Director Andrew De Burgh does a good job channeling the classic revenge pictures that focuses on what’s going around eventually coming back around again. What I find fascinating about “Just One Drink” is that there aren’t any clear protagonists or clean cut noble heroes. Director De Burgh doesn’t really side or empathize with any one character per se, except examines the almost destructive and chaotic path of vengeance that can steam roll through people’s lives.
Andrew Robertson’s post apocalyptic drama is quite the accomplishment. it’s almost like a zombie film without the zombies, focusing primarily on the threat of mankind and how ugly we can be when the resources run low. Robertson’s film presents a villain in every person that the family we center on meets, and how vile people can be when they’re hungry and dehydrated. “Refuge” is set directly after a pandemic involving a plague that is untreatable with any known antibiotics. After most of the population is wiped out, the rest of mankind is left foraging for food and trying to maintain some sense of humanity.
In 2016, after diminishing returns on their “X-Men” movies and failing to adapt “Fantastic Four” three times, FOX Studios did something new. They adapted a hit comic book loyal to its source material. What a concept! Shocking enough, you went to see it, making it one of the highest grossing R rated movies of all time, one of the highest grossing R Rated comic book movies of all time, and probably the only time the X-Men were entertaining in a live action movie.
Now that you’ve seen “Deadpool” and made it a rousing success, here are five other great action films for folks that appreciate the kind of humor and wonky action the Tim Miller film practiced. Did we miss any hidden action gems you might recommend? Let us know.
After decades of trying to redo his image and pretending he didn’t exist, Marvel, under the help of Disney, is finally embracing the Punisher and drawing the line with him as an adult character. Now that the mainstream has accepted that being a comic book character doesn’t mean you’re a child mascot, “The Punisher” is back at Marvel Entertainment and being given the adult treatment he deserved for such a long time. With popular character actor Jon Bernthal now taking on the mantle of Frank Castle for the acclaimed Netflix series “Daredevil” on season two.
Eventually being handed his own series, fans are hoping this is a new era for the Punisher, allowing him his own universe, his own mission, and a new iteration that will do justice to the resourceful Punisher of vigilantes and criminals. I’m excited to see what Jon Bernthal is going to do with the character come March 18th, so in celebration of the upcoming season of “Daredevil”, I’m going over the three past cinematic interpretations of Frank Castle and his moniker of “The Punisher” and see how they stack up. And if they stack up.
Like every studio, Moonbeam and Charles Band were seeking their fortune with their own version of “Home Alone” that would bring in the big bucks. With sub-par efforts like “Remote,” there was also the “Prehysteria!” movies which always featured the owners of a foursome of miniature dinosaurs battling evil grown ups of some kind. Set immediately after the original, the foursome of dinosaurs now live with their new family The Taylors in the green house. Seeking to have their chance to feast on the family’s large crop of raisins, they’re accidentally scooped in to a large crate and sent off for shipping by local farmers. Luckily, they’re discovered by bratty but lonely rich boy Brendan, who befriends the miniature dinosaurs, and tries to keep them a secret from his mean house keeper Miss Whitney.
PLAYING AT THE YONKERS ALAMO DRAFTHOUSE SUNDAY, MARCH 20TH; MORE INFORMATION HERE
I was introduced to Walter Hill’s “The Warriors” thanks to my dad who rented the film on VHS back in the early nineties. For him it was a long time favorite, and our entrance in to the gangster action picture gave us a look in to a surefire classic that has gone unparalleled since its release in 1979. Hill adapted the movie from the original novel, which itself was taken from a period tale by author Sol Yurick, and took us in to a world steeped in crime and violence where an inconspicuous group from Coney Island has to prove themselves and survive long enough to make it back to their home turf.
With admittedly exaggerated depictions of gang war fare, along with a slick depiction of action and combat, it’s hard to believe “The Warriors” garnered such controversy during its time. Hill’s film live on an as iconic action survival picture set in the urban jungle where a big for peace, inspires all out war thanks to a psychopath and a revolver. With one gun shot, The Warriors are marked and targeted by every gang in New York, forcing them to rely on their wits and each other to get home by dawn and re-unite with their legion of members. With “The Warriors” playing at the Alamo is Yonkers; I thought I’d list five reasons why Walter Hill’s film is still the best Gang Picture of all time.
If you’re an independent artist, aspiring web celebrity, hoping to start a web show, or want to just talk about movies and want to seek your career through youtube, this video requires your immediate attention. Fair Use is under attack, and studios are attacking free speech as you read this.
If this hasn’t affected you yet, it will soon.