Director April Schroer’s “Sky’s the Limit” is a film that could use at least ten more minutes to help us identify with our characters. If there’s any complaint I can lobby at her film is that it’s much too short to really understand our characters. That said, “Sky’s the Limit” is a fun and entertaining short film about a dad who is looking for a direction in life after his wife left him widowed and a single father.
“Christian Mingle” and its main character Gwyneth in a nutshell: “I’m a successful and ambitious woman, a quality that completely turns men off. So to attract someone I’m going to lie about everything that I am and submit myself to subservience and relinquish everything I worked for! That’ll get me a guy!”
Granted, Lacey Chabert is adorable, but she’s just so much better than what this propaganda fest entails.
Director Joe Lynch is a true indie auteur. He’s a man who knows how to get around obstacles, and uses his limited budget to bring audiences the entertainment that he wants, and never has it been so well realized than in “Everly.” One of the best action movies all year, “Everly” is a film set in one location with limited scenery, and yet it thrives as a grindhouse, slapstick, chopsocky bonanza that I adored. It’s filled with every single trope that Lynch is seemingly fond of, featuring kung fu, British gangsters, killer dogs, vicious sadists, and the like, all of whom paint the walls red with their own blood at one point or another.
It’s remarkable how Pixar continues to top themselves in the arena of family entertainment that’s artistic, pleasing, and so multifaceted. “Inside Out” is that rare family film that demonstrates originality by appealing to its audience and tries to understand the experience of being a child in the modern age, rather than condescend or berate. “Inside Out” is one of Pixar’s greatest films to date; its complex, it’s heartbreaking, it’s sweet, and damn it, it should go down in the annals of animated Disney masterpieces.
Dustin Cook’s family drama is a brilliant and tragic picture of two sons forever strapped down to their mother. Too often has this image resonated where kids feel not only constrained to their parents, but dutiful despite their own unhappiness and lack of fulfillment. Cook’s short drama is immediately a compelling character study that explores how families can become a burden and how the children, grown or young, can be forced to forever keep their burden.
Through a fine tongue in cheek attitude, director Shannon Michaelas explores what life is like as a little person, especially in the midst of the popularity of Peter Dinklage. It’s insane how much one actor has come to define an entire group of people, but lo and behold, “Peter Dinklage” explores how the popularity of the man has helped popularize little people for better and for worse.
Written and directed by Esteban Uribe, “Schlock Fish” really is something else. It’s the kind of movie you look back on with a fond chuckle and an eye roll because it’s just so damn silly. Director Uribe offers up his own twist on “Moby Dick” with a tale of revenge, a big fish, a lone fisherman, and a lot of dynamite. It’s the stuff classic tales are made of!