Ticket-Keeper: A rebel in hell–how original.
Apparently Darren Lynn Bousman’s “Repo! The Genetic Opera” has not only become a massive cult classic, but it’s rising to the status of “Rocky Horror Picture Show” where fans swarm in droves to pay homage to the punk rock horror musical engineered by the director. While its initial release was piss poor, that never means it’s the death of an actual film. Quality always rises above horrible marketing and advertising. While “Repo!” was an entertaining enough horror treat, director Darren Lynn Bousman follows up his hit musical with a quasi-sequel of a sorts. While it’s not a direct continuation of “Repo!” it definitely garners the spirit of the former film, and even casts some actors from “Repo!” including Paul Sorvino, Bill Mosely, and Alex Vega in an especially saucy role as the demonic Wick.
From what I’ve read, Dimension has the right to Clive Barker’s “Hellraiser” property and wants to remake the film series. But the ever troubled production has reached the point where the rights have run out. To keep the rights, Dimension basically rushed out a cheap shoddy sequel to the original “Hellraiser” series. This is a movie so horribly made and poorly constructed that the iconic Doug Bradley opted out of his star making role as the horrific Pinhead, due to his salary being chopped down from the low budget film. In his place is Stephan Smith Collins a poor bastard who has to live up to Bradley’s gravitas as Pinhead in every conceivable way and wages a losing battle from the very beginning.
