Kill Order (aka Meza) (2017) [Blood In The Snow 2017]

A teenager with strange abilities discovers why he has these and has to decide what he wants to make with them and himself.

Written and directed by James Mark, the film is a nice long string of fight sequences with other scenes and sequences in-between to build the story that unfortunately come off as forgettable, especially next to those fight scenes. The fighting in Kill Order is where it’s at. It’s rousing, exciting, and fun to watch. Which makes the in-between stuff this much sadder being that they are some much fun and the rest of the film feels a bit forgettable. The story is interesting but it’s not developed in a way that keeps the attention. The only reason this reviewer kept watching was all the awesome fighting. Fans of stuff like Ong Bak and B13 will love the action, but will probably check out during the rest of the film. Also not helping this are scenes that have subtitles that are white on white, thus extremely hard to read.

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Darken (2017) [Blood In The Snow 2017]

After trying to help a fallen warrior, a young woman falls into a dark world where people are seemingly stuck against their will under the rule of a ruthless woman.

Written by RJ Lackie and directed by Audrey Cummings, Darken creates a complex world with a lot of characters that feels like the start to something like a tv pilot or the first in a series. This means that the film sets up quite a few characters and a world of its own for them to evolve in. The film does good work creating that and introducing plenty of characters before killing quite a few off for the story to move forward and the other characters to have a reason to go on their quest. The film is entertaining while it does this and the characters are varied to add to this.

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Dalida (2016)

Dalida tells the story of the Italian-Egyptian singer who made her life in France and was, and still is, hugely popular in French-speaking countries and other parts of the world. She was and still is a musical icon who became almost mythological after her suicide in 1987. For the unfamiliar, Dalida was and probably still is as big of an icon to some as Cher and Madonna are in the US.

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Kong: Skull Island (2017)

What I love about “Kong: Skull Island” is that while it’s essentially a good old fashioned matinee monster movie at heart, it’s also a pretty clever take on the Vietnam war. “Kong: Skull Island” implements the classic trope from the classic giant monster movies taking a group of armed men and women in to the wilderness, and uses that as an allegory for the Vietnam war. Like the aforementioned war, US soldiers storm in to a wilderness they were unprepared to do battle with, except they face an unparalleled force of nature. Also very effectively setting up a cinematic universe, Jordan Vogt-Roberts aspires for a lot, and succeeds as a simple and harrowing adventure with big monsters, and menacing creatures far and wide.

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Misery (1990): Collector’s Edition [Blu-Ray]

It’s been a banner year for Stephen King fans everywhere, and Shout Factory sweetens the pot by giving Rob Reiner’s horror masterpiece “Misery” a collector’s edition. Based on the classic Stephen King novel, Rob Reiner who is no stranger to adapting King’s work, brings to screen a work of terror, dark comedy, and a demented commentary about the fans behind our work that also control our work. It’s a very volatile and sharp edged polemic about fandom when you get right down to it, and it’s never been more relevant than in the day and age where fandoms from all corners of the world have the loudest voices and sometimes can break the very thing they love.

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Buckout Road (2017) [Blood In The Snow 2017]

 

A road at the center of local urban legends, young people trying to debunk its mysteries, and a few surprises along the way…

Based on a story by Johnny Pascucci and written by Shahin Chandrasoma and Matthew Currie Holmes, with the latter directing as well, Buckout Road is an interesting take on urban legend movies in how it approaches the urban legends and how the characters are not just plain victims with no background. The characters are decently developed and have relationships between them that make sense and make them care about one another. The way the film develops its story through flashbacks that have their own style depending on the era they are set in, giving the film visual interest each of their own. The story evolves in a way that keeps the interest and has some mystery to it. The ending is interesting and offers not exactly a twist but not exactly the ending one might expect from an urban legend film.

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