The Child Remains (2017) [Blood In The Snow 2017]

Inspired by the Butterbox Babies case, The Child Remains follows a couple as they stay in an inn with a dark past and an uncertain future.

From writer/director Michael Melski, The Child Remains is a haunting story of sorts that crosses with investigative story and a few other things. This leads to a film that is a slow burn but an interesting one. Those who are familiar with the Butterbox Babies case will see connections which are of course a bit stretched here but still make some sense. The characters built for the modern day people who stumble into this dark past are well developed. They are a basically just one couple who get haunted in one way or another and slowly work towards making sense of things for themselves with a few side moments into level of insanity or madness or something that actually makes sense in the film. These characters are very human, even frustrating like real people are at times.

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Art of Obsession (2017) [Blood In The Snow 2017]

A novelist has a hard time getting his muse back after a tragedy and his latest book’s failure. As he tries to write again, he finds a new muse through extreme measures.

Written by Ryan M. Andrews and Chris Cull with the former directing as well, the Art of Obsession takes something that could have been a small infatuation with a woman in danger, the need to save and turns it into an unhealthy obsession that is dangerous for all involved. The story is interesting and has interesting developments while some of them are a bit less so making the film uneven and with a few predictable plot points. The film does however do a very good job of showing a victim who won’t give up on herself, on her own salvation as an opposite to her captor who has given up on his good side almost completely for the appeal of the next hit, the next success, the next accolade. The dichotomy of these characters leads to an interesting watch as the viewer sees them evolve in each their own way, influenced by each other and each of their needs.

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Blood Child (2017) [Blood In The Snow 2017]

Following a miscarriage, a woman plays with forces she does not quite understand in her quest to have a child to love and care for.

Written and directed by Jennifer Phillips with story editor Emily Schooley, Blood Child is based on a true story, but how much of it is left here is not easily found with a quick Google search. Here the story is taken in a very supernatural way so the belief in whether or not it’s fully based on a true story will depend on the viewer’s level of belief in the supernatural. Nonetheless, the story is well written and takes the beliefs it plays with seriously while also adapting them to the screen. The characters feel like they are perhaps not developed at their best or the performances for them is what causes this lack of care for them from the viewer. The lead is interesting, but her husband comes off as unlikable, her best friend comes off bitchy, while the housekeeper comes off as a cliché complete with an accent that can only be fake (and if it is not, apologies to the actress).

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Jim & Andy: The Great Beyond – With a Very Special, Contractually Obligated Mention of Tony Clifton (2017)

The preparation Jim Carrey undertook to play Andy Kaufman has often bee cited as a surreal experience that went oddly under reported and barely discussed. In 1998, Jim Carrey played iconic stand up comedian and performer Andy Kaufman for a biopic and embodied the man in every form, refusing to break character even between takes. For years the studio behind “Man on the Moon” hid the footage recorded of Jim Carrey on set of the Andy Kaufman film to avoid bad press for the actor. Nowadays with the man known as Jim Carrey shunning Hollywood, “Jim & Andy” is a glimpse at how he crossed that road, and how it began with Andy Kaufman.

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Justice League (2017)

If “Batman v Superman” was Zack Snyder’s own way of exploring how antiquated Superman is, “Justice League” is the proof by Joss Whedon that Superman is actually a bad ass with the right mind behind him. I won’t pretend that “Justice League” is a masterpiece of the comic cinema boom, but I can’t claim it to be one of the worst movies of the year, either. With some spit and polish, it could have risen to be a fantastic film, but in its final form, it’s a neat diversion with a manic energy, and the return of a modern cinematic Superman who presents an iota of positivity, charm, and hope. Finally.

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Satan’s Cheerleaders (1977) [Blu-Ray/DVD]

Widescreen and Uncut for movie buffs everywhere, “Satan’s Cheerleaders” is a wonderful piece of crap that mixes all of the seventies hallmarks in a ninety two minute piece of junk food. There’s your disco soundtrack, your scantily clad cheerleaders (Kerry Sherman is a stonecold babe), and of course what would the decade be without Satanic cults and women in the buff praising an altar of some kind? “Satan’s Cheerleaders” is a delightfully campy bit of nonsense that felt like someone had a script for a horror movie and a teen sports movie and put them together for the sake of getting a movie funded.

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Deathdream (1974) (Blue Underground) [Blu-Ray/DVD]

Bob Clark’s “Deathdream” is one of the most sought after horror films ever made, one of those films that has been inexplicably out of print constantly and very much prized as a genuine horror gem. I’m one of those people that having seen “Deathdream” twice just can’t like what Bob Clark brings his audience. One of the reasons why is because “Deathdream” is so relentlessly bleak and dark. It’s an immensely depressing and viciously grim movie. And while that’s one of the main elements it’s been propelled it in to cult status, for me it’s just a major hindrance. I remember watching Bob Clark’s horror film the first time and just leaving it in a state of sadness.

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