1977’s “The Car” is very much a product of its decade. It’s a silly tale with a narrative involving something about Satanism or pure Evil, while fancying itself as something of a different take on “Jaws.” Rather than Roy Scheider as a small town sheriff and his allies trying to take down a giant shark with almost supernatural predatory abilities, this time we have James Brolin as a small town sheriff who is facing off against a giant black Sedan with the supernatural abilities to hunt down and murder people on the roads and on highways.
How The Grinch Stole Christmas (1966)
It’s hard to imagine a more perfect adaptation of a Dr. Seuss story than the 1966 Chuck Jones feature; perhaps, “The Butter Battle Book.” In either case, I was one of the many children that grew up watching the TV version of “How the Grinch Stole Christmas.” It’s such a wonderful combination of talents and rich enthusiasm for the source material, that it’s tough to not like it. There’s Boris Karloff, Chuck Jones, and Dr. Seuss, not to mention the perfectly simplistic tale about anti-materialism and the true meaning of Christmas.
The Ridiculous 6 (2015)
You can’t even be mad at Adam Sandler anymore. If he’s not trying to break out of his comfort zone, all we can really do is watch the slow painful death of his career, while he brings Netflix down with him. Sandler silently stumbles in to “The Ridiculous 6” with an obvious bored, half asleep performance, and leaves the film with a cool pay day and the hope that at least one or two of his remaining fans will love what he’s put out in the form of this hideous western comedy that doesn’t even try to re-invent the wheel. Netflix doesn’t seem to be demanding much from Sandler, so it’s apparent here that Sandler isn’t even working toward offering nothing we haven’t already seen in the last fifteen years ad nauseum. Almost like a contractual obligation, “The Ridiculous 6” is a greatest hits compilation of no brainer Sandler tropes that fill up the required two hour run time.
The Dungeonmaster / Eliminators: Double Feature [Blu-ray]
Scream Factory continues to deliver for fans of the Empire Pictures and Charles Band era, with a double feature Blu-Ray set featuring two of their most entertaining titles from their heyday. While I’d be hard pressed to call these films masterpieces, they’re nonetheless entertaining and novel genre films that attempt to market on a particular trend. Charles Band was always savvy about aspiring to make films for his company that touched on current cinematic trends and the double feature here from Scream! Factory covers the gamut of pop culture trends quite well.
The Breakfast Club (1985)
John Hughes’ iconic eighties drama has always remained a timeless favorite for me. It’s not just because he manages to speak to the teenage condition, but the human condition. Surely, “The Breakfast Club” still manages to speak waves about how teenagers lived back in the eighties, and how they still live today, but “The Breakfast Club” had something to say about being an adult and how the lessons we learned as a teenager would carry us in to adulthood, for better and for worse. The characters we meet in “The Breakfast Club” essentially find common ground in the way they approach life, and think about themselves, but when we part from them we never quite know where they’re headed.
Dutch (1991)
Back in 1991, I was a big fan of “Married with Children,” and loved Ed O’Neill. He was raucously funny as the blue collared Al Bundy, whose life was an endless series of misfortunes, so a big screen career seemed only a natural next step. I never caught “Dutch,” however I do fondly remember it as the failed big screen feature of O’Neill’s that became a consistent running joke on his hit sitcom. You can even see a “Dutch” standee during an episode where Al and Peggy are in a video store, promising a free copy for all customers. Oddly enough, “Dutch” isn’t that bad.
5 Reasons why I’d Rather Be in “The Monster Squad” than “The Goonies”
“The Goonies” turn thirty this year, which marks a fun anniversary of one of the most iconic family films of the 1980’s. To this day, the film is considered a masterpiece by many, even brandishing its own sequel coming very soon. I figured why not celebrate “The Goonies” by undermining its legacy and praising its knock off “The Monster Squad,” instead? Ain’t I a stinker? I’ll be honest, while “The Goonies” is a very good movie, at the end of the day I’d rather watch Fred Dekker’s “The Monster Squad.”
It’s harder edged, it’s much more entertaining, has more imagination, and it holds up against the rose colored glasses of nostalgia. Goonies never say die, but The Monster Squad kills the fuck out of monsters and bad guys. Here are five Reasons why I’d rather be in “The Monster Squad” than “The Goonies.”