It’s obscene how underrated “KnightRiders” is. For a Romero movie, it’s such a departure from the norm that his fans are accustomed to, but it’s also very much a George Romero film. Not only does “KnightRider” garner much of the tropes that Romero is fond of, including the biker aesthetic, journeymen characters anti-heroes, commentaries on the monotony of domestic life, and a meshing of various races, but you can also make a great game out of spotting cast members that have been in Romero films, or will eventually be in one. Hey, there’s Joe Pilato! Look! Scott Reiniger! Patricia Tallman!
Category Archives: Movie Reviews
Marvel Zombies vs. Army of Darkness (2013)
Marvel Entertainment thought Brian Rosenthal’s fan film was too damn excellent for anyone to see, so they wiped out this fan film from the internet faster than you can say “Necronomicon.” But for the few folks that were able to catch it, director Brian Rosenthal delivers one hell of a kick ass short fan film that previews what could be an amazing film. In an alternate reality where Marvel and Sam Raimi teamed up for a great horror action film.
Hollywood (2007)
Director Christopher L. Golon’s short film “Hollywood” is a decent effort, with a keen idea of what it wants out of its short run time. It’s rough around the edges, and definitely could use a larger length, but as it stands it’s a solid attempt at a short neo-noir about the damnation of living in Hollywood.
The Wind Rises (Kaze Tachinu) (2013)
“The Wind Rises” is such a beautiful note for Hayao Miyazaki to leave us on. It’s a bittersweet affair as a film and an animated feature, mainly because Miyazaki hasn’t lost his ability to tell stories. He’s the most incredible animator working today, and his retirement is heartbreaking because the man has many more years left to deliver lucid, entertaining and thought provoking stories to his fan base. “The Wind Rises” is not an explosive, fantastical exit for Miyazaki, but a respectful and quiet bow out. One that really does stick with you long after the credits have ended.
Hollywood (2007)
Director Christopher L. Golon’s short film “Hollywood” is a decent effort, with a keen idea of what it wants out of its short run time. It’s rough around the edges, and definitely could use a larger length, but as it stands it’s a solid attempt at a short neo-noir about the damnation of living in Hollywood.
The Hunger Games: Catching Fire (2013)
Director Francis Lawrence’s “Catching Fire” is set directly after the events of the first serviceable installment of “The Hunger Games,” and sadly Katniss has not emerged victorious. After her attempt to end her life with Peeta, incapable of fighting to the death, the pair became celebrities. Rather than be wounded by their violation of the rules of the Hunger games, the Capital took advantage of this moment. Katniss and Peeta are now a celebrity couple and the world wide sensation, and the capital has done everything they can to exploit this opportunity. Katniss and Peeta started a revolution when they agreed to a suicide pact, and now they have to once again maintain their image.
The Borrower Arrietty (Kari-gurashi no Arietti) (2012)
I can understand why Disney loves Studio Ghibli so much. Many of their epic films revolve around death and lack of parental units in the lives of youngsters, and Hayao Miyazaki quite often depicts a world where children are either without a mother and father, or are at risk of losing their mother and father. Like many of Studio Ghibli’s animated works, there’s an entirely vast and amazing world that many never explore unless they’re given that privilege.




