Wolverine is the key to it all! Whodathunkit? Director Bryan Singer seemed so reluctant to use him in the “X-Men” movies. Now that the sarcasm is out of my system, “Days of Future Past” is a very respectable adaptation of the iconic Marvel comics’ storyline, and a very good excuse to press the reset button on the entire “X-Men” series, led by Bryan Singer. The franchised rolled out by FOX has had this coming for quite some time with such a convoluted, inconsistent mess of a timeline. It’s reassuring that the third go around for Bryan Singer in the Marvel property is better than his previous two films.
Category Archives: Movie Reviews
Sleepaway Camp II: Unhappy Campers (1988)
Our favorite transphobic slasher is back with a follow-up to the original shocker, and as suspected, “Unhappy Campers” fails to live up to the gasps that followed the original film’s surprise ending. There really are no other surprises we can derive from this premise anymore, so “Unhappy Campers” is a slasher comedy with such flimsy production quality, it’s actually very charming. How can you not enjoy Angela’s gallery of maimed corpses, most of whom can be seen breathing or struggling to keep still on close up shots? It’s a gas.
Deep in the Darkness (2014)
Plot holes, plot holes, and more plot holes! It’s just another title from the ever growing library of horror groaners from Chiller Films. Colin Theys’ “Deep in the Darkness” is an amalgam of “The Wicker Man,” “The Descent,” and a bit of “Rosemary’s Baby” for good measure. “Deep in the Darkness” is yet another horror movie that promises it’s building up to something, and then sputters out like a deflated balloon, forcing the audience to realize they’ve spent ninety minutes watching nothing. Nothing at all. What in the name of all that is sane did that final scene even mean?
Zugzwang (2015)
One of the bigger problems in “Zugzwang” is the intent behind the premise and concept. I was never sure if this short film was supposed to be a whimsically sweet tale of an underdog pursuing love, or a disturbing tale of a young boy out of touch with human dynamics who can’t take a hint. I found the ultimate resolution a bit uncomfortable and unsatisfying, but thankfully those caveats don’t bog down “Zugzwang,” completely. True it sounds like I’m down on the short film but despite its hazy intentions director Yolanda Centeno’s short film is charming and inventive.
The Women (1939) [Blu-Ray]
Director George Cukor’s 1939 classic “The Women” is a pretty superb and remarkable film, and that’s because it features a primarily female cast. There isn’t a male cast member in the entire cast of seasoned performers, and while this might be cause for wonder in regards to the context of the story, the narrative really doesn’t need men. Cukor’s film is about women both old and young, and how they deal with the world and each other. Men are really irrelevant in the grand scheme of the social structure of the female and how their bonds with one another craft their future. While primarily depicted as a comedy, it’s also very much a sad drama about how women deal with their issues of infidelity and insignificance. Their issues and problems are real, while the consequences of infidelity and divorce really create a tidal wave of heartbreak and trauma that lasts throughout the narrative.
The Normal Heart (2014)
Director Ryan Murphy’s adaptation of the acclaimed Larry Kramer stage play “The Normal Heart” is a stunning and often grueling drama that thankfully never sugarcoats the painful illness it touches upon. It’s a human drama about human beings stricken with a horrific disease that reached pandemic proportions in the 1980’s and was generally ignored by the media and the government for many years. “The Normal Heart” is a tough watch because it is also the first chapter in an ongoing war that continues to affect the world and is still generally ignored, and dismissed as hopeless by many to this day.
Watercolor Postcards (2013)
One of the main draws to director Rajeev Dassani’s “Watercolor Postcards” aside from its positive message, is the wonderful cast he assembles. His film is colored with an array of brilliant character actors, from Jonathan Banks, to John C. McGinley. Keeping the film afloat though is the sheer excellent performance from Bailee Madison. I’ve been a fan of her performances for years, and here she handles what could have been a goofy character with grace and subtlety allowing for a protagonist filled with an endless supply of hope and faith that makes her look strong rather than naïve.




