Five Great Movies Isolated to One Room or Setting

2020’s been a crazy year so far, and I like to think of Cinema Crazed as one of the few safe havens from the anxiety and stress from reality. That said though, I couldn’t help but think over some great movies about isolation and quarantining and thought I’d mention five great movies set in one room or setting that enhances the feelings of isolation.

Be sure to let us know some of your favorites, and be safe out there.

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The Bootleg Files: Treemonisha

BOOTLEG FILES 723: “Treemonisha” (1982 Houston Grand Opera presentation of Scott Joplin’s opera.

LAST SEEN: On YouTube.

AMERICAN HOME VIDEO: On VHS video only.

REASON FOR BOOTLEG STATUS:
It fell through the cracks.

CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Unlikely.

If you are an opera buff like me – and, yes, believe it or else, I love opera – you will be interested in knowing about a new version of Scott Joplin’s sole surviving opera “Treemonisha” is being produced by Canada’s Volcano Theatre. This presentation – which includes a new libretto and expanded musical arrangements – was scheduled to premiere next month at Stanford Live in Palo Alto, California. However, a certain virus has forced the show’s postponement. (Thank you, Wuhan.)
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Bones (2001) [Blu-Ray]

Once artist Snoop Dogg became a gangster rap icon, he inevitably branched out in the early aughts in to bigger pastures. Before he became a family friendly talk show host, he was someone who promoted the image of the pimp, and then became an open advocate for cannabis. In between those hazy days in his late career, Snoop Dogg (or someone in his PR team) decided that they should try to re-condition him in to a horror character. The inevitable product was “Bones” an utterly tepid, dull horror vanity vehicle from the man that gave us “Demon Knight.”

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Verotika (2019)

Once in a while, the stars align and the moon shines bright enough to where a bonafide cult classic of horror cinema is born. Out of the absolute depths abysmal cinema comes one of the most laughable and painfully awful horror movies of the year. From rock icon Glenn Danzig, no less, comes his directorial debut, a live action adaptation of his comic book series “Verotik,” a title that mixes erotica and violence in to one monster. That wouldn’t be such a bad idea for an anthology. But someone forgot to tell Danzig that if you want to direct a movie, you probably should know how to operate a camera, first.

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