Tag Archives: Adaptation

Five Questions “Batman & Robin” Left Me Asking

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It’s been twenty years since “Batman & Robin” was unleashed in theaters, prompting a lot of folks that were there in 1997 to think back on what is easily one of the most unwatchable movies ever made. And I don’t mean unwatchable in that you can see it with a laugh, or unwatchable in that it hurts so good. I mean it’s unwatchable. The last time I popped in a Blu-Ray for “Batman & Robin” I had a very difficult time making it through the first half hour, and I admittedly shut the movie down right when Barbara finds the conveniently placed suit Alfred made for her.

1997 was a big year for me, and one of the most memorable of my life, it was a year of big movies, big music, and big changes and “Batman & Robin” is that movie that’s remembered for being so unbearably awful. What was once a childhood favorite is a movie that hasn’t aged well. At all. It’s putrid. But in honor of the twentieth anniversary of Joel Schumacher’s toy commercial, I thought I’d ponder on five questions the movie’s badly written script left me asking.

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Frankenstein Reborn! (1998)

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I really like what Full Moon had in mind with the “Filmonsters!” movie series. Take public domain characters, turn them in to hour long movies for the PG-13 crowd, add unique twists, and call it a series! It’s too bad there were only two of these “Reborn!” movies. I’m not saying “Frankenstein Reborn!” is a masterpiece, but it has its head in the right place, and could have taken many more monsters and re-imagined them down the line. The series has a neat opening credits scene with Full Moon’s banner monsters Toulon’s puppets, and craftily edited re-cuts of them in a graveyard among the tombstones of various monsters, and them reviving their master, which would also count as them reviving whatever monster of the week Full Moon was spotlighting.

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5 Movies in 2016 I Liked That Everyone Else Didn’t

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With movie critics getting more and more stigmatized by bitter movie studios and petty film directors, it’s a good thing to know in the end that they’re all just opinions. This year I watched so many movies, and as always, my opinion is never gospel or the final word on any film. In 2016 I managed to like a few movies that were critically destroyed and I don’t apologize for finding value in these flops. I probably won’t go out to buy them, but I won’t flip the channel if they’re ever on cable, either.

What were some movies you liked that everyone else didn’t? Let me know in the comments.

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The 10 Best Films of 2016

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This is one of the first time in years I’ve had such a difficult period deciding which movies had to be cut from my top ten and which deserved to stay on. Of course I didn’t catch every thing I wanted to, as probably Manchester by the Sea and Edge of Seventeen may have been on the list, if I saw them. So while there are some omissions out of my control, this is the ten I ultimately stuck to. This is the ten best movies I saw in 2016, along with a big list of potential place holders I quite loved, just the same.

Movies in 2016 that almost made the list includes the moving science fiction thriller Midnight Special, the touching sequel Finding Dory, the elaborate and beautiful The Handmaiden, the fun Ti West western In a Valley of Violence, the superb and very scary sequel The Conjuring 2, the fun and moving Rogue One: A Star Wars Story, the hilarious and raucous antithesis to the superhero movie Deadpool, the sweeping fantasy thriller Doctor Strange, the incredible crime drama Hell or High Water, the very fun Adam Wingard reboot Blair Witch, the moving and fun teen drama Sing Street, the teeth grindingly compelling 10 Cloverfield Lane, and the chaotic survival thriller Green Room. Kudos to everyone behind these top notch movies I plan to revisit again and again in the coming years.

Now on the Top 10…

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The 10 Worst Films of 2016

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As always with these lists remember this is not gospel or definitive opinion, so by all means feel free to disagree, and share your own candidates for the worst films of 2016, below. It’s been a year filled with very good films and very bad films, and thankfully it wasn’t very hard to compile this list. There weren’t very many movies I’d call awful this year, but these are ten of easily the worst films studios released to audiences

Bad Movies in 2016 that almost made the list includes the silly Lauren Cohan starring horror drama The Boy, the insanely vapid The Angry Birds Movie, the painfully stupid animated film Batman: The Killing Joke, the tedious and lazy X-Men: Apocalypse, the pointless and scare free The Night Before Halloween, the pointless remakes of Cabin Fever, and Gasper Noe’s Martyrs, the Rob Schneider starring animated comedy Norm of the North, the continued murdering of Robert Deniro’s career known as Dirty Grandpa, the sickly sugary and obnoxious Trolls, the half baked sitcom My Big Fat Greek Wedding 2, the empty sequel Alice Through the Looking Glass, the moronic and mean spirited Clown, and the insanely awful anthology Holidays.

Now on to the Top 10…

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Josie and the Pussycats (2001)

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“Josie and the Pussycats” is kind of a “They Live” of its sub-genre, taking a cute premise and turning it on its head to show a decent rock trio and how they become consumed by corporations, merchandising, and the all consuming hunger of the fans that follow. Sadly in 2001, the world was inundated with endless boy bands and pop princesses, all of whom were Caucasian, very blond, and very young, and were always on MTV grinning and getting their fans to spend, spend, spend.  So, “Josie and the Pussycats” sadly got lost in the shuffle considered something of a celebration of consumerism, when really it kind of mocked the whole idea.

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Tommy (1975)

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Ken Russell’s adaptation of The Who’s rock opera “Tommy” is surreal, vivid, out of this world, and incredibly phantasmagorical. It’s everything you’d expect from Russell, and “Tommy” is every bit as unusual and mind blowing as the original rock opera is. What can you expect from a story about a young boy stricken deaf, dumb, and blind by his uncle Frank and mother Nora. With an irreversible disability, Tommy is left without the sensation to feel, or understand, or comprehend most things, so he’s a victim to everyone in his life, most of who are predators and sadistic monsters. Eventually Tommy becomes something of a deity when he gains the ability to sense certain elements of his environment, including the game of pinball.

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