One Missed Call (2008) (DVD)

It’s attack of the murderous Razr’s: the remake, in what is easily one of the worst horror movies of 2008, one of the worst movies of 2008, and one of the worst remakes of all time. And that’s not hyperbole, suckers. The remake of the 2003 Takashe Miike horror film stars a veritable cast of B listers dragging us through the doldrums of bland performances, limp tension, and a series of jump scares that go to ridiculous lengths to keep audiences awake; how else to explain a shock from a deafening asthma inhaler, and a falling marionette puppet?

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Tripping the Rift: The Movie (2008)

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My first experience with “Tripping the Rift” was on the television show “Exposure” on the Science Fiction channel where the series that displayed a variety of independent filmmakers and their short films aired a special “Star Wars” tribute episode. “Tripping the Rift” was one of my favorites of the episode and it powered on to be a cult spin-off that I never sadly watched while it was on the air. “Tripping the Rift: The Movie” is a serviceable pop culture love letter, with not a single hint of originality, but a great energy that makes it worthy of the watch, even for people who have no idea what the plot is. Because, I sure as hell don’t. I know it’s a Canadian cartoon of the Canuck persuasion, and has a really hot computer animated chick in it.

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Antebios (1998)

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When I was a wee lad, all I wanted to do was review movies. And not movies made by people I’ve never heard of, either. No, I just wanted to see what was in theaters, and what Dreamworks and or Paramount had to offer. I wanted to review movies that people knew about in my local theater. And then came “Exposure.” A favorite of mine when the Science Fiction Channel was starting in the US, “Exposure” showed me that indies are always as good and (many times) better than the mainstream. I explored some of the early work from masters like Tim Burton like “Frankenweenie.” For an hour every Sunday, I watched indie shorts, and loved each and every one of them.

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The Ruins (2008)

the-ruins-pyramidRelying more on psychological terror rather than CGI plant monsters, the reason “The Ruins” will get under the skin of most audiences is because Smith prefers to leave the plant terrors as silent sadistic predators that—well—get under the skin of its victims through cuts, and open wounds. These creatures are merciless in their pursuits to chomp on some thirty something college goers revealing some truly shocking abilities to lure prey, and breaking down the hunted through manipulation and classic torture methods.

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April Fool's Day (2008)

It’s all a practical joke in the end. What? You’re mad that I ruined the twist? Too bad. Now let’s cut the crap here, I’m not going to pretend “April Fool’s Day” was a masterpiece of eighties horror cinema, because it wasn’t. It was boring, bland, and had a climax that was as predictable as it could get. It’s called “April Fool’s Day,” the surprise twist is given off the bat. So when news came that it was being remade, I had a general series of reactions. Anger that they’d be remaking another movie, disappointment that they couldn’t improve on the original, and sheer frustration that it had been geared to the “My Super Sweet 16” audiences now focusing on a group of rich kids. Now as much as I love to see Buffy and Muffy heiress get an axe in the head, this new set up is annoying because it’s pointless. “April Fool’s Day” is a blip on the remake radar and for good reason. It’s a low budget redo by terrible directors, and yes, we’re setting down on some rich folkels.

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Diary of the Dead (2007)

Romero has given his fans something to take to the grave with them, with five films that are generally contradictory and controversial phenomena. There was “Night” and “Dawn” which are still basically debated and adored, the once despised, but now appreciated “Day” and the rather sub-par “Land,” all leading into “Diary.” Romero’s newest output is a confusing fascinating beast. Never has one of his films completely divided fans before, and admittedly it’s a monster worth observing. It’s both despicable and brilliant, it’s hideous and yet quite apt. “Diary” continues splitting fans that both despise it and adore it for the very same reasons. But is Romero really just the observer here?

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I Am Legend (2007) (DVD)

Francis Lawrence has an incredible eye for details and visuals in all the movies I’ve seen from him. Even his worst movies have some of the best surreal stark visuals I’ve ever seen, and the man knows how to implement CGI to enhance his films instead of rely on them to provide entertainment. I just wish the man made better movies. What’s it going to take for this man to bring us something spectacular? As for “I Am Legend” it’s wholly unspectacular, but without a doubt one of my favorite guilty pleasures of 2007.

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