It’s an allegory for class divide. That’s basically all “Z-O-M-B-I-E-S” is. That doesn’t mean it’s not a good movie, but once you can get past the clumsy symbolism of the way the zombies are supposed to be the more impoverished individuals, while the humans are meant to be the upper echelon, “Z-O-M-B-I-E-S” is actually kind of a fun horror comedy musical. You wouldn’t think that they could really pull off a zombie horror comedy for kids, but Disney and director Paul Hoen do a pretty darn good job of it. Even if 2013’s “Bunks” is better.
Pooh’s Heffalump Halloween Movie (2005)
After being introduced to ruin the 100 Acre Wood in 2005’s “Pooh’s Heffalump Movie,” Disney brings Heffalump back to ruin my favorite holiday, Halloween. Normally Winnie the Pooh is very good about ringing in Halloween, but “Heffalump Halloween Movie” is a pretty dull adventure, sadly. The whole attempt to curb the entire narrative toward the bland goofy elephant, and away from Winnie the Pooh is uninteresting.
The Bootleg Files: The Weird Adventures of Mutt & Jeff and Bugoff
BOOTLEG FILES 845: “The Weird Adventures of Mutt & Jeff and Bugoff” (1973 animated feature).
LAST SEEN: On YouTube and Archive.org.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: The rights holder will not make it available.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely.
Leo Tolstoy’s opened his novel Anna Karenina with the extraordinary observation: “Happy families are all alike; every unhappy family is unhappy in its own way.” A similar consideration can be applied to movies: “Good movies are all alike; every bad movie is bad in its own way.”
Continue reading
Archaon: The Halloween Summoning (2020)
I’m all for more horror movies that are set on or around Halloween, but there should be more behind it. Despite the inclusion of Celtic folklore and Halloween mythology, Paul Ernest’s horror thriller is a bust. There’s a good concept behind “Archaon: The Halloween Summoning.” It’s just that the movie itself does absolutely nothing with it. It’s a horror movie that basks in its glacial pacing and paper thin, unlikable characters.
Run, Sweetheart, Run (2020)
Subtlety is not one of Shana Feste’s strong suits and that’s probably why I loved “Run Sweet heart Run.” It’s not subtle at all. It, in fact, clubs us over the head with its message about the dangers of being a woman in modern society. It’s a horror movie in every sense of the word that takes every probable situation that a woman can find herself in, and then amplifies it with a villain that is absolutely more human than human. It’s so blatant in fact with its message about the predatory society women are stuck in, that director Feste even breaks the fourth wall on multiple occasions.
Resident Evil: Welcome to Raccoon City (2021)
It’s surprising that “Welcome to Raccoon City” wasn’t very well received in 2021, as I think it’s about as good a movie as I’d have expected for a “Resident Evil” feature film. Surely, it’s by no means a perfect adaptation but I had a great time with it, and enjoyed it so much more than what Paul WS Anderson served up in the aughts. Johannes Roberts injects a lot of life in to this feature film visit to Raccoon City, and his reboot is filled with some great scares, genuinely good zombie carnage, and classic mystery on par with the video games.
Home Invasion 2 Shorts Block [Brooklyn Horror Film Festival 2023]
It’s the number two block for the “Home Invasion” shorts list and it’s a stellar list of great short films by up and coming directors and artists. With the “Brooklyn Horror Film Festival” coming to an end, I happily viewed their third big short film program which centers on some form of personal invasion.