You Have to See This! Reefer Madness (1936)

Reefer! Pot! Hash! Dope! Ganja! Weed! It may be in our country! It may be in our city! It may be in our backyard! Your backyard! It might be raping your dog right now! What? Rape jokes are over the line? Well, what will happen when marijuana becomes the downfall of western civilization? It won’t seem so ludicrous then, now will it? We as good American citizens must snuff out this epidemic destroying our world before it’s too late.  Women cry for it–men die for it! Part of the “Youth Gone Wild” sub-genre of cautionary melodramas from the fifties, this is the woeful story of one young man’s entanglement with the dreaded drug known as reefer, and how it spelled a life of crime for him. After being preyed upon by a married couple that live their lives dealing drugs to teenagers, eventually murder and crime rear their heads.

Tell Your Kids.

“Reefer Madness” came at a time where Hollywood was now enforcing a lot of strict rules and codes for films. And before that film was then like it pretty much is today. There featured drug use, and sexual content, most of which has been observed and collected on DVD thanks to Turner Classic Movies. After 1934, Hollywood had strict rules for movies. One of the most hilarious rules was that no matter what or how contrived, the villain in a movie couldn’t win. In the end, they’d either have to die, or learn their lesson and turn over a new leaf. That’s why in “Public Enemy” James Cagney is suddenly killed in the finale, and it’s why in “The Bad Seed” the film ends on a very contrived note with young Rhoda being struck by lightning and the entire cast coming out to greet the audience and relieve the tension.

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In a perfect world, the movie would have ended on Rhoda’s mother dying in the hospital after the failed suicide attempts, and Rhoda eventually murdering her kind aunt for her precious bird. But alas, “Reefer Madness” is part of the wave. Initially made by a church group to warn of the dangers of reefer and inform god fearing parents about how this odd drug would ruin the world. It begins with a lawyer lecturing a group of concerned parents, urging them to strike down the epidemic, and then leads in to the central narrative device. Director Dwain Esper purchased the film and tailored it to a more exploitative audience, including trashier scenes of young teens using cannabis and partying in to the night eventually giving way to heavily suggestive sexual encounters, thanks to the influence of weed.

“Reefer Madness” is only one of dozens of exploited youth’s movies that were released in the forties to the sixties, which featured horrific tales about young teens giving in to the temptations of sex, drug use, crime, and abortion. Many of those films are also available on DVD releases from companies like VCI, but you can pretty much see them corrupt major releases, as mentioned above. “Reefer Madness” is the vicious tale of a young happy man named Jimmy who gets involved with a dame named Mae and a guy named Jack who happens to be embroiled with a sinister mobster. Mae and Jack, of course, “Lives in sin” since they’re not married, but they’re also conservative enough to sleep in separate beds. Man, these people should be in hell.

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Jack wants to sell to teenagers, while Mae prefers her own crowd. Defiant, Jack uses his connections with the young crowd to hold a reefer party, and Jimmy gets involved with young Blanche, while submitting to the allure of marijuana. When Jimmy’s sister comes looking for him, she is tricked in to smoking reefer and is almost raped. Jimmy, thanks to the weed, hallucinates she is stripping for her attacker and after the two fight to the death, Jimmy kills her attacker, and is pinned for the crimes including the weed dealings, while Jack and Mae attempt to make out like bandits. “Reefer Madness” is not known for its high quality story as most of the writing is anxious to convey a hard lesson about life and the scum that are drug dealers.

While it’s true drug dealers are in fact scum, the notion of reefer being the downfall of humanity is the basis for hilarity, as the filmmakers exaggerate the effects of the drug, and do so with so much laughter that it’s almost embarrassing to consider that anyone took this seriously, even concerned parents. Kids can tell when they’re being lied to and talked down to. The smart kids anyway. I can’t believe anyone, but the most repressed and controlled of Christian youths, took this seriously. That doesn’t mean it lacks cult clout, though. It’s still one of the most entertaining shock movies ever made, and one that exploits the nature of drug abuse rather than warn you of its ill effects.

It will surely garner some healthy laughter from its audience. Ironically, from the ones that love to watch bad movies while stoned. “Reefer Madness” is a film that has cult and kitsch appeal, and is a guaranteed good time for movie geeks who love alternative movies that try to shock the viewer in to believing ridiculous falsehoods that would become a trend later in to the forties and fifties with Youths Run Amok films. It’s a gaff and a half.

