Currently on the public domain hit list, “The Last Man on Earth” is one of the first and finest adaptations of “I Am Legend” that while not perfect, is infinitely better than most of the successors to follow. Set in 1968, Robert Morgan is a doctor who finds society at the mercy of a mysterious plague. Everyone in the world is gradually dying out from this disease, and he soon discovers that those who die inevitably return from the dead. Unless burned, the bodies will re-animate and look for the closest blood source. Cue director Ubaldo Ragona’s awfully gruesome imagery of a humongous pit of fire where bodies of the recently deceased have been dumped to burn.
Category Archives: Movie Reviews
The Hollow (2016)
In a small town in the Deep South, a young local is killed along with a couple of young tourists. One of these tourists being a congressman’s daughter from out of state, the case is assigned to the F.B.I. who sends agents Vaughn Killinger and Sarah Desoto to investigate. As Killinger battles his demons and Desoto tries to keep things together, a tangled web of connections and secrets is unraveled. Writer/director Miles Doleac builds an effective suspense thriller murder mystery. The characters he creates are complex with no one being good or truly bad. His characters are very human with different flaws of varying gravity, none fully hate-able.
Night of the Living Deb (2016)
Ever since “Shaun of the Dead,” many filmmakers have been intent on delivering their own horror comedies about self obsessed thirty somethings thrust in to the zombie apocalypse. Kyle Rankin’s “Night of the Living Deb” is not a masterpiece by any definition of the word, but it ends up being a decent diversion that has a good time using zombies as a means of emphasizing the dynamic between our main characters. Set on the fourth of July, awkward Deb awakens in the apartment of her love interest Ryan. Though she’s in love with him, Ryan isn’t entirely interested in her and is anxious to get her out of his life as soon as possible. Little do either of the pair know that overnight their small town of Maine has been consumed by a zombie apocalypse and everyone they known are now flesh eating zombies.
The Conjuring 2 (2016) [Blu-Ray/Digital]
After the blundering misfire that was “Annabelle” I was a bit scared that “The Conjuring 2” would be a bland follow up to what was one of the best contemporary horror films ever made. Thankfully James Wan not only outdoes himself, but builds on the mythology of Ed and Lorraine Warren. “The Conjuring 2” follows the tradition of the original film, putting the Warrens in to an impossible situation where they have to do battle with a powerful evil. What’s more is that the evil has chosen to pick away at a vulnerable lower class family once again, prompting the Warrens to risk everything for the sake of one victim’s soul.
Lake Nowhere (2016)
I don’t know if I’d called Maxim Van Scoy, and Christopher Phelps’s “Lake Nowhere” a masterpiece, but I have to say that the more it unfolded, I appreciated its enthusiasm more than anything. It wants to deliver a genuinely retro horror experience, and by god it succeeds most of the time. I’m not completely bowled over, though, as “Lake Nowhere” is really only fifty minutes in length. Five of those minutes are devoted to some faux horror movie trailers you’d find in front of a cheap horror VHS.
Videodrome (1983)
David Cronenberg’s cinematic commentary on the power of media and how the media eventually controls you in ways you’re never quite cognizant of still rings true today. Even though “Videodrome” was more aimed toward the idea of television and our fascination with violence and human misery, Cronenberg’s thriller is still incredibly volatile in an age where humanity does nothing but stare at glowing screens zipping through a ton of data that eventually begin to depict how we live our lives. James Woods plays Max Renn, the owner of a porn television station who also has a penchant for sadism during sex. When he’s introduced to a television frequency called “Videodrome,” he begins to form a fascination with the footage of people being tortured, victimized, and raped.
The Shallows (2016) [Blu-Ray/Digital]
Sony and everyone else are probably going to compare “The Shallows” to Steven Spielberg’s “Jaws” but oddly enough “The Shallows” is nothing compared to it. In the end after all is said and done, Jaume Collet-Serra’s “The Shallows” is a fairly simple and very tense survival thriller in the vein of “Open Water” and “127 Hours.” Rather than someone stuck in a rock crevice with their arm wedged between rocks, we follow a young surfer whose leg is wounded and is stranded on a rock looking out on to land. She can easily try to swim back to shore, but the predator she’s face, a man eating shark, is so much faster and swifter than she can ever hope to be. Jaume Collet-Serra has really come up in the film world as a director who offers up tense and exciting films. “The Shallows” is very much in his wheelhouse as a film that’s action packed and knuckle biting, also sneaking in contemplative undertones about life and grief.