If there’s anything more I love than post apocalyptic films, its post apocalyptic films with substance and meaning to them. “The Rover” is a slow boil drama thriller set in Australia where the continent has now economically collapsed. Set ten years after an apparent apocalypse, Australia is the Wild West where law is so corrupt that its citizens have zero respect for those in blue. Director David Michôd thrives on ambiguity by introducing a cast of characters with their own moral codes that conflict with everyone else’s. “The Rover” garners nothing but slime balls and the amoral, but that doesn’t stifle the utterly compelling storyline.
Tag Archives: Action
Into the Storm (2014) [Blu-Ray/DVD/Digital]
If it’s at all possible, “Into the Storm” manages to out silly “Twister” by miles. It features a giant hurricane, absolutely valiant attempts to comment on global warming, and a fire tornado! A fire tornado trumps a flying cow any day of the week, sad to say. “Into the Storm” is a silly movie without a single compelling character, but when it stops trying to create drama it’s actually a lot of fun to sit through. From the great special effects, to the absolutely tense carnage inflicted by nature, “Into the Storm” is that kind of movie you could see Paul Newman and Red Buttons co-starring in 1979.
The Guest (2014)
One thing I love about Adam Wingard that propelled him as one of my favorite directors working today, is that he loves to twist formulas. He did so with “You’re Next,” and he accomplishes the feat yet again with “The Guest.” His darkly comic horror film begs the question: What if you made friends with a super soldier who was practically Captain America? And what if instead of Steve Rogers, he was a psychopathic maniac with a relentless need to kill? “The Guest” asks that question by transforming Wingard’s villain in to an anti-hero who is at first the perfect guardian angel, but soon an unstoppable killing machine. Adam Wingard brings his A game once again, channeling a late seventies and mid-eighties aesthetic with a mesmerzing synth score that sets the tone for the wildly morbid events.
Why are Archers So Popular?
While watching “Hunger Games: The Mockingjay, Part One,” my mind wandered. When Katniss Everdeen gets her new set of arrows (this is not a spoiler, is it?), some are explosive – “trick” arrows, similar to the ones used by Oliver Queen on Arrow or Hawkeye in The Avengers.
When these characters came to mind, I started to sense a pattern. In the 21st Century, people love archers: Legolas in the Lord of the Rings and Hobbit films; Green Arrow on both Arrow and Smallville; Hawkeye over at Marvel is experiencing great popularity both on the silver screen and in the pages of his own comic; Neytiri from James Cameron’s Avatar; Sterling Archer; Merida from Pixar’s Brave and Katniss offer girls positive role models, while Hanna maybe not so much. I think there’s also a girl who shoots arrows in the Narnia movies, but I’ve never seen those. I started to think about why these archers are so popular.
Princess Mononoke (Mononoke-hime) (1997)
I’m very glad to say that “Princess Mononoke” was my first real experience with Hayao Miyazaki’s amazing cinematic contributions. After its Oscar buzz in 1997, I sought out the film, and was shocked at what I’d been missing from the master director. “Princess Mononoke” is probably Miyazaki’s broadest film, but one that also conveys a meaningful alllegory about the sanctity of nature, and how the wars of men can taint the sacred lands. It’s an action packed and incredible morality tale that will win over fantasy buffs instantly. “Princess Mononoke” is set in the Muromachi Period of Japan where a local village is attacked by a vicious amorphous demon. The bow and arrow wielding warrior Ashitaka, comes to the rescue of the village, fending off the demon and defeating it after a horrific battle, but the demon manages to corrupt his body with its vile darkness.
Jack Ryan: Shadow Recruit (2014)
The worst crime that “Shadow Recruit” is guilty of is that it’s mediocre. At no point was I worried for the characters because, I just didn’t care. We know Ryan fights another day, so why fear for his life? The studios can’t quite seem to decide if they want to turn Jack Ryan in to Jason Bourne, or just a geek chic techie, so in “Shadow Recruit” he’s both. One minute he’s zooming through New York in a motorcycle trying to chase down a fake police car intent on blowing up Wall Street, and the next he can barely finish a covert operation without the help of Kevin Costner’s guardian Thomas watching and re-assuring him from afar. At this point, it’s about time to really give up on the Jack Ryan character.
WolfCop (2014)
Director Lowell Dean’s indie horror actioner “Wolfcop” is probably one of my favorite superhero movies of the year. While it’s a loving tribute to horror schlock, it’s also an unabashed superhero movie filled with mythos, a bonafide origin, and even a customized vehicle that our titular wolf cop travels around to maul bad guys in. You’d think wolf puns and a Dirty Harry-esque vigilante with claws would be a complete and utter misfire, but director Dean embraces his premise and offers up a great horror action comedy.




