One of the most fascinating figures in Hollywood history had one of the most fascinating figures in Hollywood history. On this episode, host Phil Hall celebrates the legacy of the ultimate blonde bombshell with Richard Koper, author of the biography “Affectionately, Jayne Mansfield.”
There were a lot of movies about suburban unrest and the darkness of the suburbs in the mid to late eighties, and one of the most underrated is “The Gate.” I did not see “The Gate” when it originally appeared in theaters (I did see the sequel though!), but I did finally get to see it when it premiered on network TV in the early nineties. Back in the early nineties my family was much too impoverished to get a luxury like cable, so a lot of my time was spent watching network televised movies. The network I always watched was WPIX Channel 11 in New York, and it was once considered “New York’s Movie Station,” allowing me to see a diverse library of movies made between 1980 and 1991.
BOOTLEG FILES 580: “Detective Felix in Trouble” (1932 Japanese amateur animated short).
LAST SEEN: A video of this rare film is online at the Japanese Animated Film Classics website.
AMERICAN HOME VIDEO: None.
REASON FOR BOOTLEG STATUS: The unauthorized use of the Felix the Cat character.
CHANCES OF SEEING A COMMERCIAL DVD RELEASE: Not likely at this time.
Today, it seems that anyone with a video camera and a mania for popular movies can make their own fan film based on the latest multiplex hit. But the concept of the fan film is not new, by any stretch. The earliest known fan film was a 1925 short “Anderson’s Own Gang Comedy,” a South Carolina-lensed riff on the Our Gang series.
Richard Kelly’s “Donnie Darko” has managed to become somewhat mythical among movie buffs, despite being so widely celebrated. It’s a movie with a fairly simplistic tale about time travel and paradoxes, but also has been interpreted by many people and injected with ideas that fit the general frame work of what “Donnie Darko” is. Some people call it a Christ allegory, some people call it a time travel movie, and Kelly himself has called the movie “Catcher in the Rye” if it were written by Phillip K. Dick. There is a surefire hint of author Phillip K. Dick in the way that our main character Donnie Darko is stuck in this hazy world of suburban conformity and alarming aggression. It seeps in to the desperation to be accepted and act accordingly by just about everyone.
1949’s “Mighty Joe Young” is almost a parallel universe retelling of “King Kong” except with half the menace and a lot more innocence. Rather than an overgrown ape being exposed to the cruelty of humanity dying for a woman, we’re given an equally touching tale of an overgrown ape and his loyal female caretaker. With beautiful and often fluid stop motion by Ray Harryhausen, “Mighty Joe Young” tells the story of a girl named Jill Young who decides to buy a baby ape from a pair of traders. Anxious to prove to her father she can manage a pet, years later her pet Joe transforms in to a fiercely protective overgrown ape who isn’t very kind of poachers and hunters. When hunters Max and Gregg go to Africa to catch animals to use for their show, Joe Young appears attempting to break the animals free and begins fighting off the intruders.
An Albanian family with inner turmoil finds itself in the middle of a “blood feud” following a clan reputed to be connected to a mountain witch steals from their business.
Written and directed by Steven Kastrissios, Bloodlands’ story is based in the folklore and traditions of the Balkans with a blood feud creating most of the stress to the characters and conflicts. The film develops as a drama for most of its run time with a few bits and pieces rooted in the horror genre until the epilogue which falls directly and completely in the horror genre. His characters feel rooted in reality while going through hell and back. The family is not perfect, they have issues, they argues, they seem to only by together because they have to or because society says they should at times, which all leads to feeling like a lot of dysfunctional families out there and makes the characters feel real. The father is strong headed while the mother is a gossiper who gets a lot of crap for it. Their kids show interest in leaving their country or at least area which is something most teens/young adults go through. The film shows this family in a true light, with their issues, loving each other warts and all. This family is the root of the film and basically the root of the story in every way possible.
Being an artist is tough work. Not only do you have to work very hard to hone your craft, and perfect it, but you also have to fight to be taken seriously. Jeremy Weinstein’s chronicle of his brother’s life as a Jazz Musician is a funny and charming slice of life and how a talented Jazz Musician finds himself on the end of man condescending remarks.