Getting 1964’s “The T.A.M.I. Show” finally on a Collector’s Edition DVD fully restored for the rock fans is a special occasion. If only because “The T.A.M.I. Show” has long been a concert film that has been seen mainly through bootlegs and was sabotaged for a long time. Even film buff Quentin Tarantino never had a complete bootleg, and finally the entirety of “The T.A.M.I. Show” is on DVD from Shout! with nary a single dull moment to be had. What’s so fun about “The T.A.M.I. Show” is that it’s just an unabashed celebration of diversity in rock and roll, and how various artists have shaped it in to something incredible.
Category Archives: Movie Reviews
Pumpkinhead (1988)
“Pumpkinhead” is one of the many horror movies from the eighties that is unparalleled. It’s a movie series that opens with a bang and continues on with many inferior sequels. Alas, “Pumpkinhead” remains a single entry horror revenge thriller, depending on how you prefer to look at the storyline. That said, “Pumpkinhead” is a fine and atmospheric yet flawed revenge thriller that features some pretty incredible special effects by the late great Stan Winston, who also directs. And how can you not like Lance Henriksen?
Forrest Gump (1994)
I’ve always been a fan of “Forrest Gump” since its release in 1994, mainly because I admire the character of Gump so much. Gump really is the American dream through and through, and Tom Hanks’ turn as Gump outweighs any flaws in Robert Zemeckis’ ode to the perception of America and the American Dream. “Forrest Gump” explores how Gump pretty much shifts through amazing experiences and seems to soak them in more than anyone else around him. His spirit and good nature is very infectious and influences others much in the vein of “Being There.”
The Substitute (1996)
Robert Mandel’s action thriller is one part “Rambo,” one part “Blackboard Jungle,” and one part “Lethal Weapon” that really never quite comes together in to anything impressive. When the dust has settled it’s merely a mediocre shoot em up with a gimmick that director Mandel only rolls with until mid-way in to the narrative. “The Substitute” really only presses the idea of a mercenary posing as a substitute teacher until it runs out of steam. Then it becomes a monotonous movie about mercenaries battling a drug cartel.
Point of No Return (1993)
The biggest difference that sets John Badham’s remake apart from Luc Besson’s original “La Femme Nikita” is the context of the decade. Even set in the late eighties to early nineties, Besson’s original has a very timeless appeal to it and is still a template for many action films. John Badham’s remake though is very soaked in nineties ephemera, to the point where you can almost hear “90210” playing in the background of every scene. Thus it distracts from the story Badham is trying to tell. Which is a stacked deck, considering “Point of No Return” is a weak retread of an action masterpiece.
Angry Video Game Nerd: The Movie (2014)
“The Angry Video Game Nerd,” for the uninitiated, is an online personality and character created by James Rolfe, who plays really bad vintage video games on his show usually by request of his fans. He then provides insightful commentary (along with excellent comedy) that also includes a lot of rage, anger, and bafflement as to how what he’s played could have ever been allowed for public consumption. “The Angry Video Game Nerd” is a wildly popular and influential online series that is mostly familiar to gamers and pop culture fans alike, so it’s wise that director James Rolfe takes the big screen debut of his beloved character, and broadens it to appeal to more general indie audiences alike. Director James Rolfe and Kevin Finn’s movie is still a niche comedy with loads of cult potential, but will also catch the eye of movie goers in the mood for meta-comedy, and an honest to goodness indie road trip film.
Double Dragon (1994)
I don’t know how the hell you screw up “Double Dragon.” It’s a beat em up video game set in the future where two warriors Jimmy and Billy (or Bimmy if you’ve played the video game) have to save their girlfriend from a humongous crime syndicate. There could have been so much to go on with this concept, and it might have made for a wicked great apocalyptic action film. Instead, much like “Mortal Kombat,” it’s neutered for kids, and sucked of all of its originality. Even at eleven years old I knew “Double Dragon” sucked. And I liked everything, back then. Even the Marvel Comics mini-series had more of a toothy, edgy vision of the video games than this movie did.