What “Bully” sets out to do is show that bullying as a whole and as a concept is not something that’s going to go away very easily. And any time soon. Many critics regarded this film as a failure for not giving us sources to help fight bullying. But “Bully” really isn’t about being a resource for folks to help the cause against bullying. What the film is intent on accomplishing is showing America, and the world, that bullying is a very real and very damaging problem, and will affect everyone involved within its horrible circle. It’s up to audiences to get up and look for ways to snuff out the epidemic bullying in classes and in schools before we have to read about yet another group of children massacring a high school of innocent victims because they weren’t being heard or helped.
Celebrating the Resurrection of "Teenage Mutant Ninja Turtles"
In the right format, the Ninja Turtles are pretty damn incredible. There’s just something about anthropomorphic human sized mutant turtles that are ninjas and know Ninjitsu that is just so darn appealing. What’s more is that there’s just something about the concept that is just so entertaining. Even when Eastman and Laird never intended for the series to be for kids, the Ninja Turtles always seemed destined to become icons for childhood superheroes who fought bad guys while entertaining tweens and all audiences alike. The eighties was the golden age of the Ninja Turtles where they were household names. There was just nothing but an avalanche of Teenage Mutant Ninja Turtles merchandise and clothing that you couldn’t fit it all in one giant warehouse.
Continuum: Our Thoughts So Far
Syfy’s newest Canadian import garners some of my favorite aspects of fiction. There’s a Utopian future. And Rachel Nichols. There’s time travel. And Rachel Nichols. There’s futuristic villains and clandestine organizations. And Rachel Nichols. And of course, there are plays on time travel paradoxes that “Continuum” has a lot of fun playing with. And there’s Rachel Nichols. One element of the initial storyline revolving around season one of “Continuum” is the inevitability of time and fates and what happens when time travel is used. Could going back in time and tinkering with the fates of others alter the timeline? Or is there an already preset path that can not be stopped no matter how much you attempt to destroy it? If our mind predetermines our actions, wouldn’t that be applied to time travel? If heroine Keira never traveled back in time to thwart the efforts of Liber8, would she have ended up in her life? And what effect does two existing Keira’s in the universe ultimately have?
The Devil’s Carnival (2012)
Ticket-Keeper: A rebel in hell–how original.
Apparently Darren Lynn Bousman’s “Repo! The Genetic Opera” has not only become a massive cult classic, but it’s rising to the status of “Rocky Horror Picture Show” where fans swarm in droves to pay homage to the punk rock horror musical engineered by the director. While its initial release was piss poor, that never means it’s the death of an actual film. Quality always rises above horrible marketing and advertising. While “Repo!” was an entertaining enough horror treat, director Darren Lynn Bousman follows up his hit musical with a quasi-sequel of a sorts. While it’s not a direct continuation of “Repo!” it definitely garners the spirit of the former film, and even casts some actors from “Repo!” including Paul Sorvino, Bill Mosely, and Alex Vega in an especially saucy role as the demonic Wick.
A Date with An Angel (2012)
Director Mark Millicent’s “A Date with an Angel” feels almost like a condensed episode of “The Twilight Zone” like “The Hitch-hiker ” or “Time Enough, At Least” where the audience gets a word of warning in the end and really is asked to heed the advice. The short film itself is a very compelling and often spooky short about a young man on the path to destruction and the mysterious little girl trying to keep him from becoming yet another lost individual.
She's All That (1999)
It seems like there’s a Hollywood rule that every time there’s the impetus of a trend of films at the box office, there eventually has to be a satirical film made about it. After countless teen oriented garbage, 2001 saw the release of the hysterical “Not Another Teen Movie.” Granted, the movie on its own is hilarious if you were very familiar with the teen junk of the late nineties and early aughts, but “She’s All That” already accomplished such a feat of mocking this trend. The inexplicable box office hit of 1999 is perhaps one of the stupidest and most inane romantic dramas ever made.
Hellraiser: Revelations (2011)
From what I’ve read, Dimension has the right to Clive Barker’s “Hellraiser” property and wants to remake the film series. But the ever troubled production has reached the point where the rights have run out. To keep the rights, Dimension basically rushed out a cheap shoddy sequel to the original “Hellraiser” series. This is a movie so horribly made and poorly constructed that the iconic Doug Bradley opted out of his star making role as the horrific Pinhead, due to his salary being chopped down from the low budget film. In his place is Stephan Smith Collins a poor bastard who has to live up to Bradley’s gravitas as Pinhead in every conceivable way and wages a losing battle from the very beginning.