I don’t know. Perhaps I’m burned out on action films, particularly from action films with flashy stunts that don’t serve much of a purpose. In the end, “District B13” is a string of action sequences featuring shoot outs, fight scenes, and acrobatics, and not much of a story or characterization to keep us watching. I mean sure, the action scenes are great, but I couldn’t pretend to care when I wasn’t sure who was who and what the grand plot of the entire film is supposed to be.
Category Archives: Movie Reviews
Pumpkinhead: Ashes to Ashes (2006)
“Ashes to Ashes” is no better than its predecessors. It’s a sloppy mélange of terrible acting, choppy editing, and a plot that’s better suited for “The Crow” franchise instead of “Pumpkinhead.” Granted, the original “Pumpkinhead” is great, but like “The Howling” the franchise begins and peaks at the first film and then goes downhill in terms of quality and overall engrossing story and lore very quickly. A local doctor who owns the corrupt town of any town, USA, is stealing people and taking parts from them for the black market.
Proof (2005)
In “Proof,” Catherine is a woman who doubts her own sanity, after her dad dies. And when her sister Claire arrives from out of town, her tension and doubts become much too apparent. Claire doubts her sister’s sanity, and after the first twenty minutes you will, too. Madden’s film is based on the play of the same name, and judging by the way the entire film is conducted, it’s not hard to fathom. “Proof” conducts itself like a play. There are simple and scarce set pieces, all of which are there to serve the actors who stand around trading dialogue at rapid fire paces, screaming at the top of their lungs. They think it’s dramatic, but often times it’s utterly shrill.
Hard Boiled (Laat Sau Sen Taan) (1992)
“Give the guy a gun and he’s superman, give him two and he’s God.”
The nineties were a time of some of the greatest movies ever made; years from now movie buffs will recollect how the nineties brought about some of the greatest films in history. One of which will be “Hard Boiled.” While Woo’s crime drama may not be the greatest action movie I’ve ever seen, it sure is excellent. Plus, it’s not surprising it’s been considered a classic of the genre, and catapulted Woo as a legend. Great action movies are timeless; ‘Scarface,’ ‘Dirty Harry,’ ‘The Getaway,’ and John Woo’s action epic “Hard Boiled” has yet to show any age at all, considering it was made at the start of the nineties. Woo’s action film is a wonderful cocktail of brains and fantastic action that will keep you glued to your seat.
Beyond the Sea (2004)
You have to appreciate Kevin Spacey’s willingness to give a dedication to Bobby Darin. “Beyond the Sea” basically came and went into theaters, and is still an apparent work of love from the man. Sadly, it’s also a pretty bad film, and utterly grueling to sit through. This is not based on some close-minded thought just because it’s old music. This is because the film is actually quite bad. I like Bobby Darin’s music, but Spacey is basically all over the map with his pet project.
Bubba Ho-Tep (2002)
For a film so set on camp, and only camp, Coscarelli dials the campy atmosphere down to about a four most of the time. He even manages to paint his character who thinks he’s Elvis as a rather dignified person. The entire concept of “Bubba Ho-Tep” is rather original. There’s a soul sucking monster at an old folks home, and to discreetly suck life, and not be noticed, it’s taking the remaining life from the residents there, and no one is drawing much of a stir. But Elvis and the black JFK decide it’s about time to stop this monster before they’re next in the war path of the undead mummy. “Bubba Ho-Tep” is a lot less a horror film, and much more of a film about the horrors of getting old.
City of Rott (2006)
Don’t be fooled, its goofy animation isn’t a sign that it’s for kids. This is strictly an adult affair, folks. Imagine “South Park” played with a straight face, imagine Romero’s “Dead” films without a plot, and you’ll get Frank Sudol’s “City of Rott.” An old man is the basic hero for Sudol’s zombie epic in which a new toxin discovered in water creates a citywide epidemic of flesh eating zombies that are rotting from the inside out. Armed with only a walker, which is his best friend, his means of conveyance, and his weapon, he looks around for some new loafers to help his ailing feet, but he can’t stop running into those stupid zombies, and the parasites that leak from the bodies when destroyed.

