For my money, Dr. Strange is probably one of the most uneven characters in the Marvel gallery ever created, while others of his ilk are basically one sided. Spider-Man was too whiny for me, Iron Man was too weak, and Fantastic Four was much too irritating to enjoy, but Dr. Strange is a character with great potential that had a comic series that was as dull as day old bread. Yet, this character‘s appearances in other series were exciting, and his television movie from the seventies was also decent. I just hope the live action adaptation gives me a reason to enjoy the character again. For now, here‘s another direct to DVD Marvel movie, “Doctor Strange: The Sorcerer Supreme,” an unofficial prequel to the movie. “Doctor Strange” is thankfully a step in the right direction, depicting the mythos of Doctor Strange as a murky and dark world filled with eerie sights and demons.
Universal Soldiers (2007)
No, this is not connected in anyway to the Van Damne turkey “Universal Soldier.” And it’s not a sequel, remake, or spin-off. It is indeed yet another rip-off from none other than Asylum, who insists it’s much better than the original. And trust me, if you’ve seen “Universal Soldier,” it is not a claim to be proud of, in any respect. In either case, it’s probably one of the most laughable attempts to mimic and blatantly steal from another established property, while also basically stealing a title.
Random Lunacy: Videos from the Road Less Traveled (2007)
Very few people in life have the ability to drop everything, be rid of all sorts of city life vices, and go on the road to live the life they want to. Very few people actually have the courage to do so, and risk losing their family in the process. Poppa Neutrino is one of those people. He’s a man who isn’t rich or famous, or even that well known, but at the end of the day he can tell us that he’s lived his life how he’s wanted to, and no one can take that away from him. This is the subject of the latest documentary from the directing team of Victor Zimet and Stephanie Silber.
Right At Your Door (2006)
We live in alarmist times. We live in times where we’re constantly in fear of terrorism, terrorist activities and are influenced to be xenophobic to a certain extent. We are a people de-sensitized with violence, a people who always fear death at our door, and ultimately have an unspoken paralyzing fear of the apocalypse entering into our windows, and it’s reflected in our culture and pop culture. Be it through zombies, a plague or what have you, we’re in times where our fear of Armageddon is difficult to ignore, and that’s due to increasingly violent circumstances involving the realistic likelihood of some sort of bomb or toxin entering into our neighborhood and destroying everything we love.
Apocalypto (2006)
You have to give it up for Mel Gibson. It’s not many Hollywood heavyweights who would set an action thriller in an Ancient Mayan civilization, and actually have his characters speak ancient Mayan. Only in Hollywood would we have polished young actors speak English in such a setting, but what Gibson has done is throw down all xenophobic and sensationalistic urges, and given us a film that actually sticks true to the concept he puts forth. And it also helps that “Apocalypto” is a genuinely exciting and enthralling action adventure, too. Mel Gibson has really become a director of his own class, a man who tells the stories he wants to tell, in spite of the backlash he receives. All in all “Apocalypto” is probably Gibson’s best film to date, because it’s almost free of any of Hollywood’s tainting.
Alpha Dog (2006)
Much like films such as “Havoc,” and “Dreamland,” the teen thriller “Alpha Dog” is about as realistic a representation of the modern teen as Hollywood would like you to believe. The only saving grace is the fact that it’s based on a true story, which helped fuel my strong interest, along with the lovely Amanda Seyfried starring. “Alpha Dog” is a display of the best of the best young talents that Hollywood has to offer with an ensemble hearkening back to the likes of “The Outsiders” on many occasions. People like Ben Foster to Emile Hirsch pull in very good performances, with even Justin Timberlake pulling in a stand out as Frankie, a friend of Johnny Truelove’s who is given the duty of watching young Zack, and inevitably gains a sense of fondness for him. Timberlake is unlike anything I’ve ever seen here, and he’s both sympathetic and utterly memorable as a character that begins as a mere supporting player and ends up a key figure in the progression of crime drama.
Alabaster (2007)
One of the aspects of Brandon McCormick’s “Alabaster” that I enjoyed was his unflinching willingness to completely hit the ground running in a world of surreal characters. Like many other existential dramas, “Alabaster” is a film comprised of many elements, all of which are leading somewhere. I won’t give anything away for you, but immediately, I could sense that “Alabaster” and its variety of odd characters and symbols was inevitably going to come together to say something. And quite honestly, I was riveted.