5 Things We Love, and 5 Things We Hate About “Space Jam”

Posted on February 24, 2014 by Felix Vasquez

I am very surprised that “Space Jam” continues to garner such a cult following, even to this day. I remember watching it for the first time back in 1996 and leaving it thinking “That kind of sucked.” Even years later, I remember it as a movie that did nothing but pander to audiences, push massive merchandise, and worked as a PR tool for Michael Jordan who’d garnered some poor fan fare after his foray in to baseball. “Space Jam” is not that good a movie.

Even in my current love for nineties nostalgia, you’d have to argue very hard for me to buy the movie on DVD or Blu-Ray. And I almost bought a bag of old pogs on online, a few days ago. In either case, Warner is hoping to cash in on fans of the first movie by creating a sequel tentatively titled “Space Jam 2.” This installment will apparently star Lebron James, in place of Michael Jordan.

1996’s “Space Jam” was a goofy movie, with a paper thin plot, and lackluster comedy obviously constructed by a committee of corporate suits, Jordan’s PR team, and some writers who built the perfect publicity machine for Air Jordan, all the while selling off some Looney Tunes crap with McDonald’s.

That said, we have our fond nostalgia for the movie, however minuscule, so here are 5 Things We Love, and 5 Things We Hate About “Space Jam.”

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Pacing the Cage (2014)

Posted on February 24, 2014 by Felix Vasquez

The moment Max Lyons steps out of prison and enters in to the world, not only is his life on the line, but his soul is too. He’s still a very weathered prisoner who is a victim to his drug addiction, and his grasp for a normal life is hopelessly out of his reach. Lyons is one of the many poor ex-convicts hanging on by a thread, and director E.B. Hughes’ crime drama about a man fighting for his soul is a brilliant take on what is typically a tired sub-genre of dramas.

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Alien Arsenal (1999)

Posted on February 21, 2014 by Felix Vasquez

Once again David DeCouteau and Charles Band re-invent “Laserblast” for a new audience. The wretched original is once again re-conditioned in to a teen friendly adventure in the vein of “Power Rangers,” and it’s an apparent attempt to market on the audience. The movie is silly and often makes no sense, but I do tend to miss the old days when Full Moon and Charles Band attempted to appeal to children and teenagers. Ralph and cute Tomboy Baxter are nerds in their school, both of whom spend their time riffing on science fiction and being picked on for reasons I have tough time fathoming. Truth be told, they don’t stand out really.

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Spineless Classics: Robert Bloch’s “Psycho”

Posted on February 21, 2014 by Felix Vasquez

If you ever wanted to own your favorite books, or perhaps classic books but didn’t have the shelf space, Spineless Classics has you covered. They’ve managed to compile entire books on to one giant poster with the text from said book transformed in to a piece of art. Though the concept sounds unusual, it’s actually a very genius and entertaining idea that will surely bring in literary buffs that want some wall decoration, but lack the space for novels.

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Sparks (2013)

Posted on February 20, 2014 by Felix Vasquez

For me, “Sparks” was an easy sell. I’m someone who loves serials, and classic pulp heroes that used their fists and fell for dames while fighting crime. Though “Sparks” is obviously an indie production, it garners the spirit of classic pulp heroes through and through. From a murder mystery, hard boiled cops, masked heroes, and the like, “Sparks” is an entertaining throwback to pulp heroes that, while flawed, is still worth a watch. If only for the great cast. Directors Todd Burrows and Christopher Folino leave no stone unturned in their ode to classic forties comic books, even featuring characters that smoke like it’s going out of style.

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Maniac (2012)

Posted on February 20, 2014 by Felix Vasquez

As a man who had absolutely no faith in the remake of William Lustig’s grindhouse classic, it’s quite telling that the opening of the film inspired a gasp out of me, followed by a “Holy crap.” Director Franck Khalfoun also wisely sidesteps the grit of New York (New York now no longer the wasteland is was in the eighties) entirely in favor of the more menacing and vast Los Angeles, all the while injecting an artistic gloss that makes the madness seem more surreal. “Maniac” is a gruesome and disturbing re-working of the classic horror film, that pays respect to the original, while also challenging its gore and violence, in the process. Elijah Wood’s performance is surprisingly unsettling and occasionally horrifying, since his character Frank Zito is a victim of his own madness.

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