vengeful spirit for almost anything, including pure evil, and Lewis’s horror comedy is a stripped down, low budget over the top horror film about the vicious unforgiving ghosts of the South who wreak havoc on outsiders that have evolved in the new world, punishing them for their decadence, sexuality, and freedom.
Women in Cages (1971)
Carol Jeffries was just set up by her boyfriend, a drug dealer who makes her take the wrap for a massive drug deal he was involved in during an illegal cock fight. Carol, a vulnerable and innocent woman, has just found herself in a women’s pen in the middle of nowhere with vicious female criminals. And she has nowhere to go but down, baby. She’s forced to endure the tribulations of prison life involving psychotic roommates, horrible living conditions, and a violent matron named Alabama (Ms. Pam Grier, herself) who sleeps with all the prisoners, and punishes them with “The Playpen” when they refuse to abide by her sexual favors. Did I mention the drug dealers on the outside are trying to assassinate Carol to keep her mouth shut?
Cannibal Ferox (1981)
Watching Ruggero Deodato’s “Cannibal Holocaust” was an experience that I still remember with fondness. I sat with the DVD in hand at my television with a pit in my stomach and prepared to finally view what is considered one of the most controversial and taboo films ever made. And I wasn’t disappointed. Watching “Cannibal Ferox” was a different experience altogether. Maybe it was because the movie is not as good as the aforementioned horror film, or maybe it’s because Umberto Lenzi approaches this horror flick from a sexploitation angle with sensual women ravaged by cannibals instead of the mock documentary style as Deodato’s film.


