Fear of the unknown is perhaps one of the greatest elements of horror. It’s one of the greatest tools we have in the arena of the genre, but it’s rarely ever used. And when it is, it’s squandered in a sea of over explanation and tedious exposition. It’s rare we’re ever given horror movies these days that rely on what we don’t see and don’t know.
Well if anything “Return III” doesn’t remake the first film as part II did. And it introduced us to the red haired goddess we know as Melinda Clarke. “Return III” is a goofy and kind of odd twist on the original film, but it packs in a pretty interesting romance, as well as staging the furnace scene from the first film again except with two people devastatingly in love.
Hey after “Return” ended, there was really nowhere left to go. The characters were dead, zombies were taking over the world, and the government nuked an entire city. And it’s heavily implied that the rain over head would carry the nasty zombification over in to another city and a whole new batch of zombies would come up to look for brain matter. Dan O’Bannon and co. really left “Return” with nowhere else to go as it sealed up the ending nice and tight. So what else for a studio to do when they want to sap more cash from a zombie film? Remake the first film! Sort of. That makes sense, I’m assuming. In some warped manner.
Director Alex Craig Mann’s horror zombie comedy would probably like to be considered an amalgam of “Shaun of the Dead” with “The Breakfast Club.” And while those attempts at claiming both territories are admirable, his film never quite lives up to aspiring for both heights at all. Mann’s film starts out respectably, taking beats from “Shaun” with moments of school activity interrupted by zombies lurking in the background and stumbling in to class. And then suddenly everything goes to hell. The problem is while it seems to enjoy “Shaun” very much, it’s never as humorous or clever. When it has the chance to compensate for that flaw by focusing on rich and complex characters, it doesn’t do that as well as it should, either.
Despite its brutally predictable ending, the Australian short zombie film “Perished” is a grueling and terrifying horror entry. Once again, a storyteller has the idea to feature less zombie carnage and explore the minutiae of survival where every little step dictates whether you live or die by tooth and nail of the walking dead.
I wish more zombie movies could be like Jeremy Gardner’s “The Battery.” The problem with most modern zombie films is that the writers forget that the humans should be the centerpiece of the film, and not the zombies. Director Jeremy Gardner’s “The Battery” is the prime example of how to handle this kind of genre entertainment with a low budget. Rather than flood the screen with zombies, the monsters are used sparingly and for great moments of terror and memorable scenes, while Gardner focuses primarily on character, building two complex and unique people we can love and hate, in many ways.
I’ll be honest, I’ve been crushing hard on Brea Grant since her days on “Heroes,” so when I heard she had a movie out where she starred, I made it my mission to watch it. Thankfully, “Best Friends Forever” is a low budget but incredibly well realized apocalyptic horror drama with a geek edge that Grant is now known for. Grant is so adorable in “Best Friends Forever,” she may garner a few more fans. “Best Friends Forever” is basically “Harry & Tonto” meets “A Boy and His Dog.” Except with two beautiful women. To boot, it garners immense heart and rather fantastic performances by Director/co-star/co-writer Grant and co-writer/co-star Vera Miao, both of whom play friends uncertain of their future that realize the world around them has no future.