I want to live in the world that Justin Lin has created in the fourth film of the “Fast and the Furious” franchise. In it people can smash through windows like they’re cutting through paper, bullets don’t necessarily harm them, racers can speed through city streets without being pulled over or tracked by traffic cops, and they’re able to fly in stealth mode evading authorities in the loudest most conspicuous cars imaginable. That’s the world I want to be in. Probably the biggest turd of the series, “Fast and Furious” presents us with four actors with no other option than to sleepwalk through a hundred minutes of explosions, car chases and the prerequisite bad acting. Particularly from Rodriguez and Diesel whose chemistry is still there and seems to amplify their horrible acting abilities.
Tag Archives: Action
H2: Halloween II (2009)
In Rob Zombie’s first bastardization of the Halloween franchise, we’re told that Michael is so intent on going home that he’s willing to do anything to get there and is perfectly willing to remain unresponsive to psychological help. We’re also told that he’s completely emotionless and cold to just about everyone. And yet here we are with “Halloween II” where we get to see how cute and affectionate he is with his mother. This is further proof that Zombie just doesn’t know what the hell he’s doing ninety percent of the time. How can we ever expect to see a good movie from this man again if the story he’s telling is inconsistent? Seeming to have no other option these days, Zombie continues chucking rotten eggs our way from the contrived “Halloween II” (I refuse to call it H2) right down to the awful animated mess that was “El Superbeasto.”
Why Hire a Killer? (2009)
I always say that you can tell if a movie is going to be really good or flat out stink by the first ten minutes. And that’s because the first ten minutes is when any sensible filmmaker starts off with a hook. It’s a device that gives us something of a bang for our buck that convinces us to stay or just flat out leave it out in the cold for someone else to deal with. Sadly, “Why Hire a Killer?” leaves very little reason to stick with it. Judging by the five minute long opening credits, Director Oscar Sanders really doesn’t have the ability yet to hit us with a hook.
District 9 (2009)
“District 9” has a definitely unique take on the alien invasion sub-genre that switches the tables on the old dichotomy between humans and aliens and it does it so well and in such a unique method that it is in a constant struggle searching for a protagonist to spotlight. But as most political situations involving illegal immigration and government, we rarely have someone we can root for or find empathy for. “District 9” is that skewering of illegal immigration and lower class struggles that makes it definitely one of the best films of 2009 and without a doubt one of the best science fiction films ever made. Blomkamp and company take the premise and fit it in to the sub genres of found footage films and alien invasions and rarely ever misses a beat between the changes in gear.
Terminator: Salvation (2009)
Trust me, if I were asked to watch McG’s treatment of the Terminator franchise I wouldn’t turn it down. Is it one of the best the franchise has ever offered? No. In fact it’s one of the lamest simply because it takes every advantage to flex its PG-13 rating and make sure that everyone but the humans suffer a wicked death. In this version every human is given a bloodless death by robots we’re assured are vicious, merciless, and willing to make their victims suffer a long and painful death. All ounce of suffering we’ve seen at the hands of the machines in previous films is bypassed in exchange for interchangeable special effects and ho-hum action sequences.
The Day the Earth Stood Still (2008)
I’ve either pretty much come to terms with the fact that Hollywood will remake anything, even the heavyweights of the film world. Or maybe I’m just too numb (and am coming down with Stockholm Syndrome) to care about treasured movies being given botched remakes. I should be angry, but I’m not. I came to terms with Hollywood’s xerox machine a long time ago. I instead have chosen to take modern remakes and look at them as their own entities, a copy that doesn’t necessarily have to stick to the original source material to be good. How do you remake a nearly seventy year old movie and stick in modern times? It can’t be too easy, and if you’ve seen this remake you’ll realize that most times it’s nearly impossible.
Justice League: The Complete Series (2009) (DVD)
Though marketed as “The Complete Series,” the Justice League complete sets provides fifteen DVD’s that actually boasts two highly different television series’. I say that because the creators eventually reached a limit to what they could do with one version of their show and eventually provided a second series that was obviously an extension of the show but approached the source material with a different tone altogether. So while reviewing the show I had to take in to consideration that I was reviewing two series based on a single idea stuffed in to a very beautiful boxed set that is protected by a dazzling tin display case.
With the plethora of special features we get to see “Justice League,” a show based around the comic books dressed in Bruce Timm’s signature art style and storytelling. Here we follow seven of DC’s flagship heavyweights who take hold of the first series through epic storylines based around two parter episodes that are often more epic than most of the animated series ever made.