I’m not ashamed to admit that “Red Sonja” is a childhood favorite. As a TV junkie, I spent a lot of my childhood watching movies on network TV and I constantly tuned in to “Red Sonja.” It was such a departure from the normal movies I watched as it sported a female heroine, Ernie Reyes Jr. trying his best to kick ass, and an unusual narrative that feels like a mix of “Barbarella” and “Wizard of Oz.” Of course this being 1985, you can sense Dino DiLaurentiis also trying to build his own movie series a la “Star Wars,” even featuring a battle with an underwater monster in a cave. I never caught on to it before, but this is also one of the rare action movies from the eighties where there is a heavily implied sexual affair between heroine Sonja and villainous Queen Gedren.
Tag Archives: Action
Supergirl: The Complete First Season [Blu-Ray/Digital]
The series “Supergirl” is in a tricky dilemma from episode one. It’s been created by a network like CBS in America that doesn’t quite understand it. CBS has never really embraced the superhero boom of the aughts, and “Supergirl” pretty much was walking on egg shells from episode one. It’s a good bit of fortune it’s been ported over to the CW where it can live and breathe among other superhero fare like “The Flash” and “Arrow.” After swearing off Supergirl for many years, I decided to be a good little super fan boy and check out “Supergirl” and I’m glad that I did. It’s a pretty remarkable and loyal adaptation of the DC Comics character that is so much more Superman than Superman has been in the last sixteen years.
Suicide Squad (2016)
Viola Davis plays a big muckety-muck named Amanda Waller who works for the government. Much like Bruce Wayne, she saw a lot of the carnage inflicted by Superman and Zod in “Man of Steel,” and now that he’s dead, she wants to ensure there’s never another Superman coming to Earth to cause chaos. So naturally, she goes to Belle Reeve prison to assemble a team of super villains, all of whom have already had their asses handed to them by Batman and The Flash. Her reasoning is that the best way to defeat another potential alien menace is by enlisting a group of super villains on a suicide mission including a man crocodile, boomerang throwing maniac, and a Joker fan girl with an obsession with bats and mallets.
Tank 432 (2015) [Fantasia International Film Festival 2016]
A military-trained group wakes up in a forest with no clue how they got there or how to make it out. They venture to a farm where they find dead bodies and live prisoners. Taking the latter with them, they head for a field where they find the titular tank and hole themselves up in it. While looking for a way out of their situation, things go from bad to worse.
Kaijyu Mono (2016) [Fantasia International Film Festival 2016]
In the only logical location for Kaijyu attacks, Japan, a Kaijyu wakes up and eats teenagers in a forest. A scientist and his assistants look into the event and get involved in the fight against the Kaijyu. The film is directed and co-written by Minoru Kawasaki who also worked on The Calamari Wrestler, a film with a very particular story line. With his co-writer on Kaijyu Mono, Takao Nakano, they create a delightfully bizarre tale that only makes sense when screening at Fantasia.
The story they build here is full of surprises and twists, not all of which make sense but they somehow fit in this film. It’s hard to explain, but it works, possibly because the whole premise is completely crazy. The characters they have created are not particularly original or deep and they feel like crazy caricatures which brought this viewer to the conclusion that it’s a wanted thing. They add so many odd selections to their film that it all has to be planned.
The cast for this is composed of Saki Akai, Bin Furuya, Shinzo Hotta, etc. They all are a bit cartoon-y and definitely do so on purpose as this is what the story lend itself to. That being said, the acting, within its confines and limitations, is quite good. It cannot be easy to keep a straight face when the elder actor on set shows up dressed as Sailor Moon for example.
The titular Kaijyu us fun, but not particularly original. It looks similar to many Kaijyus seen before, which is most likely a wanted thing as a throwback to old school Kaijyu films. This particular monster is clearly a man in a suit and it shows, adding charm to its appearances and to its fight sequences. In these sequences, the monster fights a giant man, made so by shots in the story and by using cool maquettes in the film techniques, bringing even more nostalgia to the proceedings. The fights themselves are more like wrestling than martial arts even though they do through some of that in there, they are very exaggerated, but quite entertaining.
Kaijyu Mono is a fairly simple film, keeping proceedings to a minimum of locations and characters. It’s fun and entertaining but doesn’t re-write the book on its genre or bring much new elements to the table. It’s silly, many elements are just there to be funny or look cool, but it works in a sense that it’s entertaining non-sense with a strong sense of nostalgia. Fans of old Kaijyu films should love Kaijyu Mono.
Fantasia International Film Festival ran from July 14th until August 3rd, 2016 and will be back in the summer of 2017.
Seoul Station (2016) [Fantasia International Film Festival 2016]
“If I had a place to go… I wouldn’t have stayed at Seoul Station.”
Yeon Sang-ho’s animated prequel to the excellent zombie action film “Train to Busan” is every bit as terrifying as its successor, and occasionally much more intelligent and biting in its social commentary. While “Train to Busan” is a very emotional look at class warfare and how the society divides in the time of crisis, “Seoul Station” is a very evocative commentary on the poverty crisis in the world. This horrific zombie virus is able to thrive thanks to the massive homeless population in South Korea, and it’s confronted more than once in how the government views its homeless as animals and sub-human even before the flesh eating ghouls appear.
Battledream Chronicle (2016) [Fantasia International Film Festival 2016]
I was a bit mixed on French anime “Battledream Chronicle” until the very end. I love the concept from Alain Bidard. It’s a very unusual mix of “Tron” and “The Matrix” where world decisions and lives are based around a virtual reality game based around gladiators and battling that results in actual lives lost. Set in the year 2100, humankind has managed to achieve paradise, but that’s been taken away by an evil computer AI. The computer has recruited various warriors from across the world to compete for the fate of their country. The team Mortemonde is on the verge of dominating the world after winning endless tournaments, and it’s up to Syanna to compose the perfect team to stop AI and give the world its freedom back.
“Battledream Chronicle” has a very unique idea that could be developed in to such a remarkable film, but in the end I had a difficult time finishing. Bidard takes such a long time developing any kind of characters and spends an obscene amount of time building up to the finale. For some inexplicable reason, entrenches us in to the middle of politics and characters bouncing dialogue off of one another, and how much is at stake if heroine Syanna doesn’t choose the proper teammates to take in to combat. I loved a lot of the concepts behind this digital tournament, including the soldiers that rule over it, and the weapons that are handed to the various gladiators to take in to combat. I wanted to know so much more about this bits and pieces.
But Bidard takes us more mystical here and there, relying on a lot of symbols and icons to represent various weapons, and conveying this digital world as something that’s one step up to achieving a higher state of mind. You’d think that would amount to a rich and complex fantasy, but I found it pretty muddled and I didn’t think there was enough glimpses in to the digital realm of Farandjun as there should have been. That said, “Battledream Chronicle” should be applauded for employing a large cast of minority heroes, including main character Syanna, who is African American. There’s also the wonderful animation which really compliments the quasi-futuristic aesthetic that kept the film walking the line between hard science fiction and dark fantasy.
I’d suggest checking this out if you’re a science fiction fan prone to experimenting and dabbling in more out of the ordinary fare. I found it fairly mediocre and severely lacking in action and excitement.