Contracted (2013) (DVD)

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You can definitely look at director Eric England’s horror drama in two plains. You can either watch it as a gory tale of a woman rotting gradually in to something beyond herself, or you can look at it as a metaphorical tale of a woman rotting in to the ugly being she’s probably always been her entire life. When you cut it down, the character Samantha is the protagonist, but never really is an empathetic individual. She’s this lecherous, vapid, and utterly narrow minded being who does nothing but ride on people’s good will and expects big returns. That’s not to say she deserves what is coming to her, but who’s to say her final transformation isn’t what she’s been her entire life?

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Knights of Badassdom (2014) [Blu-Ray]

Hopefully someday we’ll be able to see the director’s cut of “Knights of Badassdom” as originally envisioned by Joe Lynch. Truth be told, he’s a very talented director, and I’d be more than willing to watch this again. Anything with Summer Glau gets a free pass by me. In its current state as the Producer’s Cut, “Knights of Badassdom” is still a great horror comedy that takes a bunch of LARPERs and drops them smack dab in the middle of a horrific situation involving a flesh eating demon with the face of a goddess.

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Magic Island (1995)

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1995’s “Magic Island” from Moonbeam Entertainment is one of the few Charles Band backed kids films I’ve never actually seen. Which is odd, considering I loved Full Moon as a kid, and Zachary Ty Bryan was on one of my favorite TV show of the nineties “Home Improvement.” Like many of the Moonbeam films, “Magic Island” is not a perfect film by any stretch, but you have to appreciate its ambition, flaws and all. A good mixture of “The Neverending Story” and “The Princess Bride,” Sam Irvin’s adventure film is a goofy kids film with enough innocence to warrant good B grade family fare.

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Dead Shadows (2012) [Blu-ray]

Director Dave Cholewa’s “Dead Shadows” is HP Lovecraft meets “Night of the Comet,” and while surely that sounds like the ingredients for an amazing horror film, in the end it’s just a serviceable post apocalyptic horror thriller. It’s by no means a waste of time, but it never delivers on a lot of its ideas and story themes. Much of the concepts and sub-plots feel very under developed and half baked, with “Dead Shadows” unfolding in a very inexplicable series of events. I tried my best to follow along, but Cholewa really offers horror audiences a convoluted narrative for a movie that boils down to shooting aliens and monsters in the dark.

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Wolf Creek 2 (2013)

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I didn’t think it was possible, but Greg McLean has managed to create a sequel to “Wolf Creek” that’s even more despicable than the first. Almost ten years later, Greg McLean has seemingly come up dry in the realm of new ideas for his character Mick Taylor, and apparently fulfills a contract, judging by the quality of this long in development follow up to his terrible 2005 horror film. Not only does “Wolf Creek 2” drop the pretense of a narrative, but it reduces the entire film to nothing but a string of really violent deaths, turning Mick Taylor in to a maniac who kills just because he has nothing else to do. Director McLean revels in cruel and disgusting murders that are repetitive and senseless and lacks any and all ability to provide scares, tension, and a genuine sense of unease. It’s just a large maniac running around destroying people left and right, and nothing else.

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Scooby-Doo: Wrestlemania Mystery (2014) [DVD/Blu-ray/Digital]

The Scooby gang have come across almost every popular star since they were introduced on television. From the Harlem Globetrotters to Batman and Robin, no one was off limits to them. Surely enough with WWE ruling the sports world currently, their crossover with the Scooby gang was not only inevitable but it makes perfect sense, when you consider it. They met The Harlem Globetrotters. Mike Piazza. KISS. This was a long time coming.

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Blazing Saddles (1974)

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You have to give credit to Mel Brooks for being so ballsy. In today’s day and age, a movie like “Blazing Saddles” would never get off the ground and become a mainstream comedy. Even with its material, Brooks runs the risk of becoming low brow, but thankfully manages to create the best comedy of all time. It’s my favorite from Brooks, edging out “Young Frankenstein” if only for the lead performance by Cleavon Little. “Blazing Saddles” satirizes the Western sub-genre, while also mocking its inherent racism, setting it in the middle of the slave era. Though the film is biting in its social commentary, it still manages to be incredibly funny, sidestepping the mockery of the slavery, and instead poking fun at the Caucasian characters.

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