Where were you on 9/11? Everyone who was somehow connected with the horrible tragedy of September 11th asks that; especially people who were living in New York at the time. Where were you on 9/11? What were you doing at the time? I’ve been asked that ever since. Being a born and raised New Yorker, it’d be only natural the topic of 9/11 would pop up sooner or later, and instantly the conversation and everyone involved in it would shift into a sort of sad slumped shoulder mode and gaze down in sadness. 9/11 had a profound effect on everyone, especially people who lived in New York during that tumultuous summer. Since then, there’s been countless films, television specials, documentaries, books, memoirs, and even comic books and trading cards chronicling the tragedy (for a lack of a better word).
House of 1,000 Corpses (2003)
“House of a 1,000 Corpses” is a throwback and dedication to the old seventies horror films; a decade which is arguably the best decade to churn out some of the horror genre’s best. Zombie knows his material and uses it in this with the good ol’ tale of a group of teens who enter into the countryside to discover the land and end up getting more than they bargained for. This set up is tired and has been done to death, but do any of us really tired of watching teens get hacked, sliced, cut, tortured, tormented, stabbed, and tied? No! And that’s why I got such a kick out of this groovy horror homage.
The Matrix Revolutions (2003)
It ends here. Let’s hope. The finisher to the Matrix trilogy begins where we last left off from “Reloaded”. Now the Sentinels are making their way into Xion faster and faster and the crew are looking for a way to seal off their exit. Meanwhile Neo has awoken from his coma and is unaware of the traitor in their ranks. You’ll have to forgive me for not finishing, it gets a little confusing from there. But nonetheless you have to wonder why the classic “The Matrix” was so poorly received when the sequels made its way into theaters years later. Was The Matrix, after all, just a one trick pony? Just a fad? Or was it the Wachowski Brothers’ plan to have the sequels fail? Maybe the Wachoski’s didn’t give their all in the sequel story arcs, or is it all a trick of the architect?
Dreamcatcher (2003)
Written while King was recovering from his tragic accident in which he was hit by a car, “Dreamcatcher” follows many of the themes of his traumatic event, even featuring a main character being violently hit by a car in the middle of the road. It’s unfortunate for King, that “Dreamcatcher” is one of his many onscreen misses. “Dreamcatcher” is a formula gone horribly wrong with plot elements and a story so contrived that it’s hard to watch this while not thinking about other stuff this borrows from. Borrowing from John Carpenter’s variation of “The Thing”, four men go up to a cabin in the woods to meet after years of separation and must take on an alien entity that can possess bodies; and borrowing from “Invasion of the body snatchers”, many people are getting overtaken by an alien that uses spores to enter one’s body and take over them.
Dawn of the Dead (2004)
In 1978, George A. Romero followed up his classic “Night of the Living Dead” with an even bigger horror hit known as “Dawn of the Dead” this time showing the world only weeks after the outbreak where society is now overrun by the undead and carnage ensues as people struggle to comprehend what is happening and how it happened. True, director Zack Snyder’s re-working of “Dawn” is a lot slicker than the original, but ultimately it lacks the truly sick and sometimes twisted satire and jabs at pop culture and the consumer era.
Long Time Dead (2002)
After a night of partying a group of friends decide to play with a Ouija board, maybe the CD player was broken, who knows? But once they begin playing, they accidentally unleash a mysterious demonic entity who is now stuck in our reality after someone breaks the link. Now, it’s up to the group to discover who out of them all is possessed by the demonic force before each and everyone in the group keeps being killed off. I said it once before, and I’ll say it again: Foreigners make the best horror films, now before you start calling me anti-American and begin dumping your French wine down your toilet, hear me out. Foreigners are rarely ever people who buy into hype and rely solely on something that Hollywood lost years ago… what’s that called? Ah, originality.
The Passion of the Christ (2004)
One can’t deny that “The Passion of the Christ” was a bulldozer of endless publicity, and endless debate, and controversy, and uproar and anger and discussion, and feuds and so on and so on. Regardless of which blockbuster that was spawned on the American audience, “The Passion of the Christ” was a highly hyped and much publicized film, because it deals with religion. Religion takes brothers and sisters and family and divides them, it angers people, motivates them, inspires them, and causes them to commit heinous acts in the name of it. Thus explaining the Crusades, the search for the holy grail, and the war we are experiencing now. Religious wars. Religion, regardless of how you cut it is important, if an unnecessary and somewhat defunct part of the human condition that should be removed. Religious films aren’t just films, they expose a part of the human soul called religion, something many people live by and swear by. For better and for worse.