Documentary filmmaker Thom Andersen (Los Angeles Plays Itself), began this nonfiction feature as his UCLA thesis project and finished it a decade later; it was rejected by the Los Angeles PBS station that helped finance the project, but later had a brief theatrical release before mostly vanishing from circulation until its 2013 restoration and 2015 inclusion on the Library of Congress’ National Film Registry.
Sometimes during these survival films, we meet people that are either too dumb, or too reckless, but “47 Meters Down” chronicles the plight of two of probably the most unlucky women on planet Earth. A lot of what goes down in the film really poses a logical set up, because when we meet characters Lisa and Kate, they’re both anxiously trying to find an adventure and escape from the doldrums of their lives. Mandy Moore especially is the focal point of “47 Meters Down” where she plays a girl getting over a bad break up who literally has to muster up the will to live in an extraordinary situation. “47 Meters Down” is a pretty basic survival thriller, but it’s definitely helped by the very good performance by Mandy Moore.
I was lucky enough to be able to review many of the short films that played for audiences at the 2nd 2017 Final Girls Berlin Film Festival. The festival which runs from June 9th to June 11th features a wide array of horror films, horror shorts and horror programs fueled by creative female voices, from writers, and directors alike. This year, they ran the anthology “XX” and a myriad new female powered genre titles, along with a big block of short genre films with specific themes. These are a few of the shorts that played.
If there’s any independent film that deserves to take off and be celebrated by movie lovers far and wide, it’s Anthony Stabley’s “Everlasting.” It’s a gripping, emotional, and gut wrenching tale of love, death, and the loss of innocence. Writer, Director and producer Stabley creates a compelling drama with a dash of the supernatural that feels very sincere and genuinely heartfelt right until the final tear jerking scene. Watching like a take on Paul Schrader’s “Hardcore,” director Stabley invokes a unique cautionary tale while successfully building two very flawed but absolutely brilliant protagonists. I cared about everyone involved in “Everlasting” and director Stabley implements every cast member well from his stars to notable supporting players like Pat Healey and Elizabeth Rohm.
It’s a thing of beauty to see DC Comics and Warner finally embrace what’s so awe-inspiring about their characters. I’ve been a very vocal critic about DC’s output of live action films, and “Wonder Woman” is thankfully a remarkable jumping point for the new direction of the cinematic universe for DC and Warner. Patty Jenkins’ film presents Wonder Woman at a turning point at the very end of her own movie and is one of the most socially relevant superhero films made in the last fifteen years. “Wonder Woman” arrives in an age where worldwide, efforts are being made by various political and corrupt powers to silence women. Out of the darkness comes Diana Prince, a woman who will not be silenced or put in to the background.
Kristi Jacobson’s HBO-aired documentary goes inside the segregation units at Red Onion State Prison, a supermax facility located in rural Virginia. The convicts incarcerated here are among the most violent in the penal system – and while they initially come across as articulate and charismatic in their on-camera interviews, the insouciant manner in how they detail the carnage that landed them behind bars is more than a little unsettling.
Jeremiah Kipp and Jessica Blank’s “Pickup” is the incredibly uncomfortable portrait of an uneasy relationship where a woman is stuck in a perpetual cycle of self-destruction that promises to become very dangerous, if she isn’t careful. Director Kipp is very wise to lead us in to a final scene that is very ambiguous and leaves the audience wondering what will happen next, and I appreciated that. “Pickup” involves a horrendous situation where once it explodes, everyone will feel the pain. And it likely involves two people that know the explosion is coming and both of them are doing everything in their power to prevent it before they have no choice but to face it.