Rogue One: A Star Wars Story (2016)

Warning: Spoilery and long review by a self-admitted Star Wars fan (with Stormtrooper tattoo to prove it).

A small group of rebels sets off to go retrieve the plans to the Death Star after receiving a communication that seems to indicate that they will be the downfall of the Empire in this sequel/prequel/side story to the Star Wars prequels/original trilogy.  Touted as the first standalone Star Wars, Rogue One is heavily entrenched in the Star Wars lore and fills in gaps and what could have been considered plot holes in the past.  The story here is easily to follow for people who may have never seen a Star Wars film, but it feels like a story built for the fans of the franchise.  The story feels like a Star Wars one and the characters feel like they belong in the universe with many cameos and full presences by some very familiar faces and names.  This leads the story to feel familiar and yet the changes, the connections that could have been or the additions or who knows make it feel like something is missing to the story.  Rogue One is a hard one for this review to fully embrace while wanting to, which is an odd place to find one’s fan brain in.

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Rogue One: A Star Wars Story (2016)

While I wasn’t keen on Disney and Lucasfilm approaching the prequel so quick in to the rebooting of the series, “Rogue One” really serves us one of the most important chapters in the fall of the Empire beautifully. While “Rogue One” certainly isn’t a perfect film, it sure is a fantastic action adventure that attempts to break the mold. Gareth Edwards transforms his tale of the stealing of the plans of the Death Star in to a last stand mission in the vein of “Saving Private Ryan” and “Inglorious Basterds.” Though director Edwards offers up the usual nods to “Episode IV: A New Hope,” thankfully “Rogue One” also manages to stand firmly on its own. It’s a compelling tale of the rebellion, and pure evil trying to maintain its strangle hold on the galaxy.

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There’s Something About Mary (1998)

Theres-Something-About-MaryThe Farrelly Brothers’ “There’s Something About Mary” is a pitch black romance comedy, and it embraces its dark mood with a sense of humor that’s relentless in being ridiculous. Released during a time where Ben Stiller still had potential, and Cameron Diaz was still something of a fox, the Farrelly brothers focus less on the dream girl and the guy who lost her, and more how the dream girl manages to arouse a group of men that are dangerously obsessed with her.

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VIDEO Killer (2016)

A woman receives a VHS tape one morning from an anonymous source.  After watching the video and its odd, violent animation, she is puzzled and feels like she is being haunted.  She soon decides to look for answers. Directed by Richard Mansfield (and have no verifiable writing credits online to check who did what), the film takes the premise of a found tape leading to investigations by those who have found or received it and turn it into what can be described as mostly found footage with touches of first person POV and other filming styles.  The story is fairly basic with just a few characters and works as a found footage mystery for most of the film.  It uses many story telling techniques with varied degrees of success creating a film that feels disconnected in places.

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Creepshow 2 (1987): Special Edition [Blu-Ray]

While “Creepshow 2” has always been taken as one of pair of horror movies that pay tribute to the golden age of EC Comics, over the years the horror community has learned to appreciate “Creepshow 2” as its own entity. Surely, its cut from the same cloth as the original classic, but it also carves out its own identity and doesn’t repeat the same beats as the original film. The Michael Gornick directed sequel is a darker, grittier, and more vicious follow up to what was kind of a raucous and darkly comic celebration, and it works. As a nostalgic memento, and as a sequel carved by Stephen King and George Romero, “Creepshow 2” is a classic in its own right.

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Mon Roi (My King) (2015)

A woman finds herself in physical rehab after a major skiing accident; there she heals from this accident and from her past relationship with her wild ex. Written by Etienne Comar and Maïwenn with the latter directing as well, the story of “Mon Roi” follows a woman going through a good part of her life led by her love and passion for a man who may very well be quite destructive.  As she works on being able to walk again, literally and metaphorically, her past is seen through a series of long flashbacks.  This is handled in a way that works perfectly here, showing her life basically from the moment she met him and keeping these long flashbacks in chronological order. This actually leads to almost forgetting that the main character is thinking back on these moments until these scenes at the rehabilitation center become longer.

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This Little Light of Mine: The Legacy of Fannie Lou Hamer (2015)

Among the many heroes of the civil rights movement, Fannie Lou Hamer stands out as a burst of spirit and power in the face of unthinkable forces. Robin N. Hamilton’s documentary short offers a brief yet effective portrait of a woman who rose from the poverty of Mississippi sharecropping to challenging the Democratic Party’s embrace of racist politics.

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