The Ten Worst Movies Ever Aired on TNT's Monstervision

“Monstervision” ran for five years here in the US on the TNT cable station late on Saturdays and Fridays. Often times you could find it at midnight, but often it would be on late in the night thanks to whatever sports game or special TNT decided to air that night. Joe Bob Briggs is one of the last gasps of great cable television where he migrated from The Movie Channel to TNT to hose “Monstervision” for many years. During that time, he hosted many movies of the cult variety, and some mainstream stuff, mostly due to TNT’s demands. Though the show was called “Monstervision” Briggs was pretty much obligated to air movies like “Love Potion No. 9,” and “Twins” while Briggs was able to mostly air his kind of movies like “Shaft,” “From Beyond,” and “The Return of the Living Dead.” Throughout the span of the series, Monstervision aired some truly terrible movies that could only be appreciated with commercial breaks for the sake of the audiences sanity. And Briggs’. These are ten of the worst movies ever aired on Monstervision.

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Flash Gordon: The Complete Series (DVD)

Man, what the hell happened?

It seemed like such a good idea at the time. The Syfy Channel or The Sci Fi Channel has had a good track record for television series that excelled in epic space adventures with hit shows like “Stargate” and “Farscape.” Plus, they engineered one of the most critically acclaimed award winning reboots of all time, “BSG: Battlestar Galactica” which ended up being an important touchstone for science fiction in the twenty first century.

So what in the heck happened with “Flash Gordon”? Syfy and their executives not only seem to miss the point with these characters of the pulp era, but completely seek out to alter their personas rather than re-invent them.

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Girls and Corpses: Volume #7 [Magazine]

gandc-springThe girl can’t help it. “Girls and Corpses” celebrates their Spring volume by bringing aboard their own bonafide spring hotty, Courtney Stodden. Whether or not you’re a fan, there’s no denying the news savvy highly publicized Stodden is insanely hot, and “Girls and Corpses” takes advantage of her photo shoot, making sure to show off how Stodden manages to keep every page of her photo spread burning to the touch.

There’s even a delectable fold out poster for folks who want to appreciate Stodden every single day of the year. Stodden is definitely a model for the horror magazine that will keep readers turning back to her spread again, and again, and she takes full zeal in her new cover shoot by posing with her very own corpse groom. One very lucky corpse groom.

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Gangster Squad (2013) Combo Pack: Blu-Ray/DVD/Ultraviolet

Director Ruben Fleischer’s “Gangster Squad” is allegedly based on a true story, but I imagine the true story was filtered through the Hollywood drain at least five times. And then completely turned in to a comic book for audiences that appreciate goofy action movies over stern dramatic crime thrillers. “Gangster Squad” is a ridiculous and often times unwatchable take off on the gangster picture that is so above and beyond moronic that it makes 1991’s “Mobsters” look like “The Godfather” in comparison. A dunderheaded mixture of “Lethal Weapon” and “The Untouchables,” Ruben Fleischer bases his crime action film around the dumbest and most incompetent crime fighting squad in Los Angeles. This is a top secret squad assembled to bring down crime boss Mickey Cohen, and they keep their operations top secret by having barbecues in the backyard of their leader’s house. This is a group we’re supposed to take seriously, but actually identify themselves by “Gangster Squad” at one point. Can you imagine them going through a check list? “Mob Marauders”? No. The… “Crime Capers”? No. The “Gangster Squad”! Get that letter head printed!

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Zombieland: The Series

KRYnaQJ“Zombieland” seeks to be the antidote for folks still clamoring for a zombie television series, but hate the drama and politics of “The Walking Dead.” Where as Robert Kirkman’s pop culture smash is more of an adult take, “Zombieland” takes all of the best road trip movies and adds some zombies for good measure. Folks claiming this is an attempt to market off of “The Walking Dead” are half right. Originally “Zombieland” was pitched to every studio as a weekly series, but when it was turned down left and right, it was transformed in to a horror comedy feature film that would hopefully transform in to a movie series. When Woody Harrelson pulled out of ever playing hero Tallahassee again while stars Emma Watson and Jessie Eisenberg’s careers took off, the hopes of having a “Zombieland” movie series collapses.

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D.N.A (1997)

It’s pretty funny that “DNA” manages to be a total rip off of “Predator.” Because once you get a full glimpse at the alien monster in this 1997 Mark Dacascos vehicle, you realize that the alien in the film looks exactly like the early concepts for the monster in “Predator.” Anyone who knows movies, knows that the early designs for the monster in “Predator” featured a long necked more primal beast with a beak like mouth later changed in to a dreadlocked crab like hunter. The beast in “DNA” looks similar to the aforementioned monster from early drafts of “Predator,” except this time he’s tangling with Mark Dacascos and his boss long hair. “DNA” is not the worst “Predator” wannabe I’ve ever seen, it’s just incredibly silly. Especially when the first half is pretty much a riff on “African Queen” that then turns in to “Predator” once we learn of the evil plans bad guy Jurgen Prochnow has in store.

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