Director-Writer Justin Timpane is back and he’s bringing fanged fucks with him in the sequel to his highly entertaining “Ninjas vs. Zombies.” Except this time he’s armed with a bigger budget and a cast with more acting abilities this go around. The versus titles are a niche in the Straight to DVD market, so Timpane is already ahead of the game with the sequel to his franchise which sees an innocent bystander fall to the clutches of a vampire attack only to be saved at the last minute by the Ninja clan who arrive in time to hunt the vamps, but not prevent our protagonist from becoming a vampire.
Category Archives: Movie Reviews
Ninjas vs. Zombies (2008)
I love how in the very middle of the film when hero Randall has lost all hope he’s greeted by the vision of a young girl who insists the only way to beat the zombies is ninjas. Almost as if that’s been the natural choice for every decision involving zombies in pop culture. Ninjas, duh! “Ninjas vs. Zombies” is the pop culture ode that I could definitely get behind. Sure it’s micro budget and lacking in solid performances, but it’s such an unabashed celebration of this ridiculous concept it’s tough not to enjoy. I’m not surprised there’s a follow-up on the way, that’s for sure.
Mother's Day (2010)
It baffles me hours after watching “Mother’s Day” as to why director Darren Lynn Bousman’s remake of the 1980 cult classic wasn’t seen fit for theatrical distribution. As a horror film and a thriller it’s a perfectly suitable splatter film for the for the gore soaked masses and a taut suspense film for folks in the mood for a teeth grinding picture that takes place during one night and involves criminals with no place else to go. What Darren Lynn Bousman has done is crafted a chaotic film so off the cuff, it’s basically “The Desperate Hours” with more splatter and less grace behind it. As a whole it’s not the most subtle picture Bousman’s ever done. This is the guy behind “Saw” for godsake.
Thor (2011)
Marvel’s Thor has always skidded on the edge of mainstream entertainment and literary fare. As a comic book series it’s always been one of the most sophisticated of the pantheon of characters, so not every fan has subscribed to what tale the god of thunder has told fans for decades. And even with big names leading the pack like Natalie Portman and Kenneth Branagh, “Thor” is a hard sell for fans of the superhero cinema who want their entertainment and battles here and now and have to wait for their meals.
Stake Land (2011)
“Stake Land” is that type of movie that many indie film fans will take a liking to, primarily since every frame glitters with a Sundance gloss that make it suitable for the independent niche that’s become so popular in 2011. Which is not at all a criticism, but the film often feels like it’s appealing mainly to the indie buffs before the horror fans and that may alienate movie geeks to some degree. “Stake Land” from Jim Mickle is yet another post apocalyptic nightmare from Hollywood that ponders on the question: What if vampires took over the world? Mickle paints this world in such a gritty disgusting zeal with blood soaked carnage and raving maniacal vampires, that it often feels like a sequel to “30 Days of Night.”
Insidious (2011)
Assuredly one of my favorite horror films of the year, it’s safe to say that director Wes Craven never stood a chance. With the creators of “Paranormal Activity” and “Saw” behind the horrific “Insidious” it was a safe bet a classic story about ghosts and goblins would do wonders over mere films about slashers and the modern internet age. One part “Poltergeist” and “Altered States,” and two parts “The Haunting,” director James Wans’ ghost story is the classic creaks by the stairs story about an average family who move in to a house and discover that the past residents of the house have decided they want to stay.
Teddy (2011)
The funny thing about “Teddy” is that there is no reason for it to go beyond an eleven minute run time. This film’s premise is so hackneyed and predictable, it’d barely make a decent feature length film. Which is not by any means a criticism, just an honest observation. You have to respect Slasher Studios for comprising an entire narrative and condensing it in to only eleven minutes.