Inmate #1: The Rise of Danny Trejo (2020)

Danny Trejo began his thirty year career as the epitome of the “That One Guy” actor, appearing in so many bit parts and yet he was so easy to recognize. But when he was suddenly catapulted in to fame, he became the idea of what many envision as the American Dream. He also became the quintessential prisoner makes good tale, and his journey is as riveting as you’d assume it is. For fans of the man like me, “Inmate #1” is a riveting and down to Earth exploration of Trejo’s journey of redemption.

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Padmavyuha (2020)

Raj Krishna is a fantastic director, one who has promise to bring audiences entertainment with substance. While I’m never a big fan of films about religion and affirming religion, it’s a good change of pace to see a film like “Padmavyuha” that explore the complex and unique dimensions of Hinduism and how a man struggles with his core beliefs and his all encompassing faith.

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The Shakedown (1929)

This early effort from director William Wyler focuses on Dave Roberts, a handsome young boxer involved in a traveling scam anchored around phony fights. Roberts is tasked with ingratiating himself in a small town before agreeing to challenge a visiting pugilist in a bout that culls bets from local gamblers. Roberts always loses the bout and then exits for another town and a repeat of the cycle.
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Feels Good, Man (2019) [Fantasia Festival 2020]

Director Arthur Jones’ documentary is probably one of the most important and depressing films of the last five years. It’s mainly a movie that doesn’t just touch upon the snowballing of a mascot for pure hatred and violence, but the horrifying power of the internet and its litany of sub-cultures. It also explores the little known fact that its original artist never intended to give it the kind of purpose that’s given it a notorious unstoppable life inside and outside of social media.

